21,561 shellac records · mostly British pressings, 1900s–1950s
21,561 records · page 384 of 450
Selby, recorded 'When Polly walks through the Hollyhocks' and 'Bright Eyes' for Piccadilly 364, a cheap British marque of the 1930s.AI summary
Piccadilly 364 Dance
Selby on Piccadilly 388, an unknown artist on a budget British label of the early 1930s.AI summary
Piccadilly 388 Dance
Selby recorded 'I lost my Gal again' and 'It's an old Spanish Custom in the Moonlight' for Piccadilly Records, a cheap British label of the late 1920s.AI summary
Piccadilly 729 Dance
Selby performs 'Louisiana' and 'Mistakes' on Piccadilly 184. Piccadilly was a cheap British budget label of the 1930s–1950s, common and mass-produced.AI summary
Piccadilly 184 Dance
The Selby Band recorded 'I Never Thought You Wonderful Until Today' and 'Duck Foot Sue' for Piccadilly 528.AI summary
Piccadilly 528 Dance
Selma Kurtz, credited on the German GC (Grammophon Company) label, 6943794; the title 'Es glanzie schon das Sternenheer' is a classical vocal piece, likely recorded in Berlin in the 1920s or early 1930s.AI summary
G&T G.C.-43794 Classical
G&T 53491
Selma Kurz performing a "Styrienne", an early acoustic Berliner recording by the celebrated Vienna Court Opera soprano.AI summary
Berliner 43014 Voice
Viennese coloratura soprano Selma Kurz in a scene from Gounod's "Faust", an early acoustic recording on the Berliner label.AI summary
Berliner 43015 Opera
Selma Kurz, the Vienna soprano famous for her trill, sings 'Ah! non giunge' from 'La sonnambula' and Arditi's 'Parla'.AI summary
Orthophonic 18644 Opera
Selma Kurz, the Vienna Court Opera soprano famous for her trill, sings Mimì's death scene from 'La bohème' on G&T.AI summary
G&T 43932 Opera
Selma Kurz was an Austrian operatic soprano of the late 19th and early 20th centuries, noted for her brilliant coloratura technique; this His Master's Voice 78 is a solo performance of 'Ave Maria', recorded in her later years.AI summary
His Master's Voice 43898 Opera
Selma Kurz, an Austrian soprano renowned for her coloratura roles, recorded 'Una Voce poco fa' (from Rossini's *The Barber of Seville*) and 'Vogel im Walde' for His Master's Voice, catalogue DA408.AI summary
His Master's Voice DA408 Opera
Selma Kurz, the celebrated Viennese coloratura soprano known for her extraordinary trill and her long tenure at the Vienna Court Opera, sings the Pagenarie on Zonophone 23014. The Zonophone 23000 series is a Continental or international pressing series; Kurz is a highly collected early operatic name.AI summary
Zonophone 23014 Opera
Selma Kurz (1874–1933), an Austrian soprano renowned for her Mozart and coloratura roles, recorded in Vienna for His Master's Voice performing the Glocken Aria (bells aria) from Lakmé.AI summary
His Master's Voice 575m Opera
Selma Kurz, the Vienna soprano famous for her trill, sings 'D'amor sull'ali rosee' from 'Il trovatore' and 'Ernani, involami' on Historic Masters, a society label issuing limited pressings from original Gramophone Company matrices.AI summary
Historic Masters HMB6 Opera
Selma Kurz, an Austrian soprano renowned for her coloratura technique, performing *Infelices consolata* from Verdi on His Master's Voice, recorded in the acoustic era. Kurz was one of the most celebrated voices of the early 20th century.AI summary
His Master's Voice Cc4768 Opera
Selma Kurz, the Vienna Court Opera soprano famous for her trill, sings a Page's aria on a single-sided Gramophone Company disc.AI summary
Gramophone Company 043232 Opera
Selma Kurz, the renowned Austrian soprano, in two operatic or lieder numbers: Ave Maria and Vogel im Walde, on the German label Polyphon 70673.AI summary
Polyphon 70673 Opera
Selma Kurz, an Austrian soprano renowned for her coloratura technique and Lieder recitals, recorded Schubert's 'Styrienne' and 'Der Vogel im Wald' (German Lied) on Zonophone; a significant European classical voice of the early 20th century.AI summary
Zonophone X23012/5 Classical
Selma Kurz was an Austrian soprano and operetta singer of international standing in the early twentieth century; this His Master's Voice acoustic recording preserves two Romantic songs in her intimate German art-song style.AI summary
His Master's Voice DA632 Opera
Selma Kurz and Leo Slezak, both major European opera singers, performing German opera duets 'O du Süßestes Mädchen' and 'Sind Wir Allein' for His Master's Voice. Kurz was a celebrated Austrian soprano; Slezak a prominent Czech tenor. This recording dates to the acoustic era (1900s–1920s).AI summary
His Master's Voice DA472 Opera
Selma Kurz, the celebrated Austrian coloratura soprano who was a prima donna at the Vienna Court Opera, performing 'Lockruf' with Ignacy Jan Paderewski at the piano, on HMV catalogue 043181. A Kurz recording accompanied by Paderewski — one of the most celebrated pianists of the age — is a primary document of Edwardian musical life and of exceptional collector interest.AI summary
His Master's Voice 043181 Opera
Selmar Cerini performing two Hebrew-language religious songs, 'Zaddik Kattomor' and 'U w'schofor godol', on Victor Records catalogue 3208. Both titles are drawn from Jewish liturgy or Yiddish folk traditions.AI summary
Victor 3208 Yiddish
Ben Selvin and orchestra perform two popular dance numbers on Columbia British 4599 from the late 1920s or early 1930s. Selvin was a prominent American orchestra leader and prolific recording artist.AI summary
Columbia 4599 Dance
Selvin's orchestra with 'Tell Me You're Sorry' and 'When' on Columbia 4911, a dance recording from the mid-1920s.AI summary
Columbia 4911 Dance
Ben Selvin's orchestra, a prolific American dance band of the 1920s–30s, recorded 'I Can't Give You Anything but Love' (Jimmy McHugh and Dorothy Fields, 1928) on Columbia 5072; a standard popular dance number of the era.AI summary
Columbia 5072 Dance
Selvin on Columbia IS1824, a dance side from the mid-1920s. Selvin was a prolific bandleader of the jazz age whose recordings appear across many labels.AI summary
Coliseum 1824 Dance
Ben Selvin's orchestra, one of the most prolific American dance bands, performing two sentimental popular standards on Olympian, a cheap British reissue label. These dance-band sides were mass-produced.AI summary
Oly 1468 Dance
Selvin with Now and Then and, by Yerkes' Marimba Band, On the Shores of Tripoli on Vocalion X9052.AI summary
Vocalion X9052 Dance
Selvin (likely Ben Selvin or his orchestra) on Clar (Clarion, a US budget label), with 'South Sea Isle' and 'Moon River'.AI summary
Clarion 1111 Dance
Selvin with It's the Darndest Thing and Everyone in Town Loves Little Mary Brown on Clarion 5394.AI summary
Clarion 5394 Dance
Ben Selvin and his orchestra, a prolific and popular dance band of the 1920s, perform light instrumental selections on Columbia CB21 — an early small-label pressing, catalogue number suggesting 1920s origin.AI summary
Columbia CB21 Dance
Selvin with Wonderful One and, by the Bar Harbor band, Red Moon on Vocalion M1138.AI summary
Vocalion M1138 Dance
Selvin for Vocalion, a minor American label, performing 'I Cried for You' and 'When June Comes Along'. Selvin is unrecognised. UK copies of American Vocalion pressings are scarce.AI summary
Vocalion M1173 Dance
Selvin with After the Storm and, by the Ambassadors, Remember'ing on Vocalion X9453.AI summary
Vocalion X9453 Dance
Ben Selvin was a prolific American orchestra leader and recording artist of the 1920s. 'Titina' and 'O Katharina' are typical light popular songs of the era, recorded by Selvin for Columbia.AI summary
Columbia 3690 Dance
Selvin on Columbia 3714, performing 'Steppin in Society' and Markel's 'Don't bother me', jazz-influenced dance recordings from the 1920s-30s.AI summary
Columbia 3714 Jazz
Selvin performing 'Collegiate' and 'Row row Rosie' (credited to Gresh) on Columbia 3743, likely from the 1920s-1930s.AI summary
Columbia 3743 Dance
Ben Selvin and his orchestra on Columbia J952 with 'When it's Springtime in the Rockies' and 'Dancing with Tears in my Eyes' (with Ruth Etting). Selvin was one of the most prolific dance-band leaders of the 1920s and early 1930s, recording hundreds of sides across multiple labels.AI summary
Columbia J952 Dance
Selvin's orchestra on Columbia, recording light dance material 'Let's Wander Away' with a Reisman composition. A typical dance-band side from Selvin's prolific 1920s recording career.AI summary
Columbia 3818 Dance
Ben Selvin's orchestra recording two sentimental ballads on Columbia from the late 1920s or early 1930s.AI summary
Columbia 3913 Dance
Ben Selvin led one of the most prolific American dance orchestras of the 1920s; this Columbia recording of 'Sweet and Low Down' and 'That Certain Feeling' is typical of his output, here attributed to a Mackey composition on the B-side.AI summary
Columbia 4063 Dance
Ben Selvin's orchestra on Columbia 4132 with dance and novelty material from the 1920s.AI summary
Columbia 4132 Dance
Selvin (likely Ben Selvin, a prolific conductor and violinist) recorded 'Bye Bye Pretty Baby' and 'Charmaine' for Columbia 4559, likely mid-to-late 1920s.AI summary
Columbia 4559 Dance
Ben Selvin and his orchestra on Columbia 5121, a dance band recording from the late 1920s. Selvin was a prolific American bandleader widely recorded in the US and for export.AI summary
Columbia 5121 Dance
Ben Selvin's orchestra recording two popular ballads on Columbia, from the late 1920s or early 1930s, in the dance and popular music style characteristic of the period.AI summary
Columbia 5226 Dance
Ben Selvin, a prolific American orchestra leader and recording director, recorded two sentimental standards for Columbia in the late 1920s.AI summary
Columbia 5306 Dance