173 shellac records · mostly British pressings, 1900s–1950s
173 records matching · page 3 of 4
An unidentified vocal performance of 'Ailsa Mine' and 'Nita Gitana' on Cameo-C 22. Cameo was a minor British label. The artist is anonymous and both titles are obscure.AI summary
Cameo C22 Voice
Two Scottish or traditional songs, 'Wilt thou be my Dearest?' and 'Charlie is my Darling', credited to Anon on Cameo 79.AI summary
Cameo C79 Voice
Two sea shanties, 'The Longshoreman' and 'We're homeward bound', credited to Anon on Cameo, an early British catalogue series.AI summary
Cameo C84 Voice
Two popular songs, 'Stop Thief You stole my Heart away' and 'Sit down You're rocking the boat', credited to Anon on Cameo 86.AI summary
Cameo C86 Voice
Anonymous novelty or novelty recording 'Now are we all here? Yes!' and 'Merry Wedding Bells' on Cameo C, catalogue 92, early acoustic era.AI summary
Cameo C92 Jazz
Anonymous dance or novelty recording 'Somebody Else is crazy 'bout Me' and 'She's waiting for you' on Cameo Z, catalogue 46, likely early 1920s.AI summary
Cameo Z46 Jazz
An anonymous musical performance of 'Who's your Lady Friend?' and 'In Japanese Butterfly Land' on Cameo-Z, a minor American label with scarce UK distribution.AI summary
Cameo Z49 Music Hall
Unattributed ('Anon') recordings on the Farnon Appreciation Society label, catalogue 19: 'Soho Mile Cellar Club' and a trumpet piece. This is likely a private or society issue and extremely scarce.AI summary
Farnon Appreciation Society 19 Instrumental
An anonymous recording of 'Black Bottom' and 'For My Sweetheart' on Sav (Savoy), a small British label; the 'Black Bottom' was a fashionable dance craze of the late 1920s, and this untitled artist is unidentifiable.AI summary
Savana 1588 Dance
An unlisted vocal recording on His Master's Voice catalogue RP1140, with the cryptic title 'Heading ahead for Beauty'. The artist and date are unknown, and the catalogue number does not correspond to standard HMV series.AI summary
His Master's Voice RP1140 Dance
Anonymous performance of 'Chinese Mandarin Song' on Victor 7604, likely from the 1910s–20s.AI summary
Victor 7604 Voice
A Columbia sampler record, likely a promotional or demonstration disc.AI summary
Columbia BXO55 Misc.
A minstrel record in two parts on Britannic 3653, with no performer named.AI summary
Britannic it3653 Comic
An anonymous disc on Chal, an unidentified British imprint, carrying two songs of the 1920s era. Neither artist nor label can be placed from standard reference.AI summary
Challenge 209 Voice
'Barber Shop Discord' and 'In Hawaii' by an unidentified ensemble or artist for the HighSoc label, catalogue 509. HighSoc was a small or short-lived British imprint; 'Barber Shop Discord' suggests comic vocal novelty.AI summary
High Society Records 509 Comic
An anonymous artist recorded 'After All My Dreams' and 'I'll Get By' for Jew Records, a small and obscure British label active in the 1920s–30s.AI summary
Jewel 5475 Dance
An anonymous artist recorded 'There's a Rainbow Round My Shoulder' and 'Gloaming' for Madis Records, a small and obscure British label.AI summary
Mazdison 1641 Dance
Unidentified artist performing 'Say It Again' and 'Raggedy Ann' on NML (New Music Label), catalogue 1077. The label and artist are unrecorded.AI summary
NML 1077 Voice
William Tell Overture in two parts on Homochord HB2007, with no performer named.AI summary
Hom HB2007 Orchestra
An anonymous operatic recording of Puccini's "La Bohème" on HomHB 2011, likely from the 1920s–30s.AI summary
Hom HB2011 Opera
An anonymous recording on Homophone, catalogue 2018, credited simply as 'Anon', with 'Rigoleeo' (Parts 1 and 2); Homophone was a small British label and pressing details are unknown.AI summary
Hom HB2018 Orchestra
Anonymous artists recorded 'Devil's Tango' and 'Come to Mahagonne' for HomHB 2044, an unidentified label. HomHB cannot be placed with confidence; the catalogue number and titles offer no clear dating.AI summary
Hom HB2044 Dance
An anonymous ensemble or orchestra performing the 'Ruy Blas Overture' on HomHB 2045, a classical instrumental piece from the 1930s. HomHB was an obscure British label; no performing ensemble is credited.AI summary
Hom HB2045 Orchestra
An anonymous Hawaiian song on Guar, an unidentified British label.AI summary
Guardsman 2119
An uncredited performance of 'The Bat Overture' and its continuation on HomHB, a small British label—a classical orchestral piece in two parts.AI summary
Hom HB2054 Classical
An unattributed vocal or instrumental piece on Janus, a rare and obscure British label. The catalogue number 7 suggests a very early or short-lived pressing. The German titles ('On Wings of the Night', 'Leaves in the Wind') suggest Continental material or a European pressing.AI summary
Janus A7 Orchestra
Anonymous performance of 'Indian Love Lyrics' Parts 1 and 2 on Ludlow 5790.AI summary
Ludgate 5790 Voice
Unnamed artist performing light classical waltzes on Mara Records, a small British label, likely 1920s–30s era.AI summary
Marathon 2006 Classical
An anonymous artist performs an aria from Samson and Delilah and an Ave Maria on the Tosca label with no catalogue number. The Tosca label is unidentified, and without an artist name this disc cannot be assessed; it may be a budget or private pressing.AI summary
Tosca Opera
An anthology or spoken recitation of English verse on HMV, anonymous and undated. The performer and date are unknown.AI summary
His Master's Voice JG6074 Personalities (Prs)
An untitled classical recording, apparently Chopin, on the obscure Marc MCS label.AI summary
Marconi Special MCS13 Classical
Anonymous performance of Chopin part 2 on Marc, a companion to id 14949, suggesting a series on an obscure British label.AI summary
Marconi Special MCS14 Classical
An unidentified recording of Chopin, part 3, on Marc (MarcMCS) 15, a British label.AI summary
Marconi Special MCS15 Classical
An anonymous recording of Chopin part 4 on MarcMCS, a small or short-lived British label, catalogue number 16. Without artist or performer information, the historical context of this recording remains unclear.AI summary
Marconi Special MCS16 Classical
An anonymous performer or ensemble plays Part 5 of a Chopin work (likely one of the Nocturnes or Etudes) on MarcMCS 17, a British instrumental label.AI summary
Marconi Special MCS17 Classical
An uncredited performance of Chopin (part 6) on MarcMCS, catalogue 18, from an unidentified label.AI summary
Marconi Special MCS18 Classical
A fragmentary recording of Chopin (part 7 of an unknown longer work), credited to an anonymous performer and released on MarcMCS, catalogue 19; Marc MCS appears to have been a small or experimental label.AI summary
Marconi Special MCS19 Classical
An anonymous classical pianist recorded a portion of Chopin for the Marc label, a minor British label; the fragmentary catalogue entry (part 8 of a multi-part recording) suggests a serialised classical release.AI summary
Marconi Special MCS20 Classical
Chopin performed as part 9 of a classical series on MarcMCS, an unfamiliar label; artist and recording details unknown.AI summary
Marconi Special MC S21 Classical
An untitled classical recording, apparently Chopin part 10, on the obscure Marc MCS label.AI summary
Marconi Special MCS22 Classical
Anonymous performance of Chopin part 11 on Marc, an obscure British label with no catalogue number recorded. The label and era are unknown.AI summary
Marconi Special MCS23 Classical
A Columbia sampler record, likely a promotional or demonstration disc.AI summary
Columbia BXO10 Misc.
An anonymous 'Sampler Record' on Columbia BXO15, likely a demonstration or compilation disc with no artist credits. The BXO prefix is unusual and suggests a special series.AI summary
Columbia BXO15 Misc.
Anon, 'Sampler Record' on Columbia BXO16. This is a sampler or compilation record featuring tracks from multiple Columbia artists, likely issued as a promotional or introduction to the label's catalogue.AI summary
Columbia BXO16 Misc.
Columbia sampler record on BXO18 (test or demonstration pressing). This appears to be a sampler or house copy, not a regular commercial release.AI summary
Columbia BXO18 Misc.
A sampler record or promotional issue on Columbia with catalogue number BXO2—likely a test pressing or promotional compilation.AI summary
Columbia BXO2 Misc.
Sampler Record 52 is a sample compilation record released by Columbia BXO52, a promotional or demonstration disc of limited commercial interest unless notable artists are featured.AI summary
Columbia BXO52 Misc.
A Columbia sampler record, catalogue BXO54. These sampler or compilation pressings were sometimes issued to promote the label or radio stations.AI summary
Columbia BXO54 Misc.