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- AAlexander's Bagpipe Band
- BTake a Tip from Father
George Lashwood, the popular Edwardian music-hall performer, on Regal catalogue 6472, with 'Alexander's Bagpipe Band' and 'Take a Tip from Father'. Regal was a Columbia budget subsidiary; Lashwood sides on Regal are among the commoner of his later label appearances.AI summary
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- ADear Mr.Admiral
- BThe Baby's Parade
George Lashwood was an Edwardian music-hall performer celebrated for his elegant style and 'Champagne Charlie'-type material. Zonophone 58 is an exceptionally low catalogue number — among the earliest Zonophone pressings made in Britain, dating from around 1900–1902. Single-sided Zonophones at this number range are among the earliest surviving British disc records and are genuinely scarce; Lashwood is a recognised name and this is an early document of his recording career.AI summary
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- AHang Out the Front Door Key
- BSaturday Saturday
George Lashwood, a British music-hall comic singer and entertainer of the Edwardian era, on Twin Records — a minor British label. Lashwood recorded extensively in the 1900s–1910s and likely reissued.AI summary
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- AI forgot the Number of the Door
- BIt's a long long Walk
George Lashwood, the popular Edwardian music-hall performer known for his elegant stage persona, on Regal catalogue 6471, with 'I Forgot the Number of the Door' and 'It's a Long Long Walk'. Regal was a Columbia budget subsidiary; Lashwood sides on Regal are among the commoner of his later label appearances.AI summary
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- AI'm coming Home to you
George Lashwood, 'the Beau Brummell of the music hall', sings 'I'm Coming Home to You' on a single-sided G&T.AI summary
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- AI've been out with Charlie brown
- BSea
George Lashwood, a popular British music-hall baritone and comedian of the Edwardian era, performing two songs on Columbia. Lashwood was one of the most recorded singers of the acoustic period.AI summary
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- AI've been out with Charlie Brown
- BSea Sea Sea
George Lashwood, a leading male vocalist and drawing-room singer of the Edwardian era, on Zonophone 170 with 'I've Been Out with Charlie Brown' and 'Sea Sea Sea'. Early catalogue number suggests an acoustic or very early electrical recording from the 1920s.AI summary
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- AMy Latchkey
George Lashwood, 'the Beau Brummell of the music hall', sings 'My Latchkey' on a single-sided G&T.AI summary
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- AOne of the Girls
- B(Kirkby) Ship Ahoy
George Lashwood, a celebrated British music hall and vaudeville performer known for his serio-comic songs, on Zonophone catalogue 214, performing 'One of the Girls' and 'Ship Ahoy'. Zonophone's low catalogue numbers place this in the very early acoustic era (circa 1906-1910).AI summary
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- AOne of the Girls
- B(Kirkby) Ship Ahoy
George Lashwood, a Victorian and Edwardian music hall star, performing 'One of the Girls' and 'Ship Ahoy' on Zonophone 214 — an early recording by a celebrated comedian and singer of the turn of the century.AI summary
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- ASaturday- aturday
- BHang out the Front Door Key
George Lashwood, the popular Edwardian music-hall singer and 'Beau Brummell of the Halls', records 'Saturday-aturday' and 'Hang Out the Front Door Key' on Zonophone 39 — an extremely early Zonophone number, placing this among the very first pressings in the British Zonophone series, likely around 1900–1902. Lashwood is a collected name, and a catalogue number this low on Zonophone is a document of the earliest days of British disc recording.AI summary
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- ASaturday- aturday
- BHang out the Front Door Key
George Lashwood, the popular Edwardian music-hall singer, records 'Saturday-aturday' and 'Hang Out the Front Door Key' on Zonophone 39 — a duplicate of the Zonophone 39 catalogued elsewhere in this collection. The same disc appears twice; Zonophone 39 is among the earliest British Zonophone pressings ever made and is a genuinely rare early acoustic document.AI summary
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- ASend for a P'liceman
- B(R Hitchcock) So What's the Use
George Lashwood was a celebrated British music-hall comedian and singer of the 1890s–1920s. This Columbia disc features two comic songs, including one by R. Hitchcock; Lashwood's comic numbers are collected by music-hall enthusiasts.AI summary
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- ASend for a P'liceman(09)
- B(Williams) We all came into the World
George Lashwood, a British music-hall entertainer of the early 20th century, recorded "Send for a P'liceman" and a song by Williams on Cinch 5153. Lashwood was a star of the variety and comic-song tradition.AI summary
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- ASend for a Policeman
- B(Williams) We all came into the World
George Lashwood was a celebrated Victorian and Edwardian music-hall comedian and singer. This very early Zonophone pressing captures him in character numbers typical of his stage act.AI summary
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- ASend for a Policeman
- B(Williams) We all came into the World
George Lashwood, a prominent British music hall singer and entertainer of the late nineteenth and early twentieth centuries, recorded 'Send for a Policeman' for Zonophone. Lashwood was one of the most celebrated performers of the music hall era.AI summary
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- AShall I Meet you on the Bois de Boulogne?
George Lashwood, a leading British music-hall comedian and singer of the late Victorian and Edwardian era, performing 'Shall I Meet You on the Bois de Boulogne?' on Zonophone 42816.AI summary
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- AThe Moonlight Promenade
- BO blow the Scenery on the Railway
George Lashwood was a popular Edwardian music-hall singer known for his smart, well-dressed stage persona and topical songs. Zonophone 544 — 'The Moonlight Promenade' and 'O Blow the Scenery on the Railway' — is a very low Zonophone catalogue number, placing this among the earliest pressings on that label. Lashwood on early Zonophone is a collected music-hall item.AI summary
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- AThe Serpentine
George Lashwood, a Victorian and Edwardian baritone, performing 'The Serpentine' on Zonophone; Lashwood was a popular concert and drawing-room singer of the acoustic era.AI summary
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- ATwilight
- BA Rainy Afternoon
George Lashwood on Zonophone 543 — 'Twilight' and 'A Rainy Afternoon.' Catalogue number 543 is a companion to Zonophone 544 also in this collection and is equally low in the Zonophone series, placing this among the label's earliest pressings. Two consecutive very early Zonophone numbers by the same artist in one collection is a notable concentration.AI summary