21,561 shellac records · mostly British pressings, 1900s–1950s
21,561 records · page 361 of 450
Regal Dance band on two instrumental novelty dance numbers, Regal G-series pressing from the 1920s.AI summary
Regal G7504 Dance
The Regal Dance Band recorded 'Puss Puss' and 'Mello Cello' for Regal G7665, a novelty pair of dance numbers from the 1930s.AI summary
Regal G7665 Dance
Regal 7570 Jazz
Regent Dance Orchestra on Brunswick Records, catalogue 3306, with 'Tonight You Belong to Me' and 'Blame It on the Waltz'. Brunswick was a major label, and this is a routine dance side from the swing era.AI summary
Brunswick 3306 Dance
The Regent Military Band plays a Carmen selection in two parts on Duophone A1015.AI summary
Duophone A1015 Instrumental
The Regent Orchestra recorded 'Down in Maryland' and 'Lovelight in Your Eyes' for Curry's, a small British label of the early 1930s.AI summary
Curry's 3095 Dance
Credited to Regent and Cameron on Regal PC3, performing 'March of the Little Leaden Soldiers' and 'Night Patrol', atmospheric or descriptive instrumental pieces; the PC prefix on Regal is unusual and suggests an early or special catalogue series.AI summary
Regal PC3 Instrumental
Reggie Childs and his orchestra recorded these two sides for Regal, a budget British label; Childs was a minor British bandleader of the 1930s, little known today.AI summary
Regal MR1869 Dance
A regimental band of the French Republic recorded these two march-style pieces on Odeon, a major European label, in the early 1930s. These are straightforward military/ceremonial recordings.AI summary
Odeon 030601 Instrumental
Regina Pacini, the Portuguese soprano who later married Argentine president Marcelo T. de Alvear, sings an 'Ave Maria' and a nocturne on Fonotipia.AI summary
Fonotipia 1416/1418 Classical
Reginald Dixon on Sterno Records with two selections from 'Lilac Time'—Dixon was a noted British organist; this is likely a light-music or theatre-organ recording.AI summary
Sterno 8030 Instrumental
Reginald Dixon, the Blackpool Tower organist, plays 'I Was True' and 'Home' on Sterno, a British label of the early 1930s.AI summary
Sterno 903 Instrumental
Reginald Dixon, the Blackpool Tower organist, plays a Leslie Stuart selection in two sides on Sterno 927.AI summary
Sterno 927 Instrumental
Reginald Dixon was the famous organist of Blackpool Tower Ballroom from the 1930s through to the 1960s. This Twin label issue captures "Blackpool Switchback" in two parts, a light orchestral piece associated with the venue.AI summary
Twin 1682 Instrumental
Reginald Dixon, the famous English theatre organist, on Rex 9552 performing two sides of swing-time organ entertainment.AI summary
Rex 9552 Instrumental
Reginald Foort recorded 'An Old Violin' for Imperial, marked 'Sample'. Foort was a British organist and composer, but this appears to be a sample pressing or trial issue rather than a commercial release.AI summary
Imperial Sample Instrumental
Reginald Foort, a noted theatre organist of the 1920s and 1930s, recorded 'Whistling in the Dark' and 'Thrill Me' for Columbia DB612.AI summary
Columbia DB612 Instrumental
Reginald Foresythe, the British pianist and composer, performing his own composition 'Because It's Love' and the jazz standard 'St Louis Blues' on Columbia FB1141, a 1930s British recording.AI summary
Columbia FB1141 Jazz
Reginald Foresythe was a British pianist and composer known for sophisticated jazz-influenced arrangements; this Columbia side pairs two pieces from the early 1930s.AI summary
Columbia FB1031 Jazz
Reginald Gardiner, a British comic and character performer, on Decca, performing novelty or comic monologues; Gardiner was known for his impressions and character voices.AI summary
Decca F5278 Music Hall
Reginald Gardiner, a British pantomime and variety performer known for character sketches and impressions, recorded 'Trains' — a novelty sound-effects or mimicry piece — for Decca, catalogue F5278.AI summary
Decca F5278 Personalities (Prs)
Reginald King Orchestra recorded 'River Stay 'Way from My Door' and 'The Match Parade' for Film Records (327). Film was a British budget label of the 1930s; Reginald King was a light conductor and bandleader of modest prominence.AI summary
Filmophone 327 Dance
Reginald Purdell was a British actor, comedian and entertainer known for his work in theatre and light comedy. This Columbia DB-series pressing captures two humorous songs in his characteristic style.AI summary
Columbia DB1475 Comic
Reginald Purdell was a British light comedian and actor of the 1930s-50s; these comic song recordings on Columbia capture his music-hall style.AI summary
Columbia DB1475 Comic
Reginald Pursglove, a vocalist, recorded these two sentimental numbers for Regal; Pursglove is not well documented and appears to have been a minor singer.AI summary
Regal MR3777 Voice
Rehmstedt recorded "Lache Tanze Singe" and "Amazonas" for Columbia DCW7, a German-language acoustic or very early electrical side.AI summary
Columbia DCW7 Dance
Reichman performing 'I Wished on the Moon' and 'Why Dream' on Oriol 350904, a British label of the 1930s.AI summary
Oriole 350904 Dance
Reidar Kaas, a Norwegian vocalist, recorded 'Norwegian Serenade' and 'I Love You' on Home (HomH600), a minor British label of the 1930s.AI summary
Hom H600
His Master's Voice B8690
Alfred Reisman's orchestral recording of these popular standards for Brunswick in the late 1920s-30s.AI summary
Brunswick 500.433 Orchestra
Reisman performing 'Smile will go a long way' on Columbia 3456.AI summary
Columbia 3456 Dance
Harry Reisman was an American conductor and composer who led popular dance orchestras in the 1920s–1930s. This Columbia CB-series recording pairs two instrumental arrangements typical of his ballroom and novelty style.AI summary
Columbia CB44 Dance
Reisman (likely Carl Reisman or his orchestra) performs 'Let's Call It a Day' and 'Happy as the Day is Long' on His Master's Voice B6378.AI summary
His Master's Voice B6378 Dance
Harry Reisman's orchestra on 'Gold Diggers Song' and 'Shadow Waltz' (by Noble), His Master's Voice B6376. Reisman was a bandleader and composer popular in the late 1920s-early 1930s; both titles are from the 1933 film Gold Diggers of 1933.AI summary
His Master's Voice B6376 Dance
Reisman's orchestra, with Fred Astaire, recorded 'Smoke Rings' and 'Heart of Stone' for His Master's Voice, catalogue B6403. The collaboration with Astaire — who would become a legendary film dancer — makes this a significant popular recording of the late 1920s or early 1930s.AI summary
His Master's Voice B6403 Personalities (Prs)
Reisman (likely a Reisman orchestra) recorded 'Hoops' and 'Louisiana Hayride' for His Master's Voice B6419, billed as featuring the Astaires (Fred and Adele), major stage and film stars; this is a significant celebrity recording.AI summary
His Master's Voice B6419 Personalities (Prs)
Reisman with Lovable Eyes and, by Yerkes' S.S. Flotilla Orchestra, Stumbling on Vocalion 14347.AI summary
Vocalion 14347 Dance
Harry Reisman was an American bandleader and pianist active in the late 1920s and 1930s; this Victor recording of 'Savage Serenade' and 'Dinner at Eight' represents his dance-band output.AI summary
Victor JA206 Dance
Harry Reisman, a prolific bandleader of the 1920s–30s, recorded these two popular songs for Columbia's 3022 catalogue, capturing the light orchestral dance-music style of the era.AI summary
Columbia 3022 Dance
Reisman (Leo Reisman's orchestra) on Columbia 4450, performing "Silver Song Bird" and an orchestral novelty from the early 1930s. Reisman was a prolific dance orchestra leader of the swing era.AI summary
Columbia 4450 Dance
Reisman's orchestra performing 'Because They All Love Me' and 'Indian Love Call' on Columbia 242D, a dance record from the early 1920s.AI summary
Columbia 242D Dance
Reisman's orchestra performs two light instrumental selections on Columbia CB44, an early small-format pressing from the 1920s.AI summary
Columbia CB44 Orchestra
Leo Reisman's orchestra performing 'Bend down Sister' and 'Nothing too good for my Baby' on His Master's Voice B6126. Reisman was a sophisticated New York bandleader of the 1920s–1930s popular with recording companies.AI summary
His Master's Voice B6126 Dance
Reisman (a popular bandleader of the late 1920s–early 1930s) performing popular song material on His Master's Voice B6152.AI summary
His Master's Voice B6152 Orchestra
Reisman, likely Harry Reisman the bandleader, recorded Cole Porter's "Night and Day" and another standard for His Master's Voice.AI summary
His Master's Voice B6398 Dance
Reisman on Victor 22187, performing 'Here Am I' and 'Why Was I Born', popular songs of the 1920s–1930s. Reisman is unidentified; Victor 22000 series dates to the electrical era.AI summary
Victor 22187 Voice
Roy Reisman with Fred Astaire on Victor 22755: two numbers from the American musical *The Band Wagon*, recorded in the early 1930s.AI summary
Victor 22755 Personalities (Prs)
Reisman on Brunswick 01763, a novelty vocal with animal-themed titles from the 1930s or early 1940s American label, likely a mass-pressed dance or novelty release.AI summary
Brunswick 01763 Dance