13 shellac records · mostly British pressings, 1900s–1950s
13 records matching
Ernest Hastings recorded "A Soldier's Reminiscences" and "Church Bells as We Hear Them" for Columbia in the early 1920s. These are descriptive or programme pieces for recitation or instrumental performance.AI summary
Columbia 2451 Instrumental
Ernest Hastings on Columbia 2926, a comic vocal novelty from the early 1920s.AI summary
Columbia 2926 Comic
Ernest Hastings performing novelty pieces on Columbia, including variations on 'The Vicar of Bray'. The artist Ernest Hastings is not a major-label recording star, and the specific pressing is not identified in standard discographies.AI summary
Columbia 2494 Music Hall
Ernest Hastings performing sentimental ballads 'Emigrant's Letter' and 'Molly Magee' on Columbia 2518, from the early acoustic era.AI summary
Columbia 2518 Voice
Ernest Hastings on Columbia Records with 'Exemptions are otherwise' and 'I've heard a Rumour'.AI summary
Columbia 2772 Music Hall
Ernest Hastings is not well-documented. This Columbia 2973 side pairs 'Village blacksmith modern version' and 'Muldoon's ball', likely from the 1920s–early 1930s, representing popular novelty and traditional material.AI summary
Columbia 2973 Orchestra
Ernest Hastings performing two English patriotic or novelty songs—'Roast Beef of Old England' and 'There's Nothing Over Sixpence in the Store'—on His Master's Voice. The second title suggests material from the Second World War period.AI summary
His Master's Voice B2481 Voice
Ernest Hastings recorded '& yet I don't know' and 'Matilda' for HMV C1052, a UK pressing from the early 1930s. Hastings was a minor British vocalist.AI summary
His Master's Voice C1052 Voice
Ernest Hastings recorded "My Word You Do Look Queer" and "Gerrard 64" for His Master's Voice C-series catalogue 1095. Hastings is not identified in general discographies; the second title suggests a topical or novelty recording.AI summary
His Master's Voice C1095 Music Hall
Ernest Hastings was a British vocalist; this His Master's Voice pressing pairs two sentimental popular songs from the 1920s.AI summary
His Master's Voice C1138 Voice
Ernest Hastings recorded 'It's the same thing every Night' and 'Drake is going to Sea' for Winner catalogue 3002, likely early-to-mid 1920s.AI summary
Winner 3002 Music Hall
Ernest Hastings recorded 'Oh dear What can the matter be' for HMV, a traditional English song. Hastings is not well documented; the catalogue number suggests early acoustic era.AI summary
His Master's Voice C1138 Voice
Untitled
Ernest Hastings is not identified by artist or title on this Columbia 2940 pressing. Without catalogue information or a legible label, this record cannot be reliably described or valued.AI summary
Columbia 2940