21,671 shellac records · mostly British pressings, 1900s–1950s
21,671 records · page 185 of 452
Gertie Millar, a celebrated British musical-theatre star of the Edwardian era, performing 'Pretty Baby (Houp-La)' on His Master's Voice 034541, preserving a stage performer from the early 20th century.AI summary
His Master's Voice 034541 Music Hall
Gertie Millar was one of the most celebrated musical-comedy actresses of the Edwardian era, a star of the Gaiety Theatre and the wife of composer Lionel Monckton. This Decca pressing with the unusual catalogue designation 'elith' — possibly an early or anomalous Decca catalogue entry — contains 'Keep Off the Grass'. The catalogue designation is unusual and warrants physical examination.AI summary
Decelith Music Hall
Gertie Millar, a leading British musical theatre star of the Edwardian era, recorded 'I wore a little grey Bonnet' for His Master's Voice in the acoustic period. Early HMV vocal 78rpm from one of the stage's most celebrated performers.AI summary
His Master's Voice 03260 Voice
Gertie Millar, a British music-hall and revue star, sings 'Moonstruck' on His Master's Voice. Millar was famous in Edwardian musical theatre and remained active as a recording artist into the early acoustic era.AI summary
His Master's Voice 03215 Voice
Gertie Millar was a leading musical-theatre actress and comedian of the Edwardian stage, famous for her light comic soprano and roles in 'The Merry Widow' (1907) and other major productions. This HMV recording of 'A Quaker Girl' (a 1910 musical in which she starred) preserves her voice from the acoustic era.AI summary
His Master's Voice 03216 Personalities (Prs)
Gertie Millar, the British Edwardian musical-theatre star and soprano, recorded 'Tony from America' on His Master's Voice 03242. Millar was a major theatre star of the Edwardian era and early 20th century, known for her roles in musical comedies.AI summary
His Master's Voice 03242 Voice
Gertie Millar, the English musical theatre star and comedienne, performing 'Tony from America' and 'Moonstruck' on His Master's Voice C530. Millar was one of the most popular musical theatre performers of the Edwardian and 1920s era.AI summary
His Master's Voice C530 Voice
Gertie Millar (1879–1952), a British musical-comedy star and actress, with vocalist Stanley Girard, performing a duet from her era on His Master's Voice.AI summary
His Master's Voice C592 Music Hall
Gertie Millar, a celebrated Edwardian musical-comedy actress and singer, recorded these two songs for His Master's Voice. The C-series catalogue number places this pressing in the early 1910s. Millar was a West End star whose stage recordings remain sought after by theatre history collectors.AI summary
His Master's Voice C593 Music Hall
Gertie Millar, a West End musical theatre star of the Edwardian era, performing 'I Wore a Little Grey Bonnet' on His Master's Voice, recorded in the acoustic period (pre-1925).AI summary
His Master's Voice 03260 Personalities (Prs)
Swedish mezzo-soprano Gertrud Palson-Wettergren recorded these operatic showpieces for His Master's Voice; Palson-Wettergren was a respected recitalist in the first half of the 20th century.AI summary
His Master's Voice X2644 Opera
Gertrud Runge performing operatic arias (Carmen, Mignon) for G&T. An acoustic operatic recording from the early catalogue; scarce.AI summary
G&T 043048/72 Opera
Gertrude Johnson with Cyril Scott, the renowned British composer and pianist, performing 'Blackbird's Song' and 'Lullaby' on Columbia 5611.AI summary
Columbia 5611 Classical
Gertrude Kappel, a German mezzo-soprano, on Polyphon 66100 performing arias from Wagner's *Götterdämmerung* and Verdi's *La Forza del Destino*.AI summary
Polyphon 66100 Opera
Gertrude Lawrence was an American stage and film star of the 1920s–1950s; this Victor disc captures her in popular song, likely from the early 1930s.AI summary
Victor 27331 Personalities (Prs)
Gertrude Lawrence, the British stage and film star, performing 'Someone to watch over me' (a Gershwin standard) and 'May be' (with French) for Columbia, 4618. Lawrence was a celebrated actress, singer and dancer of the 1920s–1940s, known for her stage work, her film appearances and her recordings of popular and musical theatre material.AI summary
Columbia 4618 Personalities (Prs)
Gertrude Lawrence, the celebrated stage and film actress, on His Master's Voice B8030—a recording from the 1930s of one of musical theatre's brightest stars.AI summary
His Master's Voice B8030 Personalities (Prs)
Gertrude Lawrence on His Master's Voice B8031, performing 'Nymph Errant' and 'Solomon'. Gertrude Lawrence was a celebrated British stage actress and performer, a major star of 1920s-30s musical theatre.AI summary
His Master's Voice B8031 Personalities (Prs)
His Master's Voice B8137 Personalities (Prs)
Gertrude Lawrence, the American–British stage and film star, recorded 'Physician' on His Master's Voice OB5137; Lawrence was a noted musical-theatre performer and recording artist of the 1920s–40s.AI summary
His Master's Voice OB5137 Opera
Gertrude Lawrence, a major British and American stage star of the 1920s and 1930s, singing 'Experiment' for His Master's Voice. Lawrence was known for sophisticated cabaret material and musical theatre; the Odeon orchestral accompaniment and HMV prestige label suggest a high-quality studio recording.AI summary
His Master's Voice OB5138 Voice
Gertrude Lawrence, the legendary British-American stage star, performing songs from Noël Coward and elsewhere on Decca in the late 1930s. Lawrence was primarily a stage actress and singer, and her recordings are far rarer than her theatrical fame would suggest.AI summary
Decca F3578 Voice
Gertrude Lawrence was a major British and American stage actress and singer, famous for her work in Noël Coward musicals and musical theatre. This HMV recording (C4198, a classical coupling series) is likely from the 1920s-1930s and reflects her theatrical repertoire.AI summary
His Master's Voice C4198 Opera
Gertrude Lawrence, star of stage and film, singing 'Someday I'll Find You' and 'Limehouse Blues' on Brunswick, likely from the 1930s or early 1940s.AI summary
Brunswick 05001 Voice
Gertrude Lonsdale performing 'Loch Lomond' and 'Melisande in the Wood' on Ar 6114. Ar was a small British label. Lonsdale is not well-documented in standard discographies.AI summary
Ariel 6114 Voice
Gertrude Lonsdale performing sacred vocal music on Odeon: 'He Shall Feed His Flock' and 'Shepherd's Cradle Song'. Lonsdale was an accomplished classical vocalist of the early twentieth century.AI summary
Odeon 44905 Voice
Gertrude Lonsdale, a British soprano, on Odeon Records with two sacred vocal pieces; both are religious or devotional songs typical of early 20th-century parlour and concert repertoire.AI summary
Odeon 44905 Classical
Gertrude Niesen, an American jazz and torch singer popular in the 1930s–40s, on Brunswick — two comic novelty songs.AI summary
Brunswick 03602 Comic
Gerun on 'Around the Corner', recorded for Brunswick 01013. Brunswick 010xx series pressings date to the early 1920s; Gerun is not a widely recorded artist and further identification is needed.AI summary
Brunswick 01013 Voice
Gervase Elwes, the distinguished English tenor, on Columbia L1074. Elwes was celebrated for his concert and oratorio performances in the early twentieth century and died in 1921; his acoustic recordings are historically important but his death date means no late material exists.AI summary
Columbia L1074 Voice
Gervase Elwes, the celebrated English tenor, recorded Vaughan Williams' song cycle 'On Wenlock Edge' for Columbia in the early electrical era. Elwes was a major figure in British song and concert music in the early 20th century and one of the finest interpreters of English vocal music.AI summary
Columbia 7146-Col7150 Classical
Gervase Elwes on Columbia D 1374, with two vocal art songs: Shakespeare's Sonnet 18 and the 'Battle Hymn'. Elwes was a celebrated British tenor known for art-song and concert work.AI summary
Columbia D1374 Voice
Geza Komor was a German-Hungarian bandleader and TriErgon (TriErgon) was a significant European electrical recording label of the late 1920s–early 1930s. This side in German ('Achtung wir senden Tanzmusik' — 'Attention, we are broadcasting dance music') represents early European electrical recording technology and European dance music of the period.AI summary
TriErgon 5653 Dance
G. H. Chirgwin, the long-serving music-hall entertainer, sings 'My Fiddle Is My Sweetheart' and his signature song 'The Blind Boy' on Velvet Face.AI summary
Velvet Face 1097 Music Hall
G H Chirgwin, a British music-hall entertainer of the late 19th and early 20th centuries known as 'The White-Eyed Kaffir', recorded 'Blind Boy' and 'Asleep in the Deep' for Winner.AI summary
Winner 2263 Music Hall
George H. Chirgwin, a famous Victorian-era entertainer and 'The White-Eyed Kaffir', on Exo 214 with 'Asleep in the Deep' and 'The Blind Boy'. Chirgwin was one of the great stars of the 1880s-1900s; this is likely an acoustic or early electrical recording from the 1920s or early 1930s.AI summary
Exo 214 Music Hall
Diploma C110 Music Hall
G.H. Chirgwin, the Victorian-era 'White-Eyed Kaffir' entertainer, recorded for DipC (Dip), an obscure or short-lived label. By the acoustic era Chirgwin was retired, making this likely a reissue or compilation.AI summary
Diploma C38 Music Hall
G.H. Chirgwin, known as 'The White-Eyed Kaffir', was a major British music-hall star famous for his fiddle-playing act and signature song 'My Fiddle Is My Sweetheart'; Millophone was a short-lived British label.AI summary
Millophone 163 Music Hall
G.H. Chirgwin, the music-hall star famed for 'My Fiddle Is My Sweetheart', appears again here on Pelican, a reissue label.AI summary
Pelican 93 Music Hall
G.H. Chirgwin, the Victorian-era music hall entertainer (known as the 'White-Eyed Kaffir'), recorded for Bell catalogue 66, likely an early reissue or preservation of historical material.AI summary
Bell 66 Music Hall
G. H. Chirgwin, the long-serving music-hall entertainer, sings his signature song 'The Blind Boy' and 'Asleep in the Deep' on Velvet Face.AI summary
Velvet Face 1082 Music Hall
G. H. Chirgwin, the long-serving music-hall entertainer, sings his signature song 'The Blind Boy' and 'My Fiddle Is My Sweetheart' on Velvet Face.AI summary
Velvet Face 1097 Music Hall
G H Elliott, 'the Chocolate Coloured Coon', was a famous British music-hall performer of the Edwardian era, and his Regal 7294 sides 'Just a few Fusiliers' and 'Down Home in Tennessee' reflect his stage repertoire.AI summary
Regal 7294 Music Hall
G. H. Elliott, the 'Chocolate-Coloured Coon', was a famous Edwardian music-hall performer; 'Ragtime Soldier Man' and 'Dixie Dan' on Zonophone, catalogue 984, represent his early recording catalogue.AI summary
Zonophone 984 Music Hall
G. H. Snazelle, a British music-hall artist, recorded two novelty comic pieces for Zonophone: 'A Whistling Yarn' and 'German on the Telephone', catalogue 1114.AI summary
Zonophone 1114 Music Hall
G.H. Snazelle recorded 'A Whistling Yarn' for Gramophone & Typewriter, one of the earliest British recording labels, active in the 1900s–10s; the artist is otherwise obscure.AI summary
G&T 1318 Music Hall
GH Snazelle recorded 'The Whistling Stammerer' and a piece by Bill Adams for VF 1071, an obscure small British label of the 1920s-30s.AI summary
Velvet Face 1071 Comic