21,561 shellac records · mostly British pressings, 1900s–1950s
21,561 records · page 305 of 450
Mark Sheridan on Regal catalogue 7197, with 'ABC — The Sheridan Dictionary' and 'Mr. Bottomley John Bull'. Regal was a Columbia budget subsidiary; Sheridan sides on Regal are among the commoner of his label appearances.AI summary
Regal 7197 Music Hall
Mark Sheridan on Regal catalogue 7213, with 'Mother' and 'McKenna's Singing Lesson'. Regal was a Columbia budget subsidiary and Sheridan sides on Regal are among the commoner of his label appearances.AI summary
Regal 7213 Music Hall
Mark Sheridan, a British music-hall star and comic singer of the Edwardian era, on "They All Come Out in the Summertime" for Zonophone 42371. Sheridan was famous for his comic monologues and novelty songs and remains a key figure in the history of British variety.AI summary
Zonophone 42371 Music Hall
Mark Sheridan singing 'Belgium Put the Kibosh on the Kaiser' and 'Here We Are Again' on Columbia 2483. Sheridan was a popular British music hall comedian and singer, and the title track is his best-known comic song about the First World War.AI summary
Columbia 2483 Music Hall
Mark Sheridan on "Here We Are Again" and "Belgium Put the Khibosh on the Kaiser" for HMV 1401. Sheridan was a major British music-hall star and comic singer of the Edwardian era, known for witty and topical songs; the Kaiser song dates this recording during or shortly after World War I.AI summary
His Master's Voice 1401 Music Hall
Markel performing 'Rose Marie' and 'Indian Love Call' on the Ar label, a small British imprint. Both are famous popular operetta numbers from the 1920s.AI summary
Ariel 4113 Voice
Markel on Ar 4113, performing "Rose Marie" and "Indian Love Call" — popular sentimental numbers. Ar was a small British label; the artist is unidentified.AI summary
Ariel 4113 Voice
Markel was a singer on the Winner label, a budget British marque. The titles are standard popular songs from the 1920s or early 1930s.AI summary
Winner 4823 Voice
Markel performing 'Hi-Ho the Merry O' and 'Hello Aloha How Are You' on Brunswick 3218, from the early 1930s.AI summary
Brunswick 3218 Dance
Markel recorded these popular songs on the Imperial label, a minor British imprint.AI summary
Imperial 1863 Voice
Marlene Dietrich sings the theme from 'I Am a Camera' and 'Peter' on Philips.AI summary
Philips PB472 Personalities (Prs)
Marlene Dietrich, the legendary German-American cabaret and film star, recorded "Time on My Hands" and "I Couldn't Sleep a Wink Last Night" for Columbia's DC-series, a prestige label of the 1930s–1940s. Dietrich's sultry, iconic voice defined an era of nightclub and theatrical recording.AI summary
Columbia DC601 Personalities (Prs)
Marlene Dietrich recorded 'Peter' and 'Johnny' for Decca in the mid-to-late 1930s, songs from her film career.AI summary
Decca M447 Personalities (Prs)
Marlene Dietrich singing in German on His Master's Voice, from the 1930s–40s, drawing on her cabaret repertoire.AI summary
His Master's Voice EG1802 Voice
Marlene Dietrich, the German-American cabaret star and actress, performing two songs: 'Johnny' and 'Peter'. Vx was a budget British label of the 1930s.AI summary
Vx 16072 Voice
Marlene Dietrich performing two German songs ('Wo ist der Mann' and 'Ja so bin ich') on Brunswick, from the early 1930s, capturing the celebrated German-American chanteuse during her transitional period between Berlin cabaret and Hollywood stardom.AI summary
Brunswick 85018 Voice
A duet between Marlene Dietrich and Rosemary Clooney, "Too Old to Cut the Mustard" and "Good for Nothin'", recorded for Columbia in the early 1950s; the title track was a novelty hit.AI summary
Columbia DB3160 Voice
Marlene Dietrich and Rosemary Clooney, 'Good For Nothin'' and 'Too Old To Cut The Mustard', on Columbia 39812; a duet between two major popular singers of the 1950s.AI summary
Columbia 39812 Voice
Marlow & Maple recorded 'California & you' and 'Give me a little cosy Corner' for Bullet (Bull), probably in the early 1920s. The artists and the label are both minor.AI summary
Bulldog 657 Dance
Marlow and Maple recorded 'At the Jazz Town Novelty Ball' and 'Jazz' on Bulldog, an obscure British label of the late 1920s-early 1930s. The artists are not well documented.AI summary
Bulldog 658 Jazz
Mars MacLaren and Everard recorded 'I worship the Ground' and 'Down by the Wangaroo' for Odeon 66619, likely Australian or British music-hall or novelty material from the 1920s–30s.AI summary
Odeon 66619 Music Hall
Marsh Little recorded two hymns or sacred vocal pieces—'God Be With You' and 'When the Mists Have Rolled Away'—for Winner, a cheap British pressing house of the early 20th century. Winner's output is poorly documented.AI summary
Winner 2130 Voice
Mart Kenney & His Western Gentlemen recording 'The West is a Nest and You Dear' on Victor 216593, a North American pressing. Kenney was a prominent Canadian dance-band and Western-swing leader.AI summary
Victor 216593 Country
Marta Eggerth, a Hungarian-born soprano who became an international opera and musical-theatre star, recorded these two German romantic art-songs for Odeon; Eggerth was celebrated in German and Austrian culture.AI summary
Odeon 011891 Opera
Key 608 Dance
Martinas and His Music recorded 'Cha cha Momma Brown' and 'My Bonnie lies over the Ocean' for Columbia. The 'Cha cha' title suggests a recording from the 1950s when Latin dances were fashionable, though the artist is not established in major discographies.AI summary
Columbia DB4223 Dance
Giovanni Martinelli and Antonio de Luca recorded 'Dio che nell' alma' (from Verdi's *Un ballo in maschera*) for His Master's Voice. This is an operatic duet from one of the greatest tenors of the 20th century and a baritone soloist, part of Martinelli's extensive recorded legacy.AI summary
His Master's Voice 2-054117 Opera
Marty Wilde with Afraid of Love and Love Bug Crawl on Philips PB781.AI summary
Philips PB781 Rock
Marty Wilde with Endless Sleep and Her Hair Was Yellow on Philips 835.AI summary
Philips 835 Rock
Marty Wilde with Oh I'm Falling in Love Again and Sing Boy Sing on Philips PB804.AI summary
Philips PB804 Rock
Marty Wilde with Endless Sleep and Her Hair Was Yellow on Philips 835.AI summary
Philips 835 Rock
Marty Wilde with Endless Sleep and Her Hair Was Yellow on Philips 835.AI summary
Philips 835 Rock
Philips PB781 Rock
Mary Boyer and M. Piccalugga recorded the 'Duo du Portrait' (Portrait Duet) for Columbia 50604, likely an operatic or theatrical piece.AI summary
Columbia 50604 Opera
Mary Ellis, a British musical theatre star, performing "Paris in the Spring" with its orchestral introduction on ARPSR (likely an artist-restricted pressing), a format that suggests a limited pressing or reissue from the interwar period.AI summary
ARPSR 2 Voice
Mary Ellis, a British-American soprano and musical-theatre star, on Columbia performing songs from the popular repertoire. Ellis was prominent on stage and in recordings during the 1920s–30s.AI summary
Columbia DB1139 Voice
Mary Ellis, the American operetta singer and actress, recorded this Ivor Novello song for His Master's Voice; Ellis was a leading operetta star of the 1920s–1930s.AI summary
His Master's Voice B8890 Opera
Mary Garden, the Scottish-born opera singer, performing Scottish songs 'John Anderson My Jo' and 'Comin' Thro' the Rye' on Columbia A1190, a classical and voice issue from an early electrical era.AI summary
Columbia A1190 Opera
Mary Garden, the celebrated Scottish soprano and actress, singing two traditional Scottish songs, 'Jock O'Hazeldean' and 'The Blue Bells of Scotland', on Columbia catalogue A1191, likely a 1910s–1920s pressing.AI summary
Columbia A1191 Voice
Mary Garden, the Scottish-American soprano and opera star, recorded 'Across the Steppe' and 'En Vain pour eviter' for His Master's Voice VA18. Garden was a celebrated opera singer and interpreter of French repertoire, active from the 1900s onward.AI summary
His Master's Voice VA18 Opera
Mary Garden, the legendary Scottish opera singer, recorded two arias from Massenet's Thaïs on Columbia A5284 in the early 1920s; one of the great divas of the Belle Époque.AI summary
Columbia A5284 Opera
Mary Garden, the famous Scottish-American opera soprano, recorded 'Il Est Doux Il Est Bon' and 'Liberté' on Columbia A5289.AI summary
Columbia A5289 Opera
Mary Law recorded operatic and theatrical music for Zonophone in the early 1920s; this coupling of two operatic favourites is typical of acoustic-era vocal recordings on the secondary label.AI summary
Zonophone A231 Opera
Mary Law on Zonophone with two cello or string pieces: 'Le Cygne' and 'L'abeille' (the Swan and the Bee), and a movement from Moszkowski's Op. 35, No. 5—likely an instrumentalist on an early Gramophone Company subsidiary.AI summary
Zonophone A141 Instrumental
Mary Lou Williams, the American jazz pianist and composer, recorded two swing piano pieces for Columbia in the 1940s, from her prolific recordings of that decade.AI summary
Columbia DB5003 Jazz
Mary Martin, the American stage and film star, recorded 'Katie went to Tahiti' and 'Friendship' for Brunswick Records in the 1940s–50s.AI summary
Brunswick 03393 Voice
Mary Martin, the American Broadway and film star, recorded this novelty duet with other performers for Columbia. Martin was a major stage and film personality of the 1940s–1950s, known for her roles in Rodgers and Hammerstein musicals.AI summary
Columbia DB2813 Personalities (Prs)
Mary Martin, the American musical-theatre and film star famous for her roles in Broadway productions and Hollywood musicals, recorded 'Almost Like Being in Love' and 'Beyond the Blue Horizon' for Brunswick; both are popular standards from the 1940s–1950s.AI summary
Brunswick 04058 Voice