21,561 shellac records · mostly British pressings, 1900s–1950s
21,561 records · page 304 of 450
Marius Jacobsen recorded two Scandinavian or Scandinavian-language pieces, 'Laengsel' and 'Foraarslaengsel', for His Master's Voice on the X series. The titles suggest Danish or Norwegian repertoire.AI summary
His Master's Voice X3893 Voice
Marius Winter led a British dance band; this Broadcast disc from the early 1930s is a two-minute side carrying two popular songs.AI summary
Broadcast 2594 Dance
Marius Winter band on "On with the Show 1931" for Imperial 2474. The title and catalogue suggest a recording from 1931, and Winter was likely a British or European bandleader of that era.AI summary
Imperial 2474 Dance
Zonophone 2395
Russian songs sung by Mariya Emskaya on Sirena, the Warsaw record label of the years before the First World War.AI summary
Sirena 10570 Voice
Marjorie Hayward performs 'Romance' and 'Valse' on His Master's Voice, a salon or light instrumental recording from the acoustic era, likely 1920s.AI summary
His Master's Voice B1926 Instrumental
Marjorie Hayward recorded 'In Hammersbach' and 'Le Luther di Cremone' (about the Cremona violin makers) for His Master's Voice—likely lyric soprano vocal repertoire from the 1920s–1930s.AI summary
His Master's Voice B2511 Classical
Marjorie Hayward performed these folk dances from the Henry VIII era for HMV, an early electrical or acoustic recording that preserves historical and cultural material.AI summary
His Master's Voice C722 Orchestra
Marjorie Hayward and Una Bourne on His Master's Voice, performing the Kreutzer Sonata — a chamber music recording of Beethoven's famous violin and piano work.AI summary
His Master's Voice C844/854 Classical
Panachord 25004
Mark Hambourg was a renowned British concert pianist of international standing. This His Master's Voice recording documents his interpretation of Beethoven's Scherzo from Sonata Op. 31. HMV 5572 is from the electrical recording era, likely the late 1920s or early 1930s. Classical piano recordings by major artists of this period are collected.AI summary
His Master's Voice 5572 Classical
Mark Hambourg, a celebrated Russian-British pianist of the early 20th century, performing Poldini's *Étude*, a virtuoso showpiece for the concert hall. This HMV acoustic recording dates from the 1920s and captures one of the era's most admired keyboard artists.AI summary
His Master's Voice 5573 Classical
Mark Hambourg, a world-renowned concert pianist, performing Dvořák's 'Humoresque' on His Master's Voice 5594. Hambourg was a major recording artist and his interpretations are valued by collectors of piano classics.AI summary
His Master's Voice 5594 Classical
His Master's Voice 5634 Music Hall
Mark Hambourg was a Russian-born British pianist who had a major concert career from the late nineteenth century into the mid-twentieth century, recording extensively for HMV. This HMV D766 disc contains Manuel de Falla's 'Fantasia Baetica' across two sides — one of the most demanding and unusual works in the piano repertoire. A Hambourg recording of the Falla Fantasia is a rare and significant document.AI summary
His Master's Voice D766 Instrumental
Mark Hambourg, a celebrated Russian-British virtuoso pianist, recorded Beethoven's Moonlight Sonata for HMV. Hambourg was one of the major concert pianists of the early twentieth century.AI summary
His Master's Voice 05544 Classical
Mark Hambourg, a renowned Russian-British concert pianist of the early twentieth century, recorded Rachmaninoff's 'Prelude in C Sharp Minor' for His Master's Voice. Hambourg was one of the finest pianists of the era, and his recordings are collected.AI summary
His Master's Voice 05574 Classical
Mark Hambourg performing Mendelssohn's 'A Midsummer Night's Dream' overture and other selections on His Master's Voice D859. Hambourg was a celebrated British concert pianist of the late 19th and early 20th centuries, known for his interpretations of Romantic repertoire.AI summary
His Master's Voice D859 Classical
Mark Hambourg was a celebrated Russian-British concert pianist of the twentieth century. 'Danse' is a piano solo, probably a classical or romantic-era concert piece. This His Master's Voice D534 pressing is from the classical series, probably 1920s–1930s.AI summary
His Master's Voice D534 Classical
Mark Hambourg, the British concert pianist, on His Master's Voice D64 performing two salon pieces—a march and Liszt's 'Liebestraum'.AI summary
His Master's Voice D64 Classical
His Master's Voice D69 Classical
Mark Sheridan on His Master's Voice B470, a double-sided pressing coupling 'One of the B'Hoys' (dated 1910) and 'At the Football Match Last Saturday' (dated 1905). The HMV B-series is a standard early electric-era pressing; these two Sheridan titles are among his better-known recordings.AI summary
His Master's Voice B470 Music Hall
Mark Sheridan, the music-hall comedian of 'I Do Like to Be Beside the Seaside', sings 'Jolly Good Job the Sea Can't See' and 'I Do Like to Listen to the Church Bells' on Ariel.AI summary
Ariel 2096 Music Hall
Mark Sheridan, the music-hall comedian of 'I Do Like to Be Beside the Seaside', sings 'I Do Like to Listen to the Church Bells' and 'Jolly Good Job the Sea Can't See' on Albion.AI summary
Albion 1421 Music Hall
Mark Sheridan performing two less-familiar titles on the Jumbo label, catalogue 1008 — 'Jolly Good Job the Sea Can't See' and 'I Do Like to Listen to the Church Bells'. Jumbo was a budget British marque; Sheridan sides on the label are among the commoner of his recordings.AI summary
Jumbo 1008 Music Hall
Mark Sheridan, a British music-hall comedian, recorded 'Down where the water lillies grow' and 'We'll all march to Trafalgar Square' for Pathé, probably in the early 1920s. Sheridan was a known music-hall performer and recording artist.AI summary
Pathé 8879 Music Hall
Mark Sheridan was an early 20th-century British music-hall performer known for topical comic songs. 'The Josser Cricketer' and 'At the Football Match Last Saturday' are typical Edwardian patter songs. This Odeon pressing is from the acoustic era.AI summary
Odeon 44970 Music Hall
Mark Sheridan, a British music-hall entertainer, on Pathé 92982 performing two comic-patriotic songs from the early Edwardian era.AI summary
Pathé 92982 Music Hall
Mark Sheridan performing 'Belgium Put the Kibosh on the Kaiser' — one of the most popular British comic songs of the First World War — and 'Here We Are Again', on Columbia catalogue 2483. This wartime coupling is historically interesting; 'Belgium Put the Kibosh on the Kaiser' was a major patriotic hit of 1914.AI summary
Columbia 2483 Music Hall
Mark Sheridan was a popular Edwardian music-hall comedian, best remembered today for 'I Do Like to Be Beside the Seaside'; Phoenix was a small British label.AI summary
Phoenix 352 Music Hall
Mark Sheridan performing 'They All Come Out in the Summertime' on Zonophone catalogue 42371. The 42000-series Zonophone is an acoustic-era catalogue; Sheridan sides in this series are moderately uncommon.AI summary
Zonophone 42371 Music Hall
Mark Sheridan, the music-hall comedian who made 'I Do Like to Be Beside the Seaside' famous, sings 'At the Football Match Last Saturday' on a single-sided G&T. Of interest to football collectors as well as music-hall enthusiasts.AI summary
G&T 3-2353 Music Hall
Mark Sheridan performing 'One of the B'Hoys' on His Master's Voice catalogue 4-2106 — an early single-sided HMV pressing from the 4-2000 series. Sheridan's HMV recordings are earlier and less common than his later Odeon and Regal sides; single-sided HMV pressings in this series date from the early acoustic era.AI summary
His Master's Voice 4-2106 Music Hall
Mark Sheridan on Zonophone 2-42021 — 'You Don't Know You're Alive' — is a single-sided acoustic pressing from HMV's cheaper Zonophone subsidiary, likely from around 1905–1912. Sheridan's Zonophone sides are more common than his rarer imprint recordings but still attract music-hall collectors.AI summary
Zonophone 2-42021 Music Hall
Mark Sheridan, a music-hall entertainer of the Edwardian era, on HMV 02550 with 'Here We Are Again'. Sheridan was a significant performer from the 1900s-1910s; this recording is likely from the 1920s or early 1930s.AI summary
His Master's Voice 02550 Music Hall
Mark Sheridan was a popular Edwardian music-hall comedian remembered particularly for 'I Do Like to Be Beside the Seaside.' HMV C510 is a 12-inch pressing — the C-series denoted larger format — coupling 'Three Trees' with 'Wilkinson the Ledger Clerk' by Harvey and Roper. Sheridan's records on HMV are fairly well documented; the 12-inch format is less common than 10-inch.AI summary
His Master's Voice C510 Music Hall
Mark Sheridan, the Edwardian music-hall comedian best known for 'I Do Like to Be Beside the Seaside', performing two of his sporting comedy songs — 'The Josser Cricketer' and 'At the Football Match Last Saturday' — on Odeon catalogue 44970. Sheridan is well-documented and Odeon pressings of his work are moderately common.AI summary
Odeon 44970 Music Hall
Mark Sheridan was a popular Edwardian music-hall comedian, best known for 'I Do Like to Be Beside the Seaside'. This Odeon pressing, catalogue 44975, offers two less-familiar titles: 'The Doctor' and 'Epitaphs'. Odeon issued a substantial number of British music-hall sides and pressings at this catalogue level are moderately common.AI summary
Odeon 44975 Music Hall
Mark Sheridan on Victor catalogue 35229 — an American Victor pressing — with 'A Nightmare in the Desert' and the unusual 'Puzzle Record' on the reverse, which contains four different tracks starting from different points on the disc. Puzzle records were a novelty format of the early acoustic era; a Sheridan Puzzle Record on American Victor is an unusual combination that warrants investigation.AI summary
Victor 35229 Music Hall
Mark Sheridan on Zonophone catalogue 585 — a low catalogue number suggesting an early pressing — with 'By the Sea' and Williams's 'Let's Go Where the Crowd Goes'. Early Sheridan Zonophone recordings at low catalogue numbers are more uncommon than his later Odeon or Regal material.AI summary
Zonophone 585 Music Hall
Mark Sheridan on Zonophone catalogue 592 — a low catalogue number suggesting an early pressing. Sheridan's early Zonophone recordings are more uncommon than his later Odeon or Regal material; a catalogue number this low on Zonophone is characteristic of an early acoustic-era pressing.AI summary
Zonophone 592 Music Hall
Mark Sheridan on Zonophone catalogue 619 — a low catalogue number suggesting an early pressing. As with the Zon592 disc in this collection, early Sheridan Zonophone pressings at low catalogue numbers are more uncommon than his later Odeon and Regal recordings.AI summary
Zonophone 619 Music Hall
Mark Sheridan, the Edwardian music-hall comedian best known for 'I Do Like to Be Beside the Seaside', on Zonophone catalogue 727 — a low catalogue number suggesting an early pressing. Sheridan's Zonophone recordings at low catalogue numbers are earlier than his later Odeon material and more uncommon.AI summary
Zonophone 727 Music Hall
Mark Sheridan, a British music-hall comedian and singer of the Edwardian era, recorded two novelty songs, 'I Don't Want to Be Beside the Seaside' and 'What a Game It Is (Wow Wow)', for Empire records. Sheridan was known for comic songs and catchphrases in British variety.AI summary
Empire 1696 Music Hall
Mark Sheridan, the Edwardian music-hall comedian best known for 'I Do Like to Be Beside the Seaside', on Zonophone catalogue 752 — a low number suggesting an early pressing. Sheridan's early Zonophone recordings are more uncommon than his later Odeon material and worth checking against known discographies.AI summary
Zonophone 752 Music Hall
Mark Sheridan on Zonophone catalogue 811 — a low catalogue number suggesting an early pressing — with 'I Wanted a Wife' and Fay's 'I'm a Devil When I'm Annoyed'. Early Sheridan Zonophone recordings at low catalogue numbers are more uncommon than his later Odeon or Regal material.AI summary
Zonophone 811 Music Hall
Mark Sheridan on Regal catalogue 6508, with 'The World Turned Upside Down' and 'I Can't Help Loving the Ladies'. Regal was a Columbia budget subsidiary and Sheridan sides on Regal are among the commoner of his label appearances.AI summary
Regal 6508 Music Hall
Mark Sheridan on Regal catalogue 7030, with 'The Villain Still Pursued Her' and 'Skirts, Skirts, Skirts'. Regal was a Columbia budget subsidiary and Sheridan sides on Regal are among the commoner of his label appearances.AI summary
Regal 7030 Music Hall