218 shellac records · mostly British pressings, 1900s–1950s
218 records matching · page 4 of 5
Credited to Madam Paull on Odeon 66232, two early dance novelty songs from the late 1920s or very early 1930s. The artist and label are obscure and the record cannot be reliably identified or valued.AI summary
Odeon 66232 Dance
Male voices (choir, likely an amateur ensemble) on Odeon 030800, performing two pieces of American popular or sentimental interest ('St Patrick's Day at Clancy's', 'A Virginia Christening').AI summary
Odeon 030800 Music Hall
Mark Sheridan was an early 20th-century British music-hall performer known for topical comic songs. 'The Josser Cricketer' and 'At the Football Match Last Saturday' are typical Edwardian patter songs. This Odeon pressing is from the acoustic era.AI summary
Odeon 44970 Music Hall
Mark Sheridan, the Edwardian music-hall comedian best known for 'I Do Like to Be Beside the Seaside', performing two of his sporting comedy songs — 'The Josser Cricketer' and 'At the Football Match Last Saturday' — on Odeon catalogue 44970. Sheridan is well-documented and Odeon pressings of his work are moderately common.AI summary
Odeon 44970 Music Hall
Mark Sheridan was a popular Edwardian music-hall comedian, best known for 'I Do Like to Be Beside the Seaside'. This Odeon pressing, catalogue 44975, offers two less-familiar titles: 'The Doctor' and 'Epitaphs'. Odeon issued a substantial number of British music-hall sides and pressings at this catalogue level are moderately common.AI summary
Odeon 44975 Music Hall
Mars MacLaren and Everard recorded 'I worship the Ground' and 'Down by the Wangaroo' for Odeon 66619, likely Australian or British music-hall or novelty material from the 1920s–30s.AI summary
Odeon 66619 Music Hall
Marta Eggerth, a Hungarian-born soprano who became an international opera and musical-theatre star, recorded these two German romantic art-songs for Odeon; Eggerth was celebrated in German and Austrian culture.AI summary
Odeon 011891 Opera
Meistersingers Band performing 'Invitation à la Valse' and 'Lettre de Manon' on Odeon 32632, light orchestral or salon music recordings from a Continental label.AI summary
Odeon 32632 Orchestra
Odeon 76706
Madame Cesbron-Viseur performing Rimsky-Korsakov's 'Sheherazade' on both sides of Odeon 188630, a classical vocal performance on the mainstream German Odeon label.AI summary
Odeon 188630 Classical
Mme Geori-Boué, a French mezzo-soprano or soprano of the early 1900s, recorded two romantic songs in French for Odéon: "Mon Cœur ne peut changer" and "À toi mon âme". Odéon was a major European label based in Berlin and had extensive French repertoire.AI summary
Odeon 188945 Voice
Mme Geori-Boue, a concert mezzo-soprano, recorded for Odeon with two art songs, 'Paysage' and 'D'une prison'.AI summary
Odeon 188.959 Opera
Montague Arnold on Odeon Records, a major British label, performing light vocal and sentimental song of the early acoustic era.AI summary
Odeon 44935 Voice
Mr Aumonier, credited on Odeon 3835, performing 'Les Boeufs' and 'Primavera'.AI summary
Odeon 3835 Voice
Muriel George was a popular English contralto and actress best known for her character roles; Gwennie Mars appears on the reverse in a different number. This Odeon pressing, catalogue 66616, couples George's 'Echoes' with Mars's 'Ypsilanti'. Odeon issued a wide range of British performers and pressings at this catalogue level are moderately common.AI summary
Odeon 66616 Music Hall
Musique de la Garde Republicaine performing 'Ma Jolie' and 'Santiago' on Odeon 33785. The Garde Republicaine is the official ceremonial orchestra of the French Republic; this Odeon release captures their patriotic and light classical repertoire.AI summary
Odeon 33785 Orchestra
The Musique de la Garde Républicaine, the French military band, recorded marches including Sousa's famous 'The Stars and Stripes Forever' for Odeon, a major European label.AI summary
Odeon 70001 Orchestra
Nat Gonella, a British trumpet player and jazz entertainer, recorded 'Farewell Blues' and 'St. Louis Blues' for Odeon 221992. Gonella was a prominent figure in British jazz and swing of the 1930s–40s.AI summary
Odeon 221992 Jazz
Ninon Vallin, the French soprano, sings from Gounod's 'Faust' on Odeon.AI summary
Odeon 171.031 Opera
NW German and Schuchter recorded two Intermezzo movements—the Sinfonico and the Bajazzo—for Odeon, a major German label, likely early 1900s pressing.AI summary
Odeon 29000 Classical
Odeon O2313
The Okeh Syncopaters was a jazz group that recorded for Odeon, the German-based label with British distribution. This Odeon A-series side pairs two spoken-word novelty pieces, 'Jokes' and 'Laughing Record', representing the humorous side of 1920s jazz-era material.AI summary
Odeon eonA74361 Jazz
Omer Letory performing orchestral transcriptions on Odeon, including the Grand March from Wagner's Tannhäuser and a Funeral March; Odeon was a major European label with extensive catalogue of light classical and instrumental material.AI summary
Odeon 36524 Orchestra
Onelia Fineschi, an Italian soprano, recorded two opera arias: Boito's 'Mefistofele' and Catalani's 'La Wally', for Odeon, a major European label. Fineschi was an operatic singer of the early-to-mid 20th century.AI summary
Odeon R30005 Opera
Odeon 0561 Orchestra
Sir Thomas Beecham's orchestra recorded 'Bee's Wedding' and the Cavalleria Rusticana Intermezzo for Odeon, a major European label; Beecham was one of Britain's greatest conductors and his recordings remain highly regarded.AI summary
Odeon 0772 Orchestra
An orchestra conducted by Thomas Beecham performing Mendelssohn's 'Bee's Wedding' and the Intermezzo from Mascagni's Cavalleria Rusticana on Odeon catalogue 143000. Beecham was one of the most celebrated British conductors; Odeon pressings of early Beecham recordings are of collector interest.AI summary
Odeon 143000 Orchestra
Odeon 36628
Francisco Canaro's Orquesta Típica, one of the great Argentine tango orchestras, plays 'El adiós' and 'Paciencia' on Odeon.AI summary
Odeon OT165 Dance
Francisco Canaro was a leading tango bandleader of Buenos Aires; this Odeon disc pairs Como te quiero with Que le importa al mundo.AI summary
Odeon OT149 Dance
Odeon OT178 Latin
Palace Theatre Orchestra performing instrumental medleys for Odeon, a major British label. The catalogue number places this in the 1920s–30s era.AI summary
Odeon 66185 Orchestra
The Paris Opera chorus performing the Chorus of Philistines from Saint-Saëns' opera Samson et Dalila, issued on Odeon with a very early catalogue number. This is a substantial operatic recording from the acoustic era of international opera recording.AI summary
Odeon 0609 Opera
Pasacalle de las Beatas Jazz Band perform 'Sol de Sevilla' on Odeon 139.863/4, a Spanish recording from an uncertain date. This is an obscure jazz band from Spain.AI summary
Odeon 139.863/4 Jazz
Guy Mitchell on Philips PB712, a pop vocal side from the early 1950s.AI summary
Odeon 32502 Voice
Richard Tauber and Emmy Bettendorf performing the 'Miserere' from Verdi's Il Trovatore on Odeon JXX81066. Tauber was one of the most celebrated lyric tenors of the interwar era, and Bettendorf was a distinguished German soprano; a Tauber-Bettendorf Verdi duet on Odeon is a significant operatic 78. The JXX-prefix Odeon series suggests a large-format or special-series pressing.AI summary
Odeon JXX81066 Voice
Raderman recorded "Toreadora" and "Why Did You Leave Me?" (Knecht) for Odeon catalogue 311952. Raderman is not identified in general reference, and these appear to be light orchestral or popular vocal material.AI summary
Odeon 311952 Dance
Raquel Meller, the Spanish singer and actress who became an international star in the 1920s, sings Mañana and Mi copla on Odeon.AI summary
Odeon A139245/4 Voice
A regimental band of the French Republic recorded these two march-style pieces on Odeon, a major European label, in the early 1930s. These are straightforward military/ceremonial recordings.AI summary
Odeon 030601 Instrumental
Renato Rascel was an Italian comic actor and singer; this Odeon disc carries two Italian popular songs, likely from the 1940s–50s.AI summary
Odeon L14058 Voice
Renato Rascel was an Italian entertainer and actor, recorded here on Odeon for two operetta numbers: 'In Un Palco Della Scala' and 'Le Roi de Chez Maxim'. The TW series suggests a 1950s pressing.AI summary
Odeon TW4076 Opera
Reser was a composer and bandleader who recorded instrumental pieces, likely dance or novelty material. This Odeon pressing is from the acoustic or early electrical era, circa 1920s.AI summary
Odeon 221103 Instrumental
Richard Tauber, the celebrated Austrian tenor who became a major British recording and stage star, sings Don Ottavio's two arias from Mozart's Don Giovanni on Odeon.AI summary
Odeon R20444 Opera
Richard Tauber was an Austrian-British tenor and musical-theatre star famous for operetta and light opera roles. 'I've found my Haven' and 'Give me your Heart' were recorded for Odeon. Tauber was an internationally famous singer and recording artist.AI summary
Odeon 222067 Opera
Richard Tauber, the celebrated Austro-German tenor, singing in German on the Odeon label. Tauber was a major concert and operatic artist with an extensive discography; Odeon was the major German label and issued his material widely.AI summary
Odeon O8341 Opera
Richard Tauber, the legendary Austrian tenor and entertainer, performing German operetta songs on Odeon, recorded in the 1920s-1930s, from a major star of stage and screen.AI summary
Odeon O4956 Opera
Richard Tauber, an Austrian tenor of world renown, recorded two songs in German—'Gruss mir mein Hawaii' and 'Deine Augen sind so tief wie die Wolga'—for Odeon O4959. Tauber was a legendary operatic and popular singer; these are German-language popular songs from the 1930s.AI summary
Odeon O4959 Voice
Richard Tauber, the celebrated Austrian tenor, with Lotte Lehmann in two songs by Gluck on Odeon; a pairing of two major voices from the Lieder and operatic repertoire.AI summary
Odeon 80944/6 Opera