21,677 shellac records · mostly British pressings, 1900s–1950s
21,677 records · page 252 of 452
Joe Elvin recorded 'Over the Sticks' and 'Running to Orders' for Zonophone; songs about horse racing, likely from the 1920s or early 1930s.AI summary
Zonophone 794 Music Hall
Joe Elvin performing 'Life's little troubles' and 'Sunny seaside' on Zonophone 730, likely a British music-hall or comic song recording from the 1920s–1930s.AI summary
Zonophone 730 Music Hall
Joe Green performing 'I Wonder Why' and 'I Get the Blues When It Rains' on Rom (Romophone), a British label of the 1920s–1930s.AI summary
Romeo 945 Voice
Joe Green's Orchestra recorded dance and light orchestral music for Columbia in the 1920s–1930s. This CB-series pressing, with both sides identical, may be a dance variant or test pressing, making its status unclear.AI summary
Columbia CB605 Dance
Joe Green Orchestra recorded "Love Songs of the Nile" and "Stay Out of My Dreams" for Columbia DB1151 in the late 1940s or early 1950s.AI summary
Columbia DB1151 Dance
Joe Green's orchestra on Playtime, an obscure small British label, performing novelty material suggested by the titles.AI summary
Playtime 254 Dance
Joe Hayman, a popular American Jewish comic vocalist of the early 20th century, performing dialect comedy songs "Cohen on the Telephone" and "Abe Levi's Wedding Day" on Regal, a British budget label of the 1920s.AI summary
Regal 6450 Comic
Joe Hayman on Columbia 2779, performing 'Cohen & the Houseboat' in two parts. Hayman was a British character comedian and vocalist popular on stage and records.AI summary
Columbia 2779 Comic
Joe Hayman, a popular Jewish comedian and monologuist of the early 1900s, recorded his signature sketches for Columbia. 'Cohen on the Phone' and 'Abe Levi's Wedding Day' are his best-known titles and remain touchstones of early Jewish-American comedy recording.AI summary
Columbia 4036 Yiddish
Joe Hayman on Regal 7871, performing 'Cohen & Wireless' Part 1 and Part 2; a continuation of his comedy monologue series using Jewish-dialect characters and topical humour.AI summary
Regal 7871 Yiddish
Joe Hayman, a Jewish-dialect comedian and singer of the early 20th century, recorded a series of 'Cohen' monologues on Regal; this side features 'Cohen Phones the Plumber' and 'Cohen Phones Mrs Levi', characteristic of his popular Yiddish-inflected comedy routines.AI summary
Regal 7909 Yiddish
Joe Hayman was a Jewish-American comedy monologist whose 'Cohen' routine was a staple of vaudeville and early recording; these Columbia sides capture his persona in the 1910s-20s.AI summary
Columbia A2192 Comic
Joe Hayman, a comedic performer known for ethnic humour and monologues, recorded 'Cohen on the Telephone' and 'Abe Levi's Wedding Day' for Regal 6450, likely 1920s novelty material. Hayman was a well-known stage comic and early recording artist.AI summary
Regal 6450 Comic
Joe Hayman, a popular music hall comedian of the early 1900s, performing his 'Cohen' character sketches on Zonophone 5239. Hayman was known for rapid-fire comic monologues in Jewish and Irish dialects, recorded extensively in the acoustic era.AI summary
Zonophone 5239 Music Hall
Joe Hayman, a music-hall star known for comic sketches and novelty songs, recorded two Cohen character sketches for Aco, a small British label.AI summary
Aco 15833 Comic
Joe Hayman was a celebrated American dialect comedian famous for his 'Cohen' character routines; this Zonophone pressing, from a high catalogue number late in the label's run, captures two classic pieces of his humorous repertoire.AI summary
Zonophone 5239 Comic
Joe Haymes, an American bandleader and composer of the 1920s-30s, performing 'St. Louis Blues' and 'Should I?' on Vocalion S21.AI summary
Vocalion S21
Joe Haymes recorded 'I'se a Muggin'' and '(J Johnson) Goody Goody' for Rex Records (8777), a British label. Haymes was a dance-band bandleader of the 1920s–30s.AI summary
Rex 8777 Dance
Joe Haymes, a dance-band leader, recorded 'I Wanna Woo' and 'Polly Wolly Doodle' for Rex 8815. Haymes was active in the 1920s–30s but is not a major collector name.AI summary
Rex 8815 Dance
Joe Haymes' dance band on Rex with "Truckin'" and "Lady in Red", swing-era standards.AI summary
Rex 8647 Dance
Joe Haymes led a popular American dance band in the 1930s, and this Regal recording of 'Lady in Red' and 'To Call You My Own' represents his British issue. Regal was a budget label.AI summary
Regal MR1900 Dance
Joe Lewis on Pacific 042 with 'Right and Left Through Around Just One' and 'Merry Go Round', unidentified performer on an obscure small label.AI summary
Pacific C042
Joe Loco was a popular Cuban pianist and bandleader; this Tico Records (a New York Latin label) pressing of 'In the Mood' and 'Honeysuckle Rose' represents his Latin-jazz interpretations. Tico recordings are usually American pressings and UK copies are uncommon.AI summary
Tico 10-230 Dance
Joe Loss and his orchestra performing 'The rain in Spain' (Tango) and 'On the Street where you live' (Fox trot) on His Master's Voice POP477 from the 1950s.AI summary
His Master's Voice POP477 Dance
Joe Loss with Nesting Time and, by Tellini and Hooper, Only a Rose on Ariel 992.AI summary
Ariel 992 Dance
His Master's Voice BD6157 Dance
His Master's Voice BD6158 Dance
His Master's Voice BD6150 Dance
Joe Loss was a hugely popular British bandleader and pianist of the 1930s-50s, best known for his light orchestral and dance music. This His Master's Voice POP-series pressing of 'You're the Cream in My Coffee' and 'Young and Foolish' represents the mainstream dance repertoire that made Loss one of Britain's most commercially successful recording artists.AI summary
His Master's Voice POP174 Dance
Joe Loss and his orchestra recorded "June is Bustin' Out All Over" and "If I Loved You" from *Carousel* for His Master's Voice BD6072, post-war Rodgers and Hammerstein.AI summary
His Master's Voice BD6072 Dance
Joe Loss and his orchestra on the Regal label, a budget British imprint; Loss would become one of Britain's most popular bandleaders, and these early 1930s sides show his developing style.AI summary
Regal MR1418 Dance
Joe Loss and his band, one of Britain's most popular dance orchestras, recorded 'I Love You Very Much Madame' for Regal Records.AI summary
Regal MR1453 Dance
Joe Loss led one of Britain's most durable and commercially successful dance orchestras, recording constantly from the 1930s through the 1950s; this Regal coupling is from the late 1940s.AI summary
Regal MR1418 Dance
Joe Loss was a celebrated British bandleader and entertainer with a long career from the 1930s onward; this His Master's Voice side features two popular melodies ('Ellen Vannin' and the Irish standard 'Galway Bay').AI summary
His Master's Voice BD1220 Dance
Joe Loss was a British bandleader and entertainer famous for dance music; this His Master's Voice side pairs a novelty number with a sentimental song.AI summary
His Master's Voice BD5079 Dance
Joe Loss, a British dance band leader, on His Master's Voice; the titles suggest novelty or comedy numbers, likely 1950s.AI summary
His Master's Voice BD6048 Dance
Joe Loss was a popular British dance bandleader from the 1930s onward, known for swing and popular dance music. 'On the Isle of Kitchymiboko' and 'Nice Cup of Tea' are novelty and popular songs from the 1930s–1940s. This Regal MR2391 pressing is from that era.AI summary
Regal MR2391 Dance
Joe Loss band on His Master's Voice BD5974 from the 1940s or later. Loss was a prolific British dance bandleader and television personality.AI summary
His Master's Voice BD5974 Dance
Joe Loss was one of Britain's most prolific and commercially successful dance bandleaders from the 1930s onwards. This HMV side, from the BD series, typifies the fox-trot material that filled dance halls and radio schedules throughout the decade.AI summary
His Master's Voice BD5830 Dance
Joe Loss and his orchestra, a prolific British dance bandleader, recorded 'Vict'ry Polka' and 'Cow Cow Boogie' for His Master's Voice during the Second World War era.AI summary
His Master's Voice BD5836 Dance
Joe Loss band on "Skyliner" and "Gotta Be This or That" for HMV BD5914. Loss was a leading British dance bandleader of the 1930s–1950s, known for swing and popular dance orchestrations on BBC radio and records.AI summary
His Master's Voice BD5914 Dance
Joe Loss Band performing 'Festival Hop' and 'Rose I Love You' on His Master's Voice BD6094, a 1950s British dance recording.AI summary
His Master's Voice BD6094 Dance
Joe Loss and his orchestra, a long-established British dance band, recorded a stage performance live at Edinburgh Empire Theatre on His Master's Voice, a rare documentation of the band in concert.AI summary
His Master's Voice BD5638 Dance
Joe Loss was a popular British bandleader and BBC favourite, recorded here for the small Twin label. The catalogue number and 'Gaucho Serenade' suggest an early-to-mid 1930s pressing. Twin was a minor British imprint.AI summary
Twin FT8853 Dance
Joe Loss and his Dance Band, one of the most popular British orchestras of the 1930s–50s, performing 'My Prayer' and 'Begin the Beguine' on Regal MR3098.AI summary
Regal MR3098 Dance
Joe Lynch recorded 'Cottage by the Lee' and 'Pretty Little Galway Girl' for Glenside, likely a small Irish or British imprint.AI summary
GlensideW 112
Joe Marsala, a major American swing clarinet and tenor saxophone player, performing 'Tiger rag' and 'Clarinet marmalade' on Savoy 10-001. Marsala was a New Orleans-style and swing specialist in the 1930s–40s.AI summary
Savoy 10-001 Jazz
Joe Morley on HomDO (Home Decca) 903, performing 'Donkey Laugh' and 'The Jovial Huntsman', novelty/comedy numbers. HomDO was a budget imprint; Morley is unidentified.AI summary
Hom DO903