618 shellac records · mostly British pressings, 1900s–1950s
618 records matching · page 10 of 13
Nat Ayer and O. Burton perform two duets on His Master's Voice. Ayer was a British composer and songwriter active in the early 20th century, particularly in musical theatre. The C series catalogue number dates from the acoustic era.AI summary
His Master's Voice C785 Voice
Nat Ayer and P. Phillips performing the wartime hit 'If You Were the Only Girl in the World' and 'Languid Melody' on His Master's Voice C676, a classic early acoustic recording from the 1910s-20s.AI summary
His Master's Voice C676 Voice
His Master's Voice 2-3568 Voice
Nelson Jackson recorded 'In 1950' for His Master's Voice on a 4-inch 78rpm format, likely a novelty recording marking the turn of the decade.AI summary
His Master's Voice 4-2199 Voice
Noble (artist unidentified) on His Master's Voice B6396 performing popular songs. HMV B-series pressings are common; no artist information available.AI summary
His Master's Voice B6396 Voice
Noble on His Master's Voice, this pressing of 'Oceans of Time' and 'Sun is Round the Corner' is an unidentified artist's sentimental vocal from the 1930s–40s period.AI summary
His Master's Voice B6450 Voice
Noble recorded 'I never had a Chance' and 'It's all forgotten now' for His Master's Voice, catalogue B6509. Noble is an unidentified artist; the high B-series catalogue number suggests a later pressing from the 1930s or 1940s.AI summary
His Master's Voice B6509 Voice
Noble (first name not given) recorded two ballads for His Master's Voice B6320.AI summary
His Master's Voice B6320 Voice
A performer credited as 'Noble' recorded 'Double Trouble' and 'I Wished on the Moon' for His Master's Voice, but without a first name it is not clear whether this is a pseudonym or a known artist; the catalogue number suggests an early 1930s pressing.AI summary
His Master's Voice BD211 Voice
Noble, credited on His Master's Voice BD5147, performing 'Easy to Love' and 'I've Got You Under My Skin' — both popular ballads of the 1930s.AI summary
His Master's Voice BD5147 Voice
Noble, identified as a vocalist, performing two popular songs for His Master's Voice: 'Ain't Ya Comin' Out Tonight' and 'She Was Only Somebody's Daughter'.AI summary
His Master's Voice B6235 Voice
Noble (likely a session orchestra or pseudonym) recorded 'Looking on the bright Side' for HMV. The artist is unidentified; this appears to be a drawing-room ballad or dance arrangement.AI summary
His Master's Voice B6237 Voice
Noble performing two sentimental vocal numbers on His Master's Voice (catalogue B6305), from the interwar period.AI summary
His Master's Voice B6305 Voice
Noble recorded 'Who's Afraid of the Big Bad Wolf' and 'I Was in the Mood' for HMV B6411 in the 1930s. 'Big Bad Wolf' was a popular novelty song from the Walt Disney cartoon 'The Three Little Pigs'.AI summary
His Master's Voice B6411 Voice
Noble (likely a pseudonym for a session orchestra or bandleader) recorded 'I love you truly' for HMV. The artist identity is unclear; this is likely a drawing-room ballad or dance recording.AI summary
His Master's Voice B6492 Voice
Noble performing 'I'll String Along with You' and 'Fair and Warmer' on His Master's Voice B6503.AI summary
His Master's Voice B6503 Voice
Credited to Noble on His Master's Voice B6172, performing 'Goodnight Vienna' and 'Living in Clover'. The artist may be the British bandleader and composer Ray Noble, who recorded prolifically in the 1920s–30s.AI summary
His Master's Voice B6172 Voice
Noel Coward, the celebrated British songwriter, playwright and performer, recording two of his own compositions on His Master's Voice B9433. Coward's HMV recordings remain highly sought by collectors of British theatrical music and popular song of the mid-20th century.AI summary
His Master's Voice B9433 Voice
Norah Blaney, a British contralto, performing 'My Cello Man' and 'Nobody Lied' (the latter credited to the soprano Jessie Farrar) on His Master's Voice B-series — likely a 1920s vocal side.AI summary
His Master's Voice B1585 Voice
Olga Elga Eli Hudson on His Master's Voice, this single-sided pressing of 'Angels Guard Thee' is a hymn or sacred vocal from an unidentified singer.AI summary
His Master's Voice 03294 Voice
Olga Elga Eli Hudson recorded 'Sunshine of your Smile' and 'Call of our Homeland' for His Master's Voice, catalogue C446—a classical or light-operatic release from the 1920s. The artist's full name or stage persona is unclear from the label.AI summary
His Master's Voice C446 Voice
Olga Haley performing two light songs on HMV, an early three-digit catalogue number (03619) suggesting an acoustic recording from the early 1920s.AI summary
His Master's Voice 03619 Voice
Olsen performs 'New Kind of Man' and '(Hickman) Mandalay' on His Master's Voice B1890. This is a vocal recording from the mid-1920s.AI summary
His Master's Voice B1890 Voice
Orlando, credited on His Master's Voice BD5303, performs two popular songs, likely 1920s–early 1930s.AI summary
His Master's Voice BD5303 Voice
P. Gawthorne and N. Taylor performing two sentimental songs—'I've always got Time to talk to you' and 'Have a Heart'—on His Master's Voice C834.AI summary
His Master's Voice C834 Voice
P Monkman and L Cliff performing 'Conversation' and 'We'll go to Church on Sunday' on His Master's Voice B1443, a vocal or dialogue recording from the early 1920s.AI summary
His Master's Voice B1443 Voice
P Walker and C Mollison performing two songs on His Master's Voice (catalogue B4224), from the interwar period.AI summary
His Master's Voice B4224 Voice
Pamela Baselow on His Master's Voice C1085, performing 'In Romany' and 'Violet Essex - Just for A While', an obscure vocalist from the early recording era.AI summary
His Master's Voice C1085 Voice
His Master's Voice 2-052054 Voice
Pat Kirkwood, a British actress and singer, on His Master's Voice BD793, performing 'You've Done Something to My Heart' and 'Drift'. Kirkwood was a well-known British entertainer of the 1940s–50s.AI summary
His Master's Voice BD793 Voice
Patrick Shuldham-Shaw was a British folksinger and collector of traditional songs, accompanied on this His Master's Voice side by the celebrated pianist Gerald Moore; the programme features traditional British folk songs ('O Waly' and others).AI summary
His Master's Voice B9965 Voice
Paul Laval on His Master's Voice N4457, a voice record from the N-series. Laval appears to have been a minor vocalist of limited recording career.AI summary
His Master's Voice N4457 Voice
Paul Robeson on His Master's Voice B4052, performing 'My Heart is Where the Mohawk Flows' and 'The Folks I Used to Know'. Robeson was a major American bass-baritone, actor and political figure, one of the most recorded singers of the 20th century.AI summary
His Master's Voice B4052 Voice
Paul Robeson, the legendary American bass-baritone and political activist, recorded in His Master's Voice in the 1930s; two songs from his extensive discography.AI summary
His Master's Voice B8541 Voice
Paul Robeson, the American bass-baritone and political activist, recorded these two spirituals for HMV in the 1930s—'Lazybones' and 'Carry Me Back to Green Pastures' showcase the rich, resonant voice that made him one of the most celebrated singers of his era.AI summary
His Master's Voice B8010 Voice
Paul Robeson, the American baritone and actor who became an international symbol of civil rights and anti-racism, recorded for His Master's Voice throughout his career. This pressing of 'I ain't lazy I'm just dreamin'' and 'Little Man you've had a busy Day' dates to the 1930s–40s and remains a touchstone of his early recording work.AI summary
His Master's Voice B8202 Voice
Paul Robeson, the great American bass-baritone, performing two African-American spirituals, 'Swing Low, Sweet Chariot' and 'On Ma Journey', on His Master's Voice. Robeson was one of the most important singers of the twentieth century, and his recordings remain highly collectable.AI summary
His Master's Voice B8372 Voice
Paul Robeson on HMV B8591, performing 'Roll Up Sailorman' and 'I Don't Know What's Wrong'. Robeson (1898–1976) was an American baritone, actor and political activist of major significance; his recordings for HMV are keenly collected.AI summary
His Master's Voice B8591 Voice
Paul Robeson, the African-American bass-baritone, actor and civil rights figure, on His Master's Voice performing African-American spirituals and work songs. Robeson was one of the most significant recording artists of the 1920s–30s.AI summary
His Master's Voice B8637 Voice
Paul Robeson, the American baritone, actor and civil rights activist, recorded for His Master's Voice in the 1920s–30s. Robeson was one of the greatest singers of his era and remains a towering cultural figure; his recordings range from spirituals and work songs to classical art songs and political material.AI summary
His Master's Voice B8135 Voice
Paul Robeson, the great American bass-baritone and civil rights figure, sings his signature 'Ol' Man River' from Show Boat, backed with 'I Still Suits Me' with Elisabeth Welch, on His Master's Voice.AI summary
His Master's Voice B8497 Voice
Paul Robeson on His Master's Voice B2187, the American bass-baritone and actor, with 'Water Boy' and 'Steal away', spirituals that became his signature pieces.AI summary
His Master's Voice B2187 Voice
Paul Robeson recorded 'Mah Lindy Lou' and 'Ma Curly Headed Baby' for HMV in the late 1920s or early 1930s; the bass-baritone and actor was one of the most significant recording artists of the era.AI summary
His Master's Voice B4309 Voice
Pearl Eddy is an unidentified vocalist; 'That's what a Heart is for' and 'Devil Lips' are generic popular song titles from the 1920s–30s. This HMV B10775 pressing is from the company's mainstream catalogue.AI summary
His Master's Voice B10775 Voice
Pepe Pinto singing 'Como mi mare' and 'Fandangos de Guadalupe' on His Master's Voice JOS24, part of HMV's 'Overseas' series for Spanish and Latin American repertoire. Pinto was a Spanish guitarist and singer.AI summary
His Master's Voice JOS24 Voice
Percy Mott on His Master's Voice, recorded on the very early C-series (catalogue C15) with two short pieces: 'Welcome' and 'All aboard'. The early catalogue number suggests this is among HMV's earliest 78rpm releases.AI summary
His Master's Voice C15 Voice
Perry Como on His Master's Voice 1251, with 'Marcheta' and 'I Don't See Me in Your Eyes Anymore'. Como was one of the most popular and widely recorded singers of the 1940s–1950s, known for his smooth baritone and mainstream appeal.AI summary
His Master's Voice 1251 Voice
Perry Como on His Master's Voice, recorded during his early years in British release. 'Till the End of Time' was one of his signature sentimental ballads.AI summary
His Master's Voice BD1120 Voice