21,668 shellac records · mostly British pressings, 1900s–1950s
21,668 records · page 70 of 452
Billy Williams was a British singer and music-hall performer active in the early 1900s. This early Columbia recording of two novelty or comic songs is a product of the acoustic recording era.AI summary
Columbia 693 Music Hall
Billy Williams recorded for Phoenix, a minor British label of the early 1930s, singing 'Mrs B' and 'Here We Are Again', light popular material.AI summary
Phoenix 040 Voice
Billy Williams, the Australian-born music hall singer, with I've Found Kelly and You're the One on Phoenix 041.AI summary
Phoenix 041 Music Hall
Billy Williams singing 'I Wish It Was Sunday Night' and 'I Do Wish That I Was a Ladies Man' on Phoen, an obscure British label.AI summary
Phoenix 069 Music Hall
Billy Williams recorded for Phoenix, a minor British label of the early 1930s; 'Let's All Go Mad' and 'Take Me Where There Are No Yes About' are novelty or comic titles from this period.AI summary
Phoenix 090 Voice
Billy Williams was a British popular singer of the 1920s-1940s. 'Take me back to USA' and 'Why can't we have the Sea in London' are novelty and topical songs. This Phoen (Phoenix) pressing represents a small British imprint.AI summary
Phoenix 091 Voice
Phoenix 092 Personalities (Prs)
Billy Williams on Regal 6001, performing 'Wake up John Bull' and 'I'll lend you my best girl'. Billy Williams was a popular British comedian and singer.AI summary
Regal 6001 Music Hall
Billy Williams performing comic or novelty songs with Scottish and domestic themes on Regal, a budget British label.AI summary
Regal 6008 Music Hall
Billy Williams, a British comedian and singer, recorded two songs for Regal, a British budget label, in the early 1930s.AI summary
Regal 6010 Music Hall
Billy Williams on Regal 6011, a vocal recording from the interwar period on the Regal label, a British subsidiary of Decca.AI summary
Regal 6011 Voice
Billy Williams, a Scottish entertainer, singing two comic Irish-themed songs on Regal Records, a budget British label active in the 1920s-30s.AI summary
Regal 6019 Music Hall
Billy Williams singing 'Where Does Daddy Go When He Goes Out' and 'Wait Till I'm as Old as Father' on Regal 6642.AI summary
Regal 6642 Music Hall
Billy Williams on Regal 6643, performing 'It's a grand old Song is Home Sweet Home' and 'Kangaroo Hop'. Billy Williams was a popular British comedian and singer.AI summary
Regal 6643 Music Hall
Billy Williams recorded for Regal, the budget British label of the early 1930s, singing 'Molly McIntyre' and 'It's Mine When You've Done with It', with the latter suggesting comic or novelty content.AI summary
Regal 6644 Voice
Billy Williams, a British performer, in two novelty numbers on Regal, a major British label: "Call me early in the Morning" and "Oh for another day at Margate".AI summary
Regal 6645 Music Hall
Billy Williams recorded 'That's a Jolly Good Song' and a Harry Fay composition for Zonophone 283. Williams was a British entertainer active in the early 1900s, and Zonophone was an early major British imprint, making this an acoustic-era pressing.AI summary
Zonophone 283 Music Hall
Zonophone 583 Music Hall
Billy Williams, recorded 'Chanticleer' and 'You're the One' for Zonophone 584, likely in the late 1920s or early 1930s.AI summary
Zonophone 584 Voice
Billy Williams recorded 'Why Can't We Have the Sea in London' and 'John James Brannigan' for Zonophone, a British subsidiary of Victor, in the 1920s–30s.AI summary
Zonophone 675
Billy Williams, a major British music-hall and variety comedian, on Zonophone 782, performing comedic songs 'I never heard Father laugh so much before' and 'Take me where there are no Eyes'. Williams was a prolific recording artist in the Edwardian era.AI summary
Zonophone 782 Music Hall
Billy Williams, a popular British music-hall and variety entertainer of the 1920s–1930s, performs two novelty comic songs on Zonophone 783: "Cohen" and "All the Silver from the Silvery Moon." Zonophone was a Gramophone Company label much used for British variety artists.AI summary
Zonophone 783 Music Hall
Billy Williams recorded 'It's a Far Better Thing I Do' and 'Oh Mr. McPherson' for Zonophone in the 1920s–30s.AI summary
Zonophone 785 Personalities (Prs)
Billy Williams, a prolific British music-hall and comic singer, recorded 'Why Don't Santa Claus Bring Something to Me' and 'Tell Them You're a Londoner' for Zonophone 786.AI summary
Zonophone 786 Music Hall
Billy Williams, a prolific British music-hall singer, recorded 'One Girl's as Good as Any Other Girl' and 'All the Houses Are Going Round' for Zonophone.AI summary
Zonophone 787 Music Hall
Scottish popular songs by Billy Williams on Zonophone (catalogue 831), a British and international label active from the 1890s onward. Williams was a prolific recording artist.AI summary
Zonophone 831 Voice
Billy Williams performing 'Molly McIntyre' and 'It's a Grand Old Song is Home Sweet Home' on Zonophone 910, early 1900s-1910s era.AI summary
Zonophone 910 Voice
Billy Williams recorded 'Kangaroo Hop' and 'It's Mine When You've Done with It' for Zonophone, novelty songs typical of the music hall crossover period. Williams was a minor artist on this now-scarce early label.AI summary
Zonophone 912 Music Hall
Billy Williams on Zonophone 135 with 'Postcards' and 'A Lover Up in Scotland', a British vocal recording from the 1920s–1930s.AI summary
Zonophone 135 Voice
Billy Williams performing 'Little People' and 'Girls of Today' on Zonophone 143, likely an early recording.AI summary
Zonophone 143 Voice
Billy Williams, a British music-hall singer and comedian, recorded 'Since Father Joined the Territorials' and 'Little Willie's Woodbines' for Zonophone, catalogue 175.AI summary
Zonophone 175 Music Hall
Billy Williams, the British music-hall performer, on Zonophone 240, performing 'Bobbing About in the Briny' and H. Fay's 'In the Days That Are Coming Bye-and-Bye'. Williams was a prolific entertainer of the early 20th century.AI summary
Zonophone 240 Music Hall
Billy Williams, credited here on Zonophone X42869, sang "The Collier", a British ballad repertoire piece. Zonophone was a budget subsidiary of The Gramophone Company active in the early 1900s through the 1920s.AI summary
Zonophone X42869 Voice
Billy Williams performing comic songs 'Father papered the Parlour' and 'Don't go out with him Tonight' on Phoenix, a small British label. The artist is unidentified.AI summary
Phoenix 37 Music Hall
Billy Williams credited on Phoenix, an obscure small British label; the titles suggest comic or novelty songs of the early 1930s.AI summary
Phoenix 38 Comic
Billy Williams recorded "Rosetta" and "I'm the Man that Buried Flanagan" on the Phoen label, a minor British imprint. The second title suggests music hall or novelty material; Williams's other recordings are largely unknown to general discographies.AI summary
Phoenix 39 Music Hall
Billy Williams, the Australian-born music hall singer, with My Lass from Glasgow Town and I Never Heard Father Laugh So Much Before on Phoenix 71.AI summary
Phoenix 71 Music Hall
Billy Williams recorded British music hall and sentimental songs ('The Hobnailed Boots My Father Wore', 'I Wish It Was Sunday Night') for Aco Records. Williams was a British singer of the 1920s–1930s era.AI summary
Aco 15761 Music Hall
Billy Williams performing two songs on Pathé Records, a major British electrical recording label of the late 1920s and early 1930s. Billy Williams was a light vocalist, and his recordings on Pathé are not widely documented as major collectibles.AI summary
Pathé 93015 Voice
Billy Williams was a British popular vocalist and entertainer of the early 20th century, known for character songs and novelty material. This early Zonophone side, 'Old Armchair' and 'Only Bit of English We Have Got', shows his music-hall roots and comic sensibility.AI summary
Zonophone A18 Music Hall
Billy Williams, a British music hall and variety singer, recorded comic songs 'Father papered the Parlour' and 'Save a little one for me' for Pathé 79059.AI summary
Pathé 79059 Music Hall
Pathé 79059 Music Hall
Billy Williams recorded popular songs and novelty material for Pathé in the late 1920s-1930s. The titles are sentimental and entertainment-focused, typical of his stage work. Pathé was a major British label, and Williams recordings exist in quantity, though individual titles vary in availability.AI summary
Pathé 79148 Voice
Billy Williams recorded 'I don't care' and 'My Lass from Glasgie Toon' for Pathé catalogue 79425, likely mid-1920s.AI summary
Pathé 79425 Music Hall
Billy Williams recorded 'Wait till I'm as old as Father' and 'Where does Daddy go' for Pathé 79972, likely from the 1920s. Billy Williams was a British music hall entertainer, though this specific pressing is obscure.AI summary
Pathé 79972 Music Hall
Billy Williams singing 'We're all waiting for a Girl' on Zonophone 042010, a pre-1920s popular vocal recording.AI summary
Zonophone 042010 Voice
Billy Williams, a popular British music-hall singer of the early 20th century, performing the comic song *The Only Bit of English We Have Got* on Zonophone, a subsidiary label of the gramophone pioneers.AI summary
Zonophone 042012 Music Hall
Billy Williams, the prolific Edwardian music hall and recording artist, performed on the Zonophone label during the early 1900s acoustic era.AI summary
Zonophone A16 Music Hall