21,668 shellac records · mostly British pressings, 1900s–1950s
21,668 records · page 142 of 452
His Master's Voice BD5893
Eric Winstone and his band with Anticipation and Frustration on Radiola A116.AI summary
Radiola A Dance
Eric Winstone was a British bandleader and accordionist who led dance and light-music ensembles throughout the 1930s and 1940s; this Regal side pairs 'Lover's Lullaby' with 'Bottle Party'.AI summary
Regal MR20391 Dance
Eric Winstone Band on Regal, a British orchestra and arranger who was active as a bandleader and composer—'Swing Bugler' and 'By Candlelight' show the light swing style of the 1950s.AI summary
Regal MR3608 Dance
Eric Winstone led a popular British dance orchestra, recorded here on Regal for 'As Time Goes By' and 'Let's Get Lost'. Winstone was active from the 1930s through the 1950s.AI summary
Regal MR3693 Dance
Erica Morini, the Austrian-American violinist regarded as one of the finest of the twentieth century, plays Variations on a Theme by Corelli and a Handel Larghetto on Schall 69823. Schall was a Danish Scandinavian label; Morini's recordings on non-mainstream labels are uncommon and she is a collected name in historic violin recording.AI summary
Schall 69823 Classical
Erica Storm recorded art-song repertoire including Schoenberg's Buch der Hängenden Garten for Columbia.AI summary
Columbia DB1787 Opera
Erich Kleiber conducts Mozart's German Dances on Polydor.AI summary
Polydor B21039 Orchestra
Erich Kunz, an acclaimed Austrian baritone, recorded two Viennese songs ('Wie Meinahn'l zwanzig jahr' and 'Treu sein das liegt mir nicht') for Columbia—examples of the operetta and vocal repertoire Kunz specialised in.AI summary
Columbia LB117 Voice
Erich Schroder, a German baritone, recorded lieder for Parlophone; German operatic and classical vocal repertoire of the interwar period.AI summary
Parlophone P1416 Voice
The Erich Zimmermann band recorded two dance selections on Odeon, a German pressing of the early 1920s; the B-side is in German.AI summary
Odeon 312615 Dance
Erik Enderlein, credited on Parlophone P1471, in two German sacred or lieder songs: Die Himmel ruhmen des Ewigen Ehre and Der Lenz.AI summary
Parlophone P1471 Voice
Erik Tuxen conducting the Danish State Radio Symphony Orchestra in a 'Little Suite for Strings', parts 1 and 2, on Columbia's premium classical DX series.AI summary
Columbia DX8401 Classical
Erik Tuxen conducting the Danish State Radio Symphony Orchestra performing a 'Little Suite for Strings' on Columbia's DX series (long-playing classical); Tuxen was a respected Danish conductor.AI summary
Columbia DX8402 Classical
Erna Sack, the German coloratura soprano, with La Folletta and Canzonetta on Telefunken A2035.AI summary
Telefunken A2035 Voice
Erna Sack, the German coloratura soprano, on Brunswick — a virtuosic vocalist known for her extraordinary range and technique, popular in recordings from the 1920s–40s.AI summary
Brunswick 02414 Opera
Erna Sack, the German coloratura soprano, sings Blue Danube and Roses from the South on Polydor 566.289.AI summary
Polydor 566.289 Voice
Erna Sack, the German coloratura soprano famous for her vocal range and yodelling, recorded 'I'm the Echo' and 'I Dream Too Much' for Brunswick. Sack was an international recording star of the 1930s–1950s, known for her precision and virtuosity.AI summary
Brunswick 131 Opera
Erna Sack, the German soprano, recorded 'They Call Me Mimi' and 'O Luce di Quest' Anima' (Verdi) for Radiofunk, a German label of the 1930s-40s.AI summary
Radiofunk 70075 Opera
Erna Sack, the German coloratura soprano, with Estrellita and Villanelle on Polydor 561119.AI summary
Polydor 561119 Voice
Erna Sack, the German coloratura soprano, with Ciribiribin and Funiculi Funicula on Polydor 561163.AI summary
Polydor 561163 Voice
Erna Sack sings Estrellita on a Decca sample copy.AI summary
Decca Sample Voice
Erna Sack, the German soprano specialising in coloratura and vocal effects, recorded two Italian opera arias, "Io sono Docile" and "Una Voce Poco Fa", for Decca.AI summary
Decca X150 Opera
Erna Sack, the German coloratura soprano known for her very high register, with Eine kleine Frühlingsweise and Heimatlied on Telefunken E1198.AI summary
Telefunken E1198 Voice
Telefunken GX61013
Ernest Butcher with The Lazy Shepherd and Parson and Me on Vocalion K05235.AI summary
Vocalion K05235 Comic
Ernest Butcher, a British comedian and music-hall performer, recorded these two novelty songs for Columbia, with titles suggesting comic Northern English monologues.AI summary
Columbia DB1520 Music Hall
Ernest Butcher was a British singer and composer of light vocal music. This early His Master's Voice recording of 'Come to the Fair' and 'I Love Someone in Somerset' is from the acoustic era (catalogue E200, indicating very early HMV pressing). These are sentimental character songs typical of the Edwardian music hall tradition.AI summary
His Master's Voice E200 Music Hall
Ernest Butcher was a British comedian and music-hall artist of the 1920s. This very early HMV E-series acoustic recording, numbered E7, captures two comic monologues: 'Cobblin' and 'Because I were shy', from the earliest days of commercial recording.AI summary
His Master's Voice E7 Music Hall
Ernest Butcher with Beware of the Maiden and a West Country dialect song about Tavistock Goosey Fair on Vocalion X9837.AI summary
Vocalion X9837 Comic
Ernest Butcher recorded 'Meet Mr. Therm' for HMV, catalogue JH15, in the 1930s; this appears to be a novelty or advertising tie-in record.AI summary
His Master's Voice JH15 Comic
Ernest Butcher performing two songs—the sentimental 'Peaceful Street' and the traditional drinking song 'Old and Mild' (credited to Regulars)—on Columbia's DB series from the late 1940s–early 1950s. Butcher was a music-hall and pantomime performer.AI summary
Columbia DB3207 Music Hall
Ernest Butcher, a British tenor, recorded these sentimental songs for His Master's Voice in the early electrical era; the E200 catalogue suggests a 1930s pressing.AI summary
His Master's Voice E200 Voice
Piccadilly 5008 Voice
His Master's Voice 4-2440 Voice
Ernest Crampton recorded 'Sedan Chair' on His Master's Voice, catalogue 4-2521. The artist and nature of the piece are not clearly established.AI summary
His Master's Voice 4-2521 Music Hall
Ernest Crampton sings two sentimental Edwardian-era ballads on His Master's Voice C460: "Flicker of the Firelight" and T. Bates's "White Sentinels," a very early pressing from around 1908–1912. HMV C-prefix records are among the earliest British mainstream pressings.AI summary
His Master's Voice C460 Voice
Ernest Hare performing the jazz novelties 'Saxophone Blues' and 'My Lovin' Sing Song Man' on Brunswick 2040, an early acoustic jazz-vocal recording from the 1920s.AI summary
Brunswick 2040 Jazz
Ernest Hare and Henry Burr, celebrated American vaudeville singers and recording artists, recorded 'Yankee Doodle' and 'Hail Columbia' for Little Pal Records. Hare and Burr were prolific and popular in the 1910s–1920s, and this appears to be a British issue of American material.AI summary
Little Pal 1056 Voice
Ernest Hare, a popular American vaudeville and recording artist of the 1910s–20s, recorded comic novelty songs for many labels; this LittleTots pressing of 'Cock a doodle doo' and 'Old Mother Hubbard' is from an obscure budget label.AI summary
LittleTots 105 Comic
Ernest Hare performing 'Santa Claus Hides in the Phonograph' and 'Santa Claus Will Soon Be Here' on Play, an obscure British label from the 1920s.AI summary
Play 215 Comic
Ernest Hare with Santa Claus Hides in the Phonograph and Christmas Morning at Clancey's on Brunswick 2333.AI summary
Brunswick 2333 Comic
Ernest Hastings recorded "A Soldier's Reminiscences" and "Church Bells as We Hear Them" for Columbia in the early 1920s. These are descriptive or programme pieces for recitation or instrumental performance.AI summary
Columbia 2451 Instrumental
Ernest Hastings on Columbia 2926, a comic vocal novelty from the early 1920s.AI summary
Columbia 2926 Comic
Ernest Hastings performing novelty pieces on Columbia, including variations on 'The Vicar of Bray'. The artist Ernest Hastings is not a major-label recording star, and the specific pressing is not identified in standard discographies.AI summary
Columbia 2494 Music Hall
Ernest Hastings performing sentimental ballads 'Emigrant's Letter' and 'Molly Magee' on Columbia 2518, from the early acoustic era.AI summary
Columbia 2518 Voice
Ernest Hastings on Columbia Records with 'Exemptions are otherwise' and 'I've heard a Rumour'.AI summary
Columbia 2772 Music Hall
Ernest Hastings is not well-documented. This Columbia 2973 side pairs 'Village blacksmith modern version' and 'Muldoon's ball', likely from the 1920s–early 1930s, representing popular novelty and traditional material.AI summary
Columbia 2973 Orchestra