21,561 shellac records · mostly British pressings, 1900s–1950s
21,561 records · page 362 of 450
Leo Reisman and his orchestra, a prominent American dance orchestra, performing two songs from George Gershwin's 'Porgy and Bess'—'There's a Boat Dat's Leavin' Soon for New York' and 'Summertime'—on Brunswick 03364.AI summary
Brunswick 03364 Orchestra
Reisman performing 'Spellbound' and 'Amado Mio' on Brunswick, the major American label's British pressing, catalogue 03738.AI summary
Brunswick 03738 Dance
Reisman, likely Harry Reisman and his orchestra, recorded 'I'm in the Mood for Love' and 'Take it Easy' for Brunswick catalogue RL290, from the mid-1930s.AI summary
Brunswick RL290 Dance
Reisman on Columbia 4434, performing 'Collette' and Lanin's 'Lucky Day', dance-band recordings from the 1920s.AI summary
Columbia 4434 Dance
An orchestra directed by Reisman, featuring the Astaires (Fred and Adele or similar), recorded "Hoops" and "Louisiana Hayride" for His Master's Voice; the pairing suggests a musical film tie-in or theatrical recording from the 1920s or 1930s.AI summary
His Master's Voice B6419 Personalities (Prs)
Columbia 1028
An unnamed band on Columbia 1025, performing 'Swing Song' and 'Ringelreihen'. Columbia 1025 is a very early catalogue number from the label's first years of operation.AI summary
Columbia 1025 Dance
An unidentified band performing two pieces from Gounod's opera Faust—the Soldiers' Chorus and a Waltz—on Columbia.AI summary
Columbia 1093 Orchestra
The Rena Military Band recorded operatic selections and marches for the Ren label, an obscure British imprint. This record pairs two movements from Verdi's Il Trovatore.AI summary
Rena 1075 Orchestra
Untitled
The Renard Quartet, a British string quartet, recorded for His Master's Voice. Without access to title information, the genre and scarcity of this recording cannot be determined.AI summary
His Master's Voice 08017
The Renard Trio performs a Schumann lied (solo song) on His Master's Voice 08027, an early acoustic-era catalogue number suggesting circa 1906–1912.AI summary
His Master's Voice 08027 Classical
Renate Müller, a German singer and actress, recorded for Decca F3220, likely late 1930s or early 1940s. Müller was a significant German recording star and film performer.AI summary
Decca F3220 Voice
Renato Carosone, the Neapolitan pianist and bandleader, recorded 'Lazzarella', a popular novelty, for Parlophone in the mid-1950s.AI summary
Parlophone R4366 Dance
Renato Danelli on His Master's Voice DA398, performing 'Si può' and 'Un nidi di memorie', Italian vocal songs. DA398 suggests an early acoustic recording from around 1920 or earlier.AI summary
His Master's Voice DA398 Voice
Renato Rascel was an Italian comic actor and singer; this Odeon disc carries two Italian popular songs, likely from the 1940s–50s.AI summary
Odeon L14058 Voice
Renato Rascel was an Italian entertainer and actor, recorded here on Odeon for two operetta numbers: 'In Un Palco Della Scala' and 'Le Roi de Chez Maxim'. The TW series suggests a 1950s pressing.AI summary
Odeon TW4076 Opera
René Valma performing two ballads on Winner, a British budget label. Without wider knowledge of this artist, the record appears as routine inter-war popular material.AI summary
Winner 5115 Voice
Renee Houston, a Scottish variety performer and singer, on two numbers for Columbia's DX series.AI summary
Columbia DX716 Music Hall
Renee Houston, a Scottish comedian and singer popular in British variety and pantomime, on Columbia; 'I Do' and 'True to Me' from the 1950s.AI summary
Columbia FB1307 Music Hall
Renee Mayer performing children's or novelty songs on His Master's Voice B541 — an early HMV catalogue number from c. 1910s–1920s.AI summary
His Master's Voice B541 Voice
Renzo Minolfi, an Italian operatic tenor, recorded selections from Donizetti's "Lucia di Lammermoor" for GC, a small Italian or European label. An obscure artist with a brief recording career.AI summary
Gramophone Company 054099/2134 Opera
The Republican Guard orchestra is a military ensemble, probably French (Garde Républicaine). 'Polka des Masques' and 'Bella-Bocca' are orchestral popular pieces. This Pantophone 702/10 pressing is from an obscure British imprint, probably 1920s–1930s.AI summary
Pantophone 702/10 Orchestra
Harry Reser recorded 'Say It Again' and Lanin's 'Goodnight' for Columbia, instrumental novelty work of the 1920s.AI summary
Columbia 3962 Instrumental
Columbia 3309 Dance
Reser recorded novelty piano numbers for Columbia in the early 1920s.AI summary
Columbia 4380 Instrumental
Harry Reser, influential jazz banjoist and composer, recording two instrumental pieces for Columbia in the mid-1920s; Reser was a prolific recording artist and innovator on the instrument.AI summary
Columbia 4437 Jazz
Curry's 338 Dance
Reser was a composer and bandleader who recorded instrumental pieces, likely dance or novelty material. This Odeon pressing is from the acoustic or early electrical era, circa 1920s.AI summary
Odeon 221103 Instrumental
Harry Reser recorded 'Swanee Shore' and '(Vorhees) Dawning', two instrumental pieces, for Columbia; Reser was the pre-eminent Hawaiian steel guitarist of the 1920s and 1930s.AI summary
Columbia 4873 Hawaiian
Harry Reser, an American ukulele and banjo soloist and popular dance-recording artist, recorded 'Ukulele Lady' and 'Yes Sir That's My Baby' (with the Brigode orchestra) for Columbia in the mid-1920s.AI summary
Columbia 3730 Instrumental
Harry Reser, an American banjo and ukulele soloist, recorded 'Craving' and 'When Eyes of Blue Are Fooling You' for Columbia in the mid-1920s; Reser was a popular dance and novelty recording artist of the period.AI summary
Columbia 3755 Instrumental
Reser (likely Harry Reser, an American banjo virtuoso) performing 'I'd rather be alone' and 'Rhythm of the Day' (credited to Gorman) on Columbia 3958.AI summary
Columbia 3958 Instrumental
Reser, recorded 'Somebody's Lonely' and 'Lonesome and Sorry' for Columbia 4023 in the early 1920s, likely a dance ensemble or solo pianist.AI summary
Columbia 4023 Instrumental
Harry Reser, a pioneering American jazz banjo and ukulele player, recorded 'Someone Is Losin' Susan' and 'Who Wouldn't' for Columbia, catalogue 4135, in the 1920s.AI summary
Columbia 4135 Jazz
Reser performing 'I'm in Love with You That's Why' and 'Clicquot' on Columbia, circa mid-1920s.AI summary
Columbia 4136 Dance
Harry Reser was an American banjo virtuoso and bandleader of the 1920s–30s; 'Susie's Feller' is a novelty title, and 'That Night in Araby' is a known popular standard. Columbia 4206 indicates a 1920s pressing. Reser's banjo and jazz-novelty sides are sought by hot-jazz and novelty collectors.AI summary
Columbia 4206 Jazz
Harry Reser was a pioneering jazz banjo and ukulele player; this Columbia recording from the mid-1920s features his hot-jazz style with the Columbians dance band.AI summary
Columbia 4558 Jazz
Reser performing two pieces on Columbia 4913, a British pressing of the late 1920s or early 1930s. The artist is unrecognised without research.AI summary
Columbia 4913 Dance
Reser with Sleepy Time Gal and Rambling Wreck from Georgia Tech on OKeh 40502.AI summary
Okeh 40502 Dance
Reser on Columbia 4271. Harry Reser was a prolific 1920s novelty and dance-band leader whose ukulele and xylophone sides remain of interest to jazz and dance-band collectors.AI summary
Columbia 4271 Dance
Reser's orchestra performing 'Ha Cha Cha' and 'Cross Eyed Kelly' on Decca, likely from the 1930s.AI summary
Decca F5400 Dance
Harry Reser, the banjo virtuoso, on Winner 4880, performing 'Sonny Boy' and 'Blue Grass', likely mid-to-late 1920s.AI summary
Winner 4880 Instrumental
Harry Reser was a banjo virtuoso and bandleader who recorded dance and novelty sides for Columbia in the 1920s–30s. 'I Wonder How I Look When I'm Asleep' and 'Fire' are typical novelty dance numbers; this is a standard commercial dance recording.AI summary
Columbia 4380 Dance
Harry Reser or his ensemble on Winner W62 performing dance and novelty numbers.AI summary
Winner W62 Dance
Reser on Imperial 2097, performing 'Sing a little love Song' and 'That's you Baby'.AI summary
Imperial 2097 Dance
Harry Reser, the celebrated Hawaiian steel guitarist and innovator, recorded two instrumental pieces — 'The Rainbow Man' and '(Dixie Marimba) Sleepy Valley' — for Imperial, a minor British label.AI summary
Imperial 2100 Hawaiian
Harry Reser was a banjoist and bandleader prominent in the 1920s dance-band scene, known for hot jazz and novelty numbers. 'That's What I Call Heaven' and 'I'll Always Be in Love with You' are typical of his recorded output for Imperial.AI summary
Imperial 2112 Dance
Harry Reser's Imperial label recording of popular dance tunes from the 1920s-30s; Reser was a pioneering jazz banjo player.AI summary
Imperial 2132 Jazz