316 shellac records · mostly British pressings, 1900s–1950s
316 records matching · page 2 of 7
Enrico Caruso, the greatest tenor of the 20th century, recorded 'Trusting Eyes' for Victor, catalogue 87187; Caruso's recordings are among the most iconic of the acoustic era and are universally sought by collectors.AI summary
Victor 87187 Opera
Enrico Caruso, the legendary Italian tenor, recorded 'Hosanna' for Victor, a major American label. This is an acoustic-era Caruso recording, a cornerstone of early vocal recording and consistently sought by collectors.AI summary
Victor 88403 Opera
Enrico Caruso, the legendary Italian tenor, singing 'La donna è mobile' from Verdi's Rigoletto on Victor 88127 — a canonical operatic recording from the most famous tenor of the 78 era.AI summary
Victor 88127 Opera
Castro on Victor 22821, performing 'St Louis Blues' and 'Marta', from the 1920s or early 1930s.AI summary
Victor 22821 Dance
Chapman performing 'Let me be the first to kiss you good morning' and 'Me and the Boy Friend' on Victor, a popular song or dance side from the 1920s.AI summary
Victor 19519 Dance
Charles Gilibert recorded 'Largo' for Victor, a classical or instrumental solo of the early 1900s or 1920s.AI summary
Victor 74155 Classical
Charles Penrose, a British baritone and comic entertainer, recorded 'Laughing Family' and 'I Tried to Keep from Laughing' for Victor Records. Penrose was famous for his laughing trick and novelty vocal effects.AI summary
Victor C6 Comic
Chris Chapman performs 'Spoontime' on Victor, catalogue 4798, a side that appears to be a novelty or percussion piece.AI summary
Victor 4798 Instrumental
Chris Chapman performing 'Watermelon Club March' on Victor, an American label with British distribution.AI summary
Victor 5219 Dance
Clarence Whitehill, a distinguished American baritone, recorded the sentimental ballad 'Love's Old Sweet Song' for Victor Records. Whitehill was a major concert and operatic baritone of the early twentieth century.AI summary
Victor 74321 Voice
Victor 19956
Victor C30 Music Hall
Collins and Harlan were a dominant early recording duo of the 1900s–1910s; this Victor pressing pairs two ragtime and novelty songs typical of their prolific repertoire in the acoustic era.AI summary
Victor 16472 Instrumental
Collins and Harlan, a popular vocal duo of the acoustic era, performing 'Put your Arms around me Honey' on Victor 16708, from around 1910–1912.AI summary
Victor 16708 Voice
Coon Sanders, an American bandleader, recorded 'Night Hawk Blues' and 'Red Hot Mamma' for Victor. Sanders led the Nighthawk Orchestra and was active in the 1920s as a jazz and dance bandleader.AI summary
Victor 19316 Jazz
Coon Sanders and his Nighthawk Orchestra, a popular American dance band, recorded 'Yes Sir That's My Baby' and 'Sometime' for the Victor label in the 1920s. This is a mass-market dance record from a well-known ensemble of the jazz age.AI summary
Victor 19745 Dance
The Coon-Sanders Orchestra, an American dance band of the 1920s and 1930s, recorded "Blue Foot" and "The Wail" for the Victor label; this is a US pressing.AI summary
Victor 21305 Dance
Dave Nelson, an early jazz violinist, in two recordings on Victor — 'I Ain't Got Nobody' and 'When Day Is Done' — likely from the mid-1920s.AI summary
Victor 22639 Jazz
Victor 18722
Doerr on Victor 18831, likely an American jazz or dance recording from the 1920s on RCA Victor; the titles are vague and the artist is unidentified.AI summary
Victor 18831 Jazz
Don Juan and his orchestra perform 'Idilio' and 'Felices Dias' on Victor 30766—likely a Latin American ensemble recording for the international market.AI summary
Victor 30766 Dance
Victor 38045
Duke Ellington's 1929 Victor recording of 'Stevedore Stomp' and 'Dicty Glide' dates from his early Cotton Club years and is a well-regarded example of his developing big-band style.AI summary
Victor 38053 Jazz
Duke Ellington with 'Sweet Dreams of Love' and 'Sweet Jazz o' Mine' on American Victor's 38000 series of the late 1920s.AI summary
Victor 38143 Jazz
Enrico Caruso with violinist Mischa Elman, recorded two pieces on Victor: Massenet's 'Elegie' and Gounod's 'Ave Maria'. This is a rare and significant collaborative recording pairing two giants of early recording — Caruso, the greatest tenor of the acoustic era, and Elman, one of the most celebrated violinists of the period.AI summary
Victor 8007 Opera
Eddy Duchin and his band with A Fool in Love and An Orchid to You on Victor 24326.AI summary
Victor 24326 Dance
Eddie Ross on Victor 19213 performing 'Ju Ju Man' and 'Florida Cracker', suggesting novelty or regional folk material. Ross is not documented as a major artist; Victor 19000-series pressings are moderately scarce in the UK.AI summary
Victor 19213 Country
Eddie Ross on Victor 18926 with 'Double Shuffle' and 'Juba', an American instrumental recording from around 1910–1920.AI summary
Victor 18926 Instrumental
Eddy Duchin and his orchestra with Too Marvelous for Words and Just a Quiet Evening on Victor 25517.AI summary
Victor 25517 Dance
Victor 35214 Voice
Edmond Clement, a celebrated French tenor of the Belle Époque era, recorded French operatic excerpts from Manon and Le Roi d'Ys for Victor; these are transfers of much earlier acoustically recorded material.AI summary
Victor 6062 Opera
Edna Brown, a popular singer of the early acoustic era, recorded for Victor. This Victrola 78 dates from the late 1920s and represents sentimental ballad material of the period.AI summary
Victor 17552 Voice
Edna Hicks performs 'I'm Goin Away' and 'You're Always Messin Round with My Man' on this Victor record, catalogue 19083, likely from the late 1920s.AI summary
Victor 19083 Jazz
Elizabeth Wheeler on Victor 16361, with 'When You and I Were Young, Maggie' and 'The Vacant Chair' (performed by the Haydon Quartet). Victor 16361 suggests a 1910s–1920s American pressing.AI summary
Victor 16361 Voice
Duke Ellington, the American jazz composer, bandleader and pianist, recorded these jazz standards for Victor, a major American label. Ellington was the pre-eminent figure in jazz and twentieth-century American music, known for his vast compositional output and innovative orchestrations.AI summary
Victor 22603 Jazz
Emilio de Gogorza, the American baritone celebrated for Spanish art song, performing 'La Paloma' and 'La Golondrina' on Victor 17442.AI summary
Victor 17442 Opera
Emilio de Gogorza, a Spanish baritone of international repute, performing Neapolitan song 'O Sole Mio' on Victor 64136 — a single-sided acoustic-era recording.AI summary
Victor 64136 Opera
Emilio de Gorgorza, an American baritone of the 1900s–20s, recorded 'O Sole Mio' for Victor; this is a US pressing and represents early operatic recording.AI summary
Victor 74105 Opera
Emma Calvé, the celebrated French operatic soprano, performing the French song 'Chantez riez dormez' on Victor—a significant operatic and vocal recording from the early 20th century.AI summary
Victor 88119 Opera
Enric Madriguera was a Spanish bandleader and guitarist popular in the 1930s; this Victor recording pairs 'When You Love Only One' and 'Maria'.AI summary
Victor 24767 Dance
Enrico Caruso and Louise Homer, two of the greatest American opera singers of the early 20th century, recorded this duet from Verdi's Il Trovatore for Victor, the leading American label. UK copies of this major recording are scarce.AI summary
Victor 89018 Opera
Eubie Blake, the celebrated African-American pianist and composer, recorded 'Bandana Days' and 'Baltimore Buzz' for Victor, a US label—two instrumental jazz and ragtime pieces from the early recording era.AI summary
Victor 18791 Jazz
Evan Williams performing 'The Hoy City' on Victor, the American label which made limited UK pressings during the acoustic era.AI summary
Victor 74356 Voice
F Claremont performing 'Any old Iron' and 'Carroty' on Victor C8. A very early catalogue number on the American Victor label.AI summary
Victor C8 Music Hall
Fanny Brice was one of the most celebrated American comic performers of the early twentieth century, star of the Ziegfeld Follies and the inspiration for the musical Funny Girl. This Victor disc, catalogue 45323, contains 'Becky Is Back in the Ballet' and 'Sheik of Avenue B'. Brice recordings are collected by enthusiasts of early American comedy and vaudeville.AI summary
Victor 45323 Personalities (Prs)
Fats Waller (1904–1943) was an American pianist, organist, singer and comedian, one of the most influential jazz and novelty performers of the 1920s and 1930s; this Victor side showcases his lighthearted vocal style on two charming numbers.AI summary
Victor 25120 Jazz
Feruccio Giannini was an Italian-American operatic tenor among the earliest artists recorded commercially by Victor in the United States; this disc preserves his rendition of 'M'appari tutt'amor' from Martha.AI summary
Victor 4056 Opera
The Flonzaley Quartet was an American string quartet renowned for concert and recording work, especially in chamber music and art-song repertoire, active from the early 1900s into the 1920s. This recording of Smetana's 'From My Life' quartet (two parts) is a major work of the chamber repertoire. The Victor pressing represents the acoustic era.AI summary
Victor 7130 Classical