21,677 shellac records · mostly British pressings, 1900s–1950s
21,677 records · page 253 of 452
Joe Raymond band recorded novelty songs 'Dirty Hands Dirty Face' and 'My Sweetie Went Away' for Victor 19110, a US Victor pressing.AI summary
Victor 19110 Dance
Joe Raymond's band perform 'Hollywood' and Paul Whiteman's 'Linger Awhile' on Victor, the American subsidiary of His Master's Voice. The band is not well documented.AI summary
Victor 19211 Dance
Joe Samuels' band, a British dance orchestra, recorded "Tomorrow" and "Suze" for Triangle, a British label of the 1930s.AI summary
Triangle 11177 Dance
Joe Sullivan performing 'Oh, Lady Be Good' and 'Solitude' on Parlophone R2952. Sullivan was an accomplished American jazz pianist active from the 1920s to the 1950s, known for his stride-piano technique and sophisticated harmonies.AI summary
Parlophone R2952 Jazz
Parlophone R1686
Joe Sullivan, the American swing pianist, performing two compositions '24 Hours at Booths' and 'Bass Romps Away' on Sunset 10053, a British reissue label.AI summary
Sunset 10053 Jazz
Joe Taylor recorded 'Whispering Pines' and 'He's a Cowboy Auctioneer' for Red 1005. Red was a minor British label; the titles suggest country or novelty material.AI summary
Red Bird 1005 Country
Joe Townson performing 'Salome' and 'A to Z' on Zonophone, a British imprint owned by the Gramophone Company; Zonophone catalogue 101 suggests a very early pressing, likely 1900–1905.AI summary
Zonophone 101 Music Hall
Joe Valino was an American tenor and recording artist of the 1950s with a brief chart presence; this His Master's Voice POP single from the mid-1950s was a standard pop release aimed at the youth market.AI summary
His Master's Voice POP283 Voice
Joe Venuti, a pioneering jazz violinist of the 1920s–30s, recorded 'Star Dust' and 'Filigree' for Parlophone; Venuti was a virtuoso soloist and key figure in early swing.AI summary
Parlophone DP158 Jazz
Joe Venuti and Eddie Lang, two pioneering jazz instrumentalists, performing 'Sensation' and 'Hot Heels' on Parlophone R596, a British pressing from the late 1920s; Venuti was a virtuoso jazz violinist and Lang a master of jazz guitar.AI summary
Parlophone R596 Jazz
Joe Venuti performing 'There's No Other Girl' and 'Ooh That Kiss' with the Dorsey Brothers on Parlophone R1287. Venuti was a pioneering jazz violinist; this is a hot-jazz recording from the late 1920s.AI summary
Parlophone R1287 Jazz
Joe Venuti, a pioneering American jazz violinist, performing 'Penn Beach Blues' and 'Four String Joe' on Parlophone R109, an early electrical or acoustic-era jazz recording.AI summary
Parlophone R109 Jazz
Joe Venuti was the first great jazz violinist, a technical pioneer and prolific recording artist of the 1920s and 1930s. This Columbia CB pressing documents one of his classic jazz sides.AI summary
Columbia CB686 Jazz
Joe Venuti and his orchestra on Columbia CB686, 'In de Ruff' and 'Jazz me blues'. Venuti was a pioneering jazz violinist and prolific recording artist of the 1920s and 1930s, leading some of the most innovative hot-dance and jazz sessions of the era.AI summary
Columbia CB686 Jazz
Joe Venuti, the American jazz violinist and bandleader, recorded these two hot jazz sides for Columbia's CB series, likely in the early 1930s; 'Sweet Lorraine' showcases his inventive solo style.AI summary
Columbia CB708 Jazz
Joe Venuti, the pioneering jazz violinist, on His Master's Voice with two jazz novelty sides from 1929; Venuti was a leading figure in early jazz violin and a prolific recording artist.AI summary
His Master's Voice B4890 Jazz
Joe Venuti, the pioneering jazz violinist, recorded 'Dinah' and his version of 'Alexander's Ragtime Band' for Parlophone in the late 1920s; UK copies of his jazz sides remain uncommon.AI summary
Parlophone R982 Jazz
Joe Venuti, the pioneering jazz violinist, recorded 'Pardon me pretty baby' and 'Fine and dandy' with the Dorseys for Parlophone R993. Venuti's small-group hot jazz sides from the late 1920s and 1930s are sought by collectors of early swing.AI summary
Parlophone R993 Jazz
Joe Venuti, one of the first important jazz violinists, recorded 'Doin the uptown lowdown' and 'Sweet Lorraine' for Columbia's CB series. Venuti was a pioneering figure in jazz improvisation on violin during the 1920s-30s.AI summary
Columbia CB708 Jazz
Joe Venuti, one of the first important jazz violinists, recorded these two sides for Parlophone Records. Venuti was a pioneering soloist and bandleader in the hot dance style of the late 1920s–30s, and his violin solos became influential in jazz.AI summary
Parlophone R924 Jazz
Joe Venuti, the pioneering jazz violinist, with 'Doin' Things' and 'I Must Have That Man' on American OKeh.AI summary
Okeh 41133 Jazz
Joe Venuti, the jazz violinist, recorded 'Build a Little Home' and 'Little Dutch Mill' (credited to George Van Eps) for the Rex label; this UK pressing documents Venuti's prolific recording career of the late 1920s.AI summary
Rex 8169 Jazz
Joe Venuti, the pioneering jazz violinist, performing 'Four String Joe' and 'Penn Beach Blues' on Parlophone.AI summary
Parlophone R109 Jazz
Joe Venuti, a pioneering jazz violinist, recorded 'In de Ruff' and 'Jazz Me Blues' for Columbia CB686. Venuti was a major jazz innovator of the 1920s-30s whose ensemble recordings are highly sought by collectors.AI summary
Columbia CB686 Jazz
Joe Venuti was the first major violin virtuoso of hot jazz and a prolific recording artist from the 1920s onward, celebrated for his swing-era brilliance and technical mastery. This Parlophone R-series recording pairs his own 'Wolf Wobble' with George Mackenzie's 'Georgia on My Mind', capturing his characteristic rhythmic vigour and bluesy phrasing.AI summary
Parlophone R1071 Jazz
Joe Venuti, the pioneering Italian-American jazz violinist, performs 'Filigree' and 'Santa Lucia' on Parlophone R3327.AI summary
Parlophone R3327 Jazz
Joe Venuti, an influential American jazz violinist and swing musician of the 1920s-40s, recorded for Decca. Venuti's recordings are prized by jazz enthusiasts and Decca F series sides from this era often hold value.AI summary
Decca F3860 Jazz
Joe Venuti's Blue Four, a hot-dance chamber jazz group, recorded "Penn Beach Blues" and "Four String Joe" for Parlophone R109. Venuti was a virtuoso violinist and a pioneer of small-group jazz recording in the late 1920s.AI summary
Parlophone R109 Jazz
Joe Venuti was an American jazz violinist and pioneer of jazz string playing in the 1920s. His Blue Four featured some of the finest jazz musicians of the era. This Parlophone recording of 'Wolf Wobble' and 'Georgia on My Mind' (credited to Mackenzie) captures hot-jazz violin and ensemble work from the late 1920s.AI summary
Parlophone R1071 Jazz
Joe Venuti and Eddie Lang, two of jazz's greatest string virtuosos, recorded "Stringing the Blues" and another piece for Columbia — these sides are canonical early jazz chamber recordings.AI summary
Columbia DB5001 Jazz
Joe Venuti and Eddie Lang, pioneering jazz violinist and guitarist, recorded 'Stringing the Blues' and 'Black and Blue Bottom' for Columbia DB5001 in the late 1920s; these are landmark hot jazz recordings.AI summary
Columbia DB5001 Jazz
Two popular ballroom and novelty songs credited to Joe Wheeler on Parlophone DP series, from the 1920s or 1930s.AI summary
Parlophone DP335 Voice
Joe Wick Band performing light orchestral standards on Brunswick in the early 1930s.AI summary
Brunswick 82342 Dance
Joe Wick's band recorded 'On the Sunny Side of the Street' and 'Creole Love Call' for Brunswick. These are late 1920s or early 1930s dance sides on a major American label with UK distribution.AI summary
Brunswick 82346 Dance
Joe Wilbur on Imperial Records, a cheap British label, performing a popular song and a traditional ballad.AI summary
Imperial 2273 Voice
Joe Loss's dance band, credited as Mel Rose, recorded 'Fare thee well' and 'Voice in the old village choir' for Regal MR3231, dance and sentimental vocal material from the 1930s.AI summary
Regal MR3231 Dance
Joey Shields was a British vocalist who recorded with Spike Hughes, a British composer and bandleader known for his swinging orchestral jazz recordings of the 1930s. 'St James Infirmary' is a classic blues-jazz standard; this Decca F-series recording represents Hughes's influential hot-dance orchestration.AI summary
Decca F2584 Jazz
Johan Hye-Knudsen recorded 'Qarrtshluni Op. 36' in two parts for His Master's Voice; a classical or contemporary composition, likely Scandinavian in origin, from the DB catalogue of the 1940s–1950s.AI summary
His Master's Voice DB5250 Classical
Parlophone F1073
An orchestra directed by Strauss performing two Strauss waltzes, 'Freut Euch des Liebens' and 'Thousand and One Nights', for Columbia, from the early acoustic era.AI summary
Columbia 9226 Orchestra
Johannes Herskind, a Danish musician, recorded these waltzes from *Klokken fra Corneville* (a Danish operetta) on Odeon; the catalogue number suggests a 1920s–1930s pressing.AI summary
Odeon 144253//4 Instrumental
Johannes Sembach was a distinguished Wagnerian baritone of the late 19th and early 20th centuries; 'Nothung' from *Die Walküre* is a dramatic tenor showpiece, here recorded in a Columbia pressing.AI summary
Columbia A5842 Opera
John Amadio on Zonophone, performing the classical pieces 'Witches Dance' and 'Papillion' — likely a woodwind or string instrumentalist of the early 20th century.AI summary
Zonophone 2126 Classical
John Ansell Band recorded dance and light orchestral material for Winner, a British label of the late 1920s.AI summary
Winner 3229 Dance
John Ansell Band on Winner Records, catalogue 3118, a dance-band recording from the late 1920s or early 1930s. Winner was a minor British label.AI summary
Winner 3118 Dance
The John Ansell Band, a British dance orchestra, recorded these two popular songs for Winner 3173, a minor British label of the 1930s.AI summary
Winner 3173 Dance
John Barbirolli, the renowned British conductor, recording 'Star of Eve' and 'Broken Melody' for Velvet Face. A small label recording of a major conductor.AI summary
Velvet Face 1131 Classical