21,676 shellac records · mostly British pressings, 1900s–1950s
21,676 records · page 251 of 452
Decca F9986
Jo Ann Tolley with Too Sweet to Forget and Milestones on Regent 7070.AI summary
Regent 7070 Voice
Jo Stafford with The Best Things in Life Are Free and Better Luck Next Time on Capitol 13040.AI summary
Capitol 13040 Voice
Jo Stafford with Once and for Always and Almost Like Being in Love on Capitol 13076.AI summary
Capitol 13076 Voice
Jo Stafford with September Song and Sometime on Capitol 13372.AI summary
Capitol 13372 Voice
Jo Stafford, one of America's finest popular singers, recorded these two songs for Columbia's DB series. Stafford was known for her purity of tone and interpretive gifts; her recordings remain widely available.AI summary
Columbia DB3169 Voice
Jo Stafford with Georgia on My Mind and If I Loved You on Capitol 13344.AI summary
Capitol 13344 Voice
Jo Stafford, a sophisticated pop vocalist of the 1940s–50s, recorded 'If' and 'If You've Got the Money I've Got the Time' for Columbia; the latter is a known country-pop crossover.AI summary
Columbia DB2792 Voice
Jo Stafford with And So to Sleep Again and One Sweet Letter on Oriole CB1061.AI summary
Oriole CB1061 Voice
Jo Stafford with One Little Kiss and Wind in the Willow on Philips B22036H.AI summary
Philips B22036H Voice
Jo Stafford, the American singer, and Gene Autry recorded a duet of 'My Heart Cries for You' and 'Tennessee Waltz' for Columbia, catalogue DB2802, from the early 1950s.AI summary
Columbia DB2802 Voice
Jo Stafford with Love Me Good and Taking a Chance on Love on Philips PB633.AI summary
Philips PB633 Voice
Jo Stafford was an American pop and standards singer of the 1940s and 50s. 'Pretty Boy' and 'You Belong to Me' are two of her hits, pressed on Columbia.AI summary
Columbia 39811 Voice
Jo Stafford with Wind in the Willow and King of Paris on Philips PB688.AI summary
Philips PB688 Voice
Jo Stafford, a major American pop singer of the 1940s-1950s, recorded these two songs for Columbia's DB series. 'September in the Rain' is a jazz standard; 'Chow, Willy' is a playful novelty. Stafford was one of the most popular recording artists of the post-war era.AI summary
Columbia DB3333 Voice
Jo Stafford and Frankie Laine, two major American popular singers of the 1950s, duet on these standards; the label and catalogue details are not recorded.AI summary
Voice
Jo Stafford and Gordon MacRae with I'll String Along with You and You're Adorable on Capitol 13089.AI summary
Capitol 13089 Voice
Jo Stafford and Gordon MacRae with I'll String Along with You and Monday, Tuesday, Wednesday on Capitol 13258.AI summary
Capitol 13258 Voice
Joan and Doris Emney performing the music hall sketch 'A Sister to Assist 'Er' on Regal T2931, a budget-label pressing.AI summary
Regal T2931 Comic
Joan Crawford made a small number of recordings as a singer in the late 1920s and early 1930s, before her film career entirely eclipsed any musical ambitions. HMV B8909 coupling 'It's All So New to Me' with 'I'm in Love with the Honourable Mr So-and-So' is a British pressing of her vocal work, interesting to film-star collectors as well as record collectors.AI summary
His Master's Voice B8909 Personalities (Prs)
Joan Edwards and Bing Crosby (listed as C. Dennis) with Paul Whiteman's orchestra on Brunswick, recording Irving Berlin's "Easter Parade" and another standard.AI summary
Brunswick 02856 Dance
Columbia DX1003 Opera
Joan Martin and Eric Tutin on Regal C24612, performing 'Shy little girl from the ozarks' and 'The sundown yodel'. Country and cowboy songs were popular in British variety entertainment of the 1930s-40s, though neither artist is widely recognised.AI summary
Regal alC24612 Country
Joan Martin and Eric Tutin with Cabin in the Hills and My Pony, My Guitar and Me on Regal C24614.AI summary
Regal C24614 Country
Joan Weber with Let Me Go, Lover and Marionette on Philips PB389. Let Me Go, Lover was her 1954-55 hit.AI summary
Philips PB389 Voice
Jock Lorimer, a Scottish comedian and singer, in two comic Highland songs on Zonophone, the British budget label of the 1920s–30s.AI summary
Zonophone 551 Music Hall
Jock Lorimer performing Scottish comedy and dance material on Jumbo, a minor British label of the 1920s–1930s.AI summary
Jumbo 403 Comic
Jock Lorimer recorded 'D'ye ken Bonnie Mary' and 'Jessie Dear' for Zonophone, catalogue 639; Lorimer was a Scottish singer and the ballad repertoire reflects the ethnic and regional recording market.AI summary
Zonophone 639 Voice
Zonophone 2-42061 Music Hall
Jock McCallum sings That's the Reason Noo I Wear a Kilt and Tobermory on Festival 7096.AI summary
Festival 7096 Music Hall
Jock McDermott's band on Piccadilly Records with two novelty or Western-themed songs.AI summary
Piccadilly 669 Dance
Jock McGraw, a Scottish performer, singing 'Bonnie Leezie Lindsay' and 'Breakfast in Bed' on Whit 76, a British pressing.AI summary
Whit 76 Voice
Jock McGraw, a Scottish comedian and male vocalist, recorded 'Breakfast in Bed on Sunday' and 'I Love a Lassie' (the latter a traditional Scottish song) for Imperial, catalogue 960, in the early 1920s.AI summary
Imperial 960 Music Hall
Jock Mills performing Scottish instrumental pieces 'McGregor's Trip to London' and 'McIntosh' on Zonophone 1143. Zonophone was a British label active from the 1900s through the 1920s; Mills cannot be placed with confidence, though these appear to be pipe or fiddle music.AI summary
Zonophone 1143 Instrumental
Jock Whiteford recorded 'London Toon' for Scala Records, a small British label. Whiteford is not well documented; the title suggests Scottish or music-hall repertoire.AI summary
Scala 426 Music Hall
Jodi Sands with With All My Heart and More Than Only Friends on Moonglow 5039.AI summary
Moonglow 5039 Voice
Jodie Sands with With All My Heart and More Than Only Friends on London HL8456.AI summary
London HL8456 Rock
Joe 'Cannonball' Lewis on MGM 430 with 'Trust Me Again' and 'Train Whistle Nightmare', a post-war American label pressing.AI summary
MGM 430 Voice
Joe Belmont recorded waltz pieces 'Fascination' and 'Waltz Dream' for Scala, a small British label, in the 1920s–30s.AI summary
Scala 94 Dance
Joe Bennett on "Boppin' Rock Boogie" and "Black Slacks" for HMV POP399. Both titles are R&B and early rock and roll novelty numbers, suggesting a recording from the early 1950s. Bennett was a minor recording artist in that era.AI summary
His Master's Voice POP399 Rock
Winner 3771 Jazz
Joe Britton recorded 'Captain Ginjah' and 'Fish Sauce' for JBull (an unidentified small British label), catalogue 5326. Neither artist nor label is readily placed in standard discographies.AI summary
John Bull 5326
Joe Daniels on Parlophone, performing 'Chinatown' and 'In the Shade of the Old Apple Tree' — a British dance bandleader of the 1920s–30s.AI summary
Parlophone F322 Dance
Joe Daniels was a British swing-era drummer and bandleader who recorded for Parlophone. 'Who's Sorry Now' and 'Boogie for Googie' are typical 1940s swing sides; this is a standard commercial dance recording from a major British label.AI summary
Parlophone F2452 Dance
Joe Daniels, a British timpanist and bandleader, recorded "Chinatown" and "In the Shade of the Old Apple Tree" for Parlophone F322, early in his recording career in the late 1920s or early 1930s.AI summary
Parlophone F322 Dance
Joe Daniels was a British jazz drummer and bandleader who led the Hotshots, an influential British hot-jazz ensemble of the 1930s; this Parlophone side features two of his lively jazz recordings.AI summary
Parlophone F1999 Jazz
Joe Daniels and his dance band recorded two New Orleans-flavoured dance numbers on Parlophone, the British Columbia subsidiary, in the pre-war era.AI summary
Parlophone R4324 Dance
Joe Daniels and his Hotshots, a British jazz-influenced dance band of the 1930s, performing 'Whispering' and 'Limehouse Blues' on Columbia JX1007.AI summary
Columbia JX1007 Jazz