2,704 shellac records · mostly British pressings, 1900s–1950s
2,704 records matching · page 34 of 57
Harry Fay performs 'We Really Had a Most Delightful Evening' on His Master's Voice 4-2118. The catalogue number suggests a recording from the 1920s–1930s.AI summary
His Master's Voice 4-2118 Music Hall
Harry Fay recorded the Victorian standards 'The Man Who Broke the Bank at Monte Carlo' and 'Two Lovely Black Eyes' for His Master's Voice, catalogue B3973. Fay was a music-hall performer.AI summary
His Master's Voice B3973 Music Hall
Harry Fay on Zonophone with music-hall material, recorded in the early acoustic era or 1920s.AI summary
Zonophone 284 Music Hall
Harry Fay was a British character vocalist and music-hall performer of the Edwardian and interwar era. 'I've Got Rings on My Fingers' is a classic British novelty song; this Zonophone pressing preserves his period style, recorded for one of the earliest and most widely distributed British labels.AI summary
Zonophone 318 Music Hall
Harry Fay, a British music hall performer, singing 'Let's All Go Down the Strand' and 'We Did Enjoy Ourselves in London' on Zonophone 360, an early British imprint.AI summary
Zonophone 360 Music Hall
Zonophone 363 Music Hall
Zonophone 414 Music Hall
Harry Fay on Zonophone 692, performing humorous dialect songs and comic material in an Irish style.AI summary
Zonophone 692 Music Hall
Harry Fay on Zonophone 797, recording two music-hall standards from the early 1900s–1920s on a major British label; likely a commonplace commercial release.AI summary
Zonophone 797 Music Hall
Harry Fay was a British entertainer who recorded for Zonophone, a label active in the early acoustic era. These are comic or novelty songs typical of music-hall material from the 1910s or early 1920s.AI summary
Zonophone 825 Music Hall
Zonophone 171 Music Hall
Harry Fay on Zonophone with 'I Can Say Truly Rural' and 'Harrigan', music-hall numbers on an early British label.AI summary
Zonophone 186 Music Hall
Harry Fay, a British music hall performer, recorded "She's a Girl Up North" and "Meet Me Where the Lanterns Grow" for Zonophone around 1910-1912.AI summary
Zonophone 222 Music Hall
Harry Fay, a British music-hall comedian, recorded on Piccadilly, a cheap British marque. 'Chilly Pom Pom Pee' and the risqué title suggest comic novelty material typical of the 1920s–30s stage.AI summary
Piccadilly 101 Music Hall
Harry Fay was a music-hall comedian and vocalist of the 1920s–30s; this Zonophone recording features his novelty comedy songs with topical London references.AI summary
Zonophone 1363 Music Hall
Harry Fay performing music-hall comedy novelties on Zonophone, a major British label of the 1920s-1930s.AI summary
Zonophone 1878 Music Hall
Harry Fay on Zonophone 1568, performing two novelty songs with dance-related themes. Zonophone was a major British label and Fay was a music hall performer.AI summary
Zonophone 1568 Music Hall
Harry Fay on Imperial catalogue 1678, comic or novelty vocal numbers. Imperial was a British budget label of the 1930s-50s.AI summary
Imperial 1678 Music Hall
Harry Fay on Imperial 1706, with 'Don't Have Any More Mrs Moore' and 'Alice's 'Ouse' — comic patter or music-hall material on a budget American label's British pressing, early 1930s.AI summary
Imperial 1706 Music Hall
Harry Fay performing 'I Keep on Walking' and 'Fed Up' for Zonophone 1893, a catalogue number from the early 1920s.AI summary
Zonophone 1893 Music Hall
Harry Fay performing the comic music hall monologues 'The Appetite' and 'You Must Hear All and Say Nowt' on Ar 9511, a minor British label.AI summary
Ariel 9511 Music Hall
Harry Fay, a British vocalist, recorded two comic or sentimental novelty songs, "They Never Leave You Alone Till They Get You" and "There's a Little Bit of Devil in Ev'ry Little Angel", for Zonophone in the early 1900s.AI summary
Zonophone 2068 Music Hall
Harry Fay, a British comic entertainer, recorded 'Any Complaints No' and 'The Military Representative' for Zonophone, a British budget label active from the 1900s through the 1950s.AI summary
Zonophone 1878 Music Hall
Harry Fay on Zonophone, performing music-hall novelties from the 1920s-1930s.AI summary
Zonophone 1893 Music Hall
Harry Fay, a British music-hall entertainer, recorded 'Play me a trickley tickley Tune' and 'How ya' gonna keep 'em down on the Farm' for Zonophone. A companion to id 22605.AI summary
Zonophone 1950 Music Hall
Harry Fay on Zonophone 1962, performing 'Abe My Boy' and 'Muldoon's Big Bassoon', comic or novelty songs; Zonophone was the budget label of the Columbia Graphophone Company.AI summary
Zonophone 1962 Music Hall
Harry Fay on Zonophone, performing 'Signora' and 'The Umpteen Bandit', likely dance or novelty material from the 1920s.AI summary
Zonophone 2003 Music Hall
Harry Fay & Co performing 'Veterans of Variety', a two-part sketch or variety turn, on Parlophone, a major British label.AI summary
Parlophone E5225 Music Hall
Harry Fay & Co recorded parts 3 and 4 of 'Veterans of Variety' for Parlophone, British variety performers capturing an act.AI summary
Parlophone E5226 Music Hall
Harry Ford performing 'The Day I Became a Millionaire' and 'Don't You Think You've Overstepped the Margin?' on Columbia catalogue 1325 — an early Columbia number. Ford is not a name that appears prominently in standard references; an early Columbia catalogue number for an unidentified music-hall artist is worth checking before sale.AI summary
Columbia 1325 Music Hall
'Poor, Proud and Particular', sung by Harry Ford on a single-sided Gramophone & Typewriter (G&T) disc. G&T was the name the Gramophone Company traded under in the first years of the century.AI summary
G&T 2-2107 Music Hall
Harry Ford performing 'Naughty Boy' and 'What a Face' on Columbia catalogue 1164. Ford is not widely documented in standard music-hall references; a Columbia pressing with a catalogue number in the 1000-series is moderately early. An unrecognised artist on an early Columbia number warrants investigation.AI summary
Columbia 1164 Music Hall
Harry Ford is not a name that appears prominently in standard discographic references for the period. This disc on the Bek label — catalogue numbers suggesting an early Berlin-Beka pressing — contains two music-hall titles whose full sides are only partially legible in the catalogue entry. Bek/Beka was a significant early international pressing firm; an obscure artist on an early catalogue number warrants closer examination.AI summary
Beka 41274/5 Music Hall
Harry Ford performing 'Railway Porter' and 'Do You See' on the Bek label, catalogue 41276/9 — a companion to the companion disc id 18362 elsewhere in this collection, and the same disc catalogued as id 18362 in the first batch. This appears to be a third copy of that pressing; all copies should be compared for condition.AI summary
Beka 41276/9 Music Hall
Harry Fragson, a popular British entertainer and songwriter of the early 20th century, performing the comic sketch 'Other Department please' on His Master's Voice.AI summary
His Master's Voice 02380 Music Hall
Harry Fragson, the Franco-British music-hall and cabaret star who was shot dead by his father in 1913 at the height of his fame, performs 'Other Department Please' on HMV 02380, a single-sided 12-inch pressing. Fragson is a significant and collected music-hall name, and his death gave his recordings an additional historical poignancy; 12-inch single-sided HMV pressings of his work are uncommon.AI summary
His Master's Voice 02380 Music Hall
Harry Fragson was a celebrated Anglo-French music-hall singer and pianist, enormously popular on both sides of the Channel before his violent death in 1913. This Pathé 3007 — 'En avant les p'tits gars' and 'Si tu veux Marguerite' — is a French pressing on Pathé, whose vertical-cut discs require a special stylus. Fragson's records are collected by enthusiasts of Edwardian music hall and French chanson alike.AI summary
Pathé 3007 Music Hall
Harry Fragson was a celebrated Franco-British music-hall comedian and singer, hugely popular in both London and Paris in the Edwardian era, who was murdered by his own father in 1913. This Pathé disc, catalogue 78099, contains 'Billy Brown' paired with a W. Evans number. Fragson's recordings are actively collected on account of his fame and tragic end.AI summary
Pathé 78099 Music Hall
Harry Fragson, the Franco-British music-hall and cabaret star shot dead by his father in 1913, performs 'Other Department Please' on HMV 02380 — a duplicate of id 7993 in this collection. One copy is the one to sell; the disc is the same pressing.AI summary
His Master's Voice 02380 Music Hall
Harry Fray, a British music-hall entertainer, in two novelty songs on Family Records (Fam), a small British label of the 1920s-30s.AI summary
Famous 182 Music Hall
Harry Gordon, the Aberdeen comedian famous as the 'Laird of Inversnecky', with 'Turn It Round the Other Way, Timothy' on Beltona.AI summary
Beltona 1507 Music Hall
Harry Gordon, the Aberdeen comedian famous as the 'Laird of Inversnecky', performs 'The Railway Fireman' on Beltona.AI summary
Beltona 1601 Music Hall
Harry Gordon, the Aberdeen comedian of the Inversnecky revues, with Bells of Inversnecky and Inversnecky Fireman on Beltona 1440.AI summary
Beltona 1440 Music Hall
Harry Gordon, the Aberdeen comedian famous as the 'Laird of Inversnecky', with two of his Inversnecky character sketches, 'The Billposter' and 'The Doctor', on Beltona.AI summary
Beltona 1439 Music Hall
Harry Gordon performing 'Railway Fireman' on Bel label, 1601. Gordon is unidentified; the song title suggests music-hall novelty material. Bel was a minor British imprint.AI summary
Beltona 1601 Music Hall
Harry Gordon performing a Scottish comic monologue in two parts about the Aberdeen v Queen's Park football match, on the short-lived Bel label.AI summary
Beltona 1754 Music Hall
Harry Gordon, the Aberdeen comedian famous as the 'Laird of Inversnecky', sings 'Scotland Is Calling to Me' and 'It's Fine tae Hae a Plaicie o' Yer Ain' on Beltona.AI summary
Beltona 1823 Music Hall
Harry Gordon, a Scottish comedian and music hall entertainer, performing 'Washing Day' on the Bel label, a minor British imprint.AI summary
Beltona 1841 Music Hall