180 shellac records · mostly British pressings, 1900s–1950s
180 records matching · page 3 of 4
J Mills recorded 'On the Day King George is Crowned' for Zonophone, likely in 1911 or at a Coronation jubilee; this is a topical souvenir disc from the acoustic era.AI summary
Zonophone 580 Voice
Jack Pleasants on Zonophone 1446, singing 'All That We Said Was Good Evening' and 'Mother's So Particular with Me'. Zonophone acoustic-era recordings are scarce in UK copies; Pleasants is now obscure.AI summary
Zonophone 1446 Voice
Jack Pleasants was a British vocalist recorded on the Zonophone label in the 1920s-30s. Neither 'She would' nor 'They can't find me' are widely known titles today, and Zonophone pressings of this era are rarely encountered in collections.AI summary
Zonophone 1799 Voice
Jack Pleasants performing two songs on Zonophone (catalogue 1664), from the acoustic or early electrical era.AI summary
Zonophone 1664 Voice
Jack Pleasants, credited on Zonophone 1799, performing 'She Would' and 'They Can't Find Me'. Limited information available about this artist or these recordings.AI summary
Zonophone 1799 Voice
Zonophone 2245 Voice
Jen Latona, credited on Zonophone, with the novelty song *Gee But I Like Music with My Meals*, a popular number of the 1910s–1920s. Artist and label suggest a minor performer or regional favourite.AI summary
Zonophone 961 Voice
Jen Latona, a singer of the 1910s–20s, performs 'Gee but I like Music with my Meals' for Zonophone.AI summary
Zonophone 961 Voice
Jen Latona performing popular ballads on Zonophone, a British pressing label active in the early 20th century.AI summary
Zonophone 1297 Voice
Jen Latona recorded two songs for Zonophone: 'Land of I dunno where' and 'That haunting Melody', circa 1910–20.AI summary
Zonophone 939 Voice
Jen Latona recorded 'Maggie McLaren' and 'Keep On Swinging Me Charlie' for Zonophone, a major British label. The Scottish titles and Zonophone catalogue suggest early 1900s pressing, but nothing further is known of this artist.AI summary
Zonophone 822 Voice
Jen Latona recorded these two novelty numbers—'Land of I Dunno Where' and 'That Haunting Melody'—for Zonophone, a British label, in the early 1920s or earlier.AI summary
Zonophone 939 Voice
Jimmy Rodgers on Zonophone 6102, performing 'Why should I be lonely' and 'Sweet Violets' (credited to Bob Dickson). Zonophone was a British label of the early electrical era.AI summary
Zonophone 6102 Voice
Jock Lorimer recorded 'D'ye ken Bonnie Mary' and 'Jessie Dear' for Zonophone, catalogue 639; Lorimer was a Scottish singer and the ballad repertoire reflects the ethnic and regional recording market.AI summary
Zonophone 639 Voice
John M Hay sings 'Sally in Our Alley' on Zonophone 12875, a mid-period Zonophone pressing. Hay is not a widely traced artist in standard references. 'Sally in Our Alley' is a traditional song with a long performance history; the record has period interest as an Edwardian popular-song pressing.AI summary
Zonophone 12875 Voice
Ken Warner and Peter Yorke on Zonophone, a vocal duo performing novelty and popular songs of the 1930s.AI summary
Zonophone 2813 Voice
L Hubbard recorded country and sentimental pieces 'That's Why I'm Lonesome & Blue' and 'If All the Girls Were Good Little Girls' for Zonophone in the 1920s–30s.AI summary
Zonophone 2464 Voice
Ledor recorded two Spanish-language titles for Zonophone, the British branch of Victor and Gramophone Company's subsidiaries. These vocal recordings reflect the early recording industry's interest in international repertoire.AI summary
Zonophone 2717 Voice
A Zonophone disc (2186) pairing two voices — Leon Lafitte and Baer — in a duet from Gounod's 'Faust'. The catalogue number 2186 is a low single-face Zonophone number suggesting an early pressing, likely 1902–1905. Leon Lafitte was a French tenor who recorded for several early labels; 'Baer' may refer to a baritone. Early Zonophone duets from this period are uncommon and worth closer investigation.AI summary
Zonophone 2186 Voice
Lupe Velez, a Mexican-American film actress and entertainer of the 1920s-1930s, recorded 'Where Is the Song of Songs for Me?' and 'Mi Amado' on Zonophone 5425.AI summary
Zonophone 5425 Voice
A Zonophone coupling of vocal pieces from the Viennese operetta world, credited to M Marlow and V Norbert with Leo Fall as composer — Fall being the Austro-Hungarian composer best known for 'Die Dollarprinzessin'. The catalogue number 2-24136 places this in an early Zonophone continental series, likely pressed in Germany or Austria around 1905–1910. Fall-associated recordings from this period attract specialist operetta collectors.AI summary
Zonophone 2-24136 Voice
The Macari Brothers, an early vocal ensemble, recorded "Home" and "I Don't Know Why" for Zonophone around 1910-1912.AI summary
Zonophone 6105 Voice
Madame Deering singing the Latin hymn 'Ora pro nobis' on Zonophone, a British label active in the early 1900s.AI summary
Zonophone X43138 Voice
Madame Deering, recorded on Zonophone X43153, a high catalogue number indicating a later pressing from the 1920s–30s. No information is available about this artist or the specific recording.AI summary
Zonophone X43153 Voice
Maidie Scott recorded 'If the Wind had only blown the other Way' and 'Father's got a Job' for Zonophone 981, popular vocal songs from the 1920s–30s.AI summary
Zonophone 981 Voice
Maud Mortimer sings 'There's Not Another Daddy in the World Like Mine' on Zonophone 12827. Mortimer is not a widely traced name in standard music-hall references, and the Zonophone 12xxx series suggests a mid-period acoustic pressing. A modest sentimental song on a common label by an obscure artist.AI summary
Zonophone 12827 Voice
Maurice Elwin was a British popular vocalist of the 1920s and 1930s; this Zonophone coupling pairs two sentimental ballads from that era.AI summary
Zonophone 5375 Voice
Maurice Elwin performing 'I'd Rather Cry Over You' and 'Happy Days and Lonely Nights' for Zonophone 5265, a catalogue number from the 1920s–30s.AI summary
Zonophone 5265 Voice
Maurice Elwin, one of the most prolific pseudonymous crooners on British budget labels of the late 1920s and 1930s, sings 'I've Never Seen a Smile Like Yours' and 'Lady Divine' on Zonophone.AI summary
Zonophone 5375 Voice
Maurice Elwin, vocalist, recorded popular ballads for Zonophone in the 1920s–30s. 'Breakaway' and 'Lonesome Road' are dance-band era ballads; this is a standard Zonophone issue from a major British label.AI summary
Zonophone 5418 Voice
Maurice J Gunsky recorded 'Just as the Sun Went Down' and 'Consolation' for Zonophone, a British label owned by The Gramophone Company. The catalogue number suggests an early 1920s pressing.AI summary
Zonophone 5096 Voice
Maurice J Gunsky performing two sentimental ballads on Zonophone, a British subsidiary of the Gramophone Company. Zonophone issued a wide range of material, often at lower cost, and recordings on this label from the acoustic era are common but surviving stock is limited.AI summary
Zonophone 5177 Voice
Maurice J Gunsky performing 'Lay My Head Beneath a Rose' and 'Why Do I Always Remember' on Zonophone 2864, from the early 1900s or 1910s.AI summary
Zonophone 2864 Voice
Megan Telini was a singer recording for Zonophone, a British label of the 1920s–30s. This side pairs two Welsh-language pieces: 'Myfi sy'n magu'r baban' and 'Deio bach', representing material aimed at the Welsh-speaking market.AI summary
Zonophone 5824 Voice
Mildred Hunt recorded for Zonophone EE173; 'My Dear' is a sentimental ballad, and the B-side credit to Frank Baur (a conductor) with 'When my Dreams Come True' suggests light vocal material of the 1920s–30s. Zonophone EE series may indicate a late-period or special issue.AI summary
Zonophone EE173 Voice
Zonophone 62123/4 Voice
Nat Ayer, a British composer and pianist, recorded two songs for Zonophone in the 1910s, including a patriotic number.AI summary
Zonophone 1607 Voice
Nat Ayer, an American songwriter and composer of early 20th-century comic operetta and musical theatre, on Zonophone 1523 with 'Come teach me how to love' and 'I hope when I reach Loveland you'll be there'.AI summary
Zonophone 1523 Voice
Nat Ayer, a British songwriter and performer of the 1910s–20s, recorded 'Come Teach Me How to Love' and 'I Hope When I Reach Loveland You'll Be There' on Zonophone; Ayer was active in musical theatre and popular song.AI summary
Zonophone 1523 Voice
Nicolai Figner was a leading lyric tenor of the Imperial Russian opera in the late nineteenth and early twentieth centuries — Tchaikovsky wrote the role of Hermann in 'The Queen of Spades' for him. This Zonophone disc (2-62481) couples 'In the Garden Shadows' with 'Printemps', the latter sung by R Figner (presumably his wife, the soprano Medea Mei-Figner). Early Zonophone pressings of major Russian singers are valued by collectors.AI summary
Zonophone 2-62481 Voice
Olive Fox vocal on 'Ma' and 'I don't think it matters', issued on Zonophone 2217, an early acoustic-era British label. Fox was an obscure vocalist; nothing is known of her recording career or these performances.AI summary
Zonophone 2217 Voice
Peter Dawson, the celebrated British baritone, performing 'Old Flagged Path' and 'Lackaday' on Zonophone 1282, an early recording from the acoustic era.AI summary
Zonophone 1282 Voice
Peter Dawson, one of Britain's finest baritones of the early 20th century, on Zonophone 2195. Dawson had an enormous recording career spanning four decades and recorded everything from ballads to comic songs.AI summary
Zonophone 2195 Voice
Peter Dawson, the celebrated Australian baritone, recorded "Sleepy Hollow Tune" and "Song of the Homeward Bound" for Zonophone in the early 1900s. Dawson was one of the most prolific recording artists of the acoustic era.AI summary
Zonophone 2623 Voice
Peter Dawson, the Australian-born baritone and one of the most prolific recording artists of the 1900s–1920s, on Zonophone performing two sacred songs.AI summary
Zonophone 743 Voice
Peter Dawson, a distinguished Australian baritone, recorded 'Simon the Cellarer' and 'The Deathless Army' for Zonophone 159. Dawson was a major artist of the Edwardian era; Zonophone was the Gramophone Company's budget label.AI summary
Zonophone 159 Voice
Peter Dawson was one of the most recorded British baritones of the early 20th century, beloved for sentimental sea-songs and ballads like "The Bay of Biscay" and "Out on the Deep". This Zonophone pressing is from the acoustic era or early electrical period.AI summary
Zonophone A25 Voice
Peter Dawson, one of the finest and most recorded baritones of the acoustic and early electric era, performs two narrative songs 'Drake Goes West' and 'Rolling Down to Rio' on Zonophone 614. Dawson was an Australian baritone who became one of Britain's most prolific recording artists from the 1900s through the 1950s, known for ballads and narrative songs.AI summary
Zonophone 614 Voice