327 shellac records · mostly British pressings, 1900s–1950s
327 records matching · page 6 of 7
Scottish popular songs by Billy Williams on Zonophone (catalogue 831), a British and international label active from the 1890s onward. Williams was a prolific recording artist.AI summary
Zonophone 831 Voice
Billy Williams performing 'Molly McIntyre' and 'It's a Grand Old Song is Home Sweet Home' on Zonophone 910, early 1900s-1910s era.AI summary
Zonophone 910 Voice
Billy Williams recorded 'Kangaroo Hop' and 'It's Mine When You've Done with It' for Zonophone, novelty songs typical of the music hall crossover period. Williams was a minor artist on this now-scarce early label.AI summary
Zonophone 912 Music Hall
Billy Williams on Zonophone 135 with 'Postcards' and 'A Lover Up in Scotland', a British vocal recording from the 1920s–1930s.AI summary
Zonophone 135 Voice
Billy Williams performing 'Little People' and 'Girls of Today' on Zonophone 143, likely an early recording.AI summary
Zonophone 143 Voice
Billy Williams, a British music-hall singer and comedian, recorded 'Since Father Joined the Territorials' and 'Little Willie's Woodbines' for Zonophone, catalogue 175.AI summary
Zonophone 175 Music Hall
Billy Williams, the British music-hall performer, on Zonophone 240, performing 'Bobbing About in the Briny' and H. Fay's 'In the Days That Are Coming Bye-and-Bye'. Williams was a prolific entertainer of the early 20th century.AI summary
Zonophone 240 Music Hall
Billy Williams, credited here on Zonophone X42869, sang "The Collier", a British ballad repertoire piece. Zonophone was a budget subsidiary of The Gramophone Company active in the early 1900s through the 1920s.AI summary
Zonophone X42869 Voice
Billy Williams performing comic songs 'Father papered the Parlour' and 'Don't go out with him Tonight' on Phoenix, a small British label. The artist is unidentified.AI summary
Phoenix 37 Music Hall
Billy Williams credited on Phoenix, an obscure small British label; the titles suggest comic or novelty songs of the early 1930s.AI summary
Phoenix 38 Comic
Billy Williams recorded "Rosetta" and "I'm the Man that Buried Flanagan" on the Phoen label, a minor British imprint. The second title suggests music hall or novelty material; Williams's other recordings are largely unknown to general discographies.AI summary
Phoenix 39 Music Hall
Billy Williams, the Australian-born music hall singer, with My Lass from Glasgow Town and I Never Heard Father Laugh So Much Before on Phoenix 71.AI summary
Phoenix 71 Music Hall
Billy Williams recorded British music hall and sentimental songs ('The Hobnailed Boots My Father Wore', 'I Wish It Was Sunday Night') for Aco Records. Williams was a British singer of the 1920s–1930s era.AI summary
Aco 15761 Music Hall
Billy Williams performing two songs on Pathé Records, a major British electrical recording label of the late 1920s and early 1930s. Billy Williams was a light vocalist, and his recordings on Pathé are not widely documented as major collectibles.AI summary
Pathé 93015 Voice
Billy Williams was a British popular vocalist and entertainer of the early 20th century, known for character songs and novelty material. This early Zonophone side, 'Old Armchair' and 'Only Bit of English We Have Got', shows his music-hall roots and comic sensibility.AI summary
Zonophone A18 Music Hall
Billy Williams, a British music hall and variety singer, recorded comic songs 'Father papered the Parlour' and 'Save a little one for me' for Pathé 79059.AI summary
Pathé 79059 Music Hall
Pathé 79059 Music Hall
Billy Williams recorded popular songs and novelty material for Pathé in the late 1920s-1930s. The titles are sentimental and entertainment-focused, typical of his stage work. Pathé was a major British label, and Williams recordings exist in quantity, though individual titles vary in availability.AI summary
Pathé 79148 Voice
Billy Williams recorded 'I don't care' and 'My Lass from Glasgie Toon' for Pathé catalogue 79425, likely mid-1920s.AI summary
Pathé 79425 Music Hall
Billy Williams recorded 'Wait till I'm as old as Father' and 'Where does Daddy go' for Pathé 79972, likely from the 1920s. Billy Williams was a British music hall entertainer, though this specific pressing is obscure.AI summary
Pathé 79972 Music Hall
Billy Williams singing 'We're all waiting for a Girl' on Zonophone 042010, a pre-1920s popular vocal recording.AI summary
Zonophone 042010 Voice
Billy Williams, a popular British music-hall singer of the early 20th century, performing the comic song *The Only Bit of English We Have Got* on Zonophone, a subsidiary label of the gramophone pioneers.AI summary
Zonophone 042012 Music Hall
Billy Williams, the prolific Edwardian music hall and recording artist, performed on the Zonophone label during the early 1900s acoustic era.AI summary
Zonophone A16 Music Hall
Billy Williams, a popular early recording artist, performing 'Old Armchair' and 'Only Bit of English We Have Got' on Zonophone A18, an early acoustic side from approximately 1903–1905.AI summary
Zonophone A18 Voice
Billy Williams on Lyc 046, credited to a marginal British label of uncertain date with no catalogue evidence of wide distribution.AI summary
Lyceum 046 Dance
Billy Williams performing two comic or novelty songs for Lyc 047: 'When Father Papered the Parlour' and 'I Don't Care'. Lyc was a minor British label.AI summary
Lyceum 047 Music Hall
Billy Williams on Lyc 049, performing novelty or comedy titles: 'Why can't we have the Sea in London' and 'Mrs B'. Lyc was a minor British label.AI summary
Lyceum 049 Voice
Billy Williams, the Australian-born music hall singer, with Let's All Go Mad and When Father Papered the Parlour on Lyceum 269.AI summary
Lyceum 269 Music Hall
Billy Williams on Lyric (Lyr label), a small British marque. Without clear artist identification or further details, this cannot be placed with confidence.AI summary
Lyceum 272 Music Hall
Billy Williams, a Scottish music-hall comedian, performing 'Cohen' and 'She's my Lassie from Glasgie Toon' on the Lyr label, a small British imprint.AI summary
Lyceum 273 Music Hall
Billy Williams recorded these two comic-novelty songs for Scala 267, a small British label of the 1930s.AI summary
Scala 267 Comic
Billy Williams, the Australian-born music hall singer, with I Don't Care and Why Can't We Have the Sea in London on National 266i.AI summary
National 266i Music Hall
Billy Williams, an American entertainer, performing two novelty songs on Coils, an obscure or regional label.AI summary
Coliseum 1336 Voice
Billy Williams recorded 'Come & have a Look at what I've got' and 'Don't go out with him tonight' for Columbia, catalogue is466. Williams was an American jazz-influenced vocalist of the 1920s–30s.AI summary
Columbia is466 Voice
Billy Williams, the Scottish music hall singer, performs 'Are we all Here?' and 'Squeeze her Ebenezer' on Zonophone, a small British label active from the 1920s onward.AI summary
Zonophone 1012 Music Hall
Billy Williams singing two comedy novelty numbers, 'Call me early in the Morning' and 'On her pic-pic-piccolo', for Zonophone Records catalogue 1030.AI summary
Zonophone 1030 Music Hall
Billy Williams on Zonophone, this pressing of 'We All Live at No. 24' and 'Sheila O'Neil' is from the later phase of his recording career.AI summary
Zonophone 1041 Music Hall
Billy Williams recorded 'Oh That Ragtime Waltz' and 'Of for Another Day at Margate' for Zonophone 1058. Williams was a popular singer in the early 1900s; Zonophone was a significant label in the acoustic era.AI summary
Zonophone 1058 Music Hall
Billy Williams on Zonophone performing 'She is My Best Girl Now' and 'I'm Out for the Day Today' — popular ballads from an unidentified vocalist, early 20th century.AI summary
Zonophone 1337 Voice
Billy Williams, the prolific British music-hall and comic singer, recorded 'Our Little Kiddie Sings the Best Songs of All' and 'There's Life in the Old Dog Yet' for Zonophone 1392.AI summary
Zonophone 1392 Music Hall
Billy Williams sang 'It Serves You Right' and 'The Hobnailed Boots that Father Wore' for Zonophone in the acoustic era. These are comic or sentimental novelty songs; Williams was an obscure artist on a major but now-scarce label.AI summary
Zonophone 557 Music Hall
Billy Williams performing 'The Daylight Bill' and 'I'll Meet You One Dark Night' on Zonophone 559, a very early catalogue number in Zonophone's series. Williams is likely a minor vocalist or character artist.AI summary
Zonophone 559 Voice
Billy Williams performing 'Matrimonial Chimes' and 'Too-ral-oor-al-laddie' on Zonophone 560, part of Zonophone's very early catalogue series. Williams is likely a minor or pseudonymous performer.AI summary
Zonophone 560 Voice
Billy Williams performing two novelty or comic songs for Zonophone 589: 'When Father Tried to Kill the Cock-a-doodle-doo' and 'If the World Belonged to Me'. Zonophone was a Decca budget label, and catalogue 589 suggests a later pressing from the 1920s-1930s era.AI summary
Zonophone 589 Music Hall
Billy Williams singing 'Take me back to USA' and the Scottish number 'My Lass frae Glasgae Toon' on Zonophone, a British label active through the 1920s and 1930s.AI summary
Zonophone 676 Voice
Billy Williams, the Edwardian music-hall star, performing two patriotic and comic songs on Zonophone, a major British label of the acoustic era.AI summary
Zonophone 965 Music Hall
Billy Williams, a British music hall vocalist, performing 'Old Grey Coat' and 'My Girl from London Town' on the Opera label, a small British imprint, catalogue 10.AI summary
Opera 10 Music Hall
Billy Williams, the Australian-born music hall singer, with Here We Are Again and Why Can't We Have the Sea in London on National 266i.AI summary
National 266i Music Hall