4,839 shellac records · mostly British pressings, 1900s–1950s
4,839 records matching · page 7 of 101
Antonio Notariello, credited here on the obscure British Witton label, 6003; the repertoire ('Teach me to love', 'Agnus Dei') suggests a light vocalist or organist of the 1930s–40s, but no information on this artist or pressing survives.AI summary
Witton 6003 Voice
Antonio Notariello, as id 6386, on Witton label 6004; 'Rimpianto' and 'Vale' continue the Italian/classical song repertoire, but the artist and label remain unidentified.AI summary
Witton 6004 Voice
A second copy of Antonio Notariello's Witton label disc 6002 — 'Twilight' and 'Inverno triste' — identical to id 2339. Both copies should be compared for condition; the label and artist are unidentified and require specialist examination.AI summary
Witton 6002 Voice
Antonio Notariello performing 'Teach Me to Love' and 'Agnus Dei' on the Witton label, catalogue 6003 — a companion to the Witton 6002 discs (ids 2339 and 6470) in this collection. Witton is an extremely obscure label; all three Witton discs in this collection require specialist examination.AI summary
Witton 6003 Voice
Antonio Notariello performing 'The Star' and the Handel aria 'Ombra Mai Fu' on the Witton label, a minor British imprint.AI summary
Witton 6005 Voice
April Stevens, the popular American singer, recorded these vocals for His Master's Voice in the 1950s; That Naughty Waltz and I Like to Talk to Myself are light entertainment pieces of their era.AI summary
His Master's Voice JO357 Voice
April Stevens, an American popular singer and later rock-and-roll figure, on His Master's Voice from the 1950s performing pop ballad material.AI summary
His Master's Voice B10152 Voice
April Stevens recorded 'The Tricks of the Trade' and 'Put Me in Your Pocket' for HMV (JO305). April Stevens was an American pop singer and actress of the 1950s; HMV JO series suggests mid-1950s UK pressing.AI summary
His Master's Voice JO305 Voice
Araci de Almeida, a Brazilian singer, recorded samba and folk material for Parlophone's international DP series in the 1950s.AI summary
Parlophone DP259 Voice
Credited as ARC on Perfection (Perf), a small British label of the 1920s–30s; catalogue 15624 is a high number suggesting later Perfection production or reissue.AI summary
Perfect 15624 Voice
ARC (likely a house ensemble or studio group on the budget label ARC) recorded 'Strangers' and 'Voice in the old Village Choir' for Decca, catalogue F3007; ARC credits typically masked studio musicians on lower-cost pressings.AI summary
Decca F3007 Voice
ARC (likely the American Record Company) is credited on this Winner disc, a cheap British label, of 'Don't Let It Happen Again' and 'Sleepy Head', with titles suggesting novelty or sentimental material.AI summary
Winner W139 Voice
Archer recorded two popular sentimental songs for Brunswick: 'There Ain't No Maybe in My Baby's Eyes' and 'When Day Is Done', probably in the 1920s or 1930s.AI summary
Brunswick 3399 Voice
Archer on Brunswick 3452, with 'High Up in the Hills' and 'Yankee Rose' — a vocalist of unknown significance on a major American label's British pressing, 1930s.AI summary
Brunswick 3452 Voice
Armstrong & Allen recorded 'When that Harvest Moon is shining' for Olympia Records. The artists are unidentified in standard references; Olympia was a minor British label.AI summary
Oly 220 Voice
Art and Dottie Todd performing 'Heavenly' and 'Broken Wings' on His Master's Voice B10399. The Todds were a husband-and-wife vocal duo active in the 1920s–30s.AI summary
His Master's Voice B10399 Voice
Art Fowler performs two popular songs on Columbia 4465, likely 1930s era.AI summary
Columbia 4465 Voice
Art Gillham, known as 'The Whispering Baritone', performing 'Smile All the While' and 'I Had Someone Else Before I Had You' on Columbia 3748, from the mid-1920s. Gillham was a prolific American recording artist of the 1920s, famous for his soft-sung delivery and often backed by small orchestras.AI summary
Columbia 3748 Voice
Art Gillham, a popular vaudeville and recording artist from the 1920s-30s, performing ballads on an early Columbia catalogue number.AI summary
Columbia 1663D Voice
Arthur Aiston on two novelty or popular numbers, I've got a Girl and Tit Bits, on the British budget label Jumbo 959.AI summary
Jumbo 959 Voice
Arthur Braddon performed these hymns for Columbia in the early recording era; both sides are sacred vocal pieces.AI summary
Columbia is252 Voice
Arthur Collins on Tru 446, performing two sentimental ballads. Collins was a prolific early recording artist of the acoustic era and 1920s; his sides are common but are collected as examples of early vocal recording.AI summary
Tru 446 Voice
Arthur Collins performing 'The Yankee Doodle Boys' on Imperial with an early catalogue number (44474)—likely from the 1900s-10s.AI summary
Imperial 44474 Voice
Arthur Collins, a prolific American popular singer of the early 1900s, recorded 'Prohibition Blues' and 'St Louis Blues' on the Gen label, catalogue 4513. These are likely recordings from the jazz age or thereabouts.AI summary
Gen 4513 Voice
Arthur Collins, a British singer active in the early twentieth century, performing the sentimental song 'What's the Use of Loving If You Can't Love All the Time' on Columbia, catalogue 3558.AI summary
Columbia 3558 Voice
Arthur Collins, a popular baritone vocalist of the early 1900s, performing the novelty rag 'When Uncle Joe Plays a Rag on His Old Banjo' on His Master's Voice 4-2233.AI summary
His Master's Voice 4-2233 Voice
Arthur Collins was a prolific American singer of the early 1900s, widely recorded in Britain and America; the Fireside Minstrels were a popular vocal group, and this Columbia disc documents that tradition.AI summary
Columbia 334/420 Voice
Arthur Fields with Little by Little and, credited J. Milton, My Fate Is in Your Hands on Dominion C304.AI summary
Dominion C304 Voice
Arthur George performing two sentimental Victorian-style songs for Pathé. George was a minor British recording artist from the early 1920s.AI summary
Pathé 1088 Voice
Arthur Gilbert singing 'There is a happy land', a Victorian hymn-style song, on Zonophone, likely early 1920s based on the catalogue number.AI summary
Zonophone XX42594 Voice
Arthur Hall with London Bridge Is Falling Down and The Farmer in the Dell on Little Tots 107.AI summary
LittleTots 107 Voice
Arthur Joyce performing two patriotic songs—'The Red White & Blue' and 'Sons of the Sea'—for Jumbo, catalogue 1205; Jumbo was a small British label of the early 1930s.AI summary
Jumbo 1205 Voice
Imperial 934 Voice
Arthur Peel singing 'We All Went to Leicester Square' and 'Playing the Game in the West' on Diamond 90. Diamond was a small British label, and this record represents a minor local artist or regional release of the 1920s–30s era.AI summary
Diamond 90 Voice
Ash on 'Dolores', recorded for Columbia 4936. The artist name is too common to identify without further research; the catalogue number places the pressing in the late 1920s–early 1930s.AI summary
Columbia 4936 Voice
A popular song by Ash on Columbia (catalogue 4323), likely from the late 1920s or 1930s.AI summary
Columbia 4323 Voice
The Associated Glee Clubs of America recorded sacred and patriotic songs for Columbia in the early 1900s.AI summary
Columbia 9048 Voice
Atkins on Decca, singing wartime medleys with arrangements of 'Night Is Young', 'Marie' and other popular standards. Decca MW series were military or wartime medleys, common in the 1940–42 period.AI summary
Decca MW253 Voice
Augusto Baldi, an Italian tenor, recorded French popular songs—"Un Minois Mutin" and "Toujours Aimer Boire et Chanter"—for the Fidelio label. Artist and label context are unidentified.AI summary
Fidelio 20007 Voice
Credited to Aunt Jemima on Columbia 4917, performing 'Didn't I Tell You' and 'Can't Help Lovin' Dat Man' — likely a vaudeville or novelty act.AI summary
Columbia 4917 Voice
Austin recorded 'Maybe it's the Moon' and 'Who am I' for Decca, a major British label, likely from the late 1930s.AI summary
Decca F2686 Voice
Ava Gardner singing 'Bill' and 'Can't help lovin' dat Man' on MGM 408 from the 1950s, likely from a film or light vocal session.AI summary
MGM 408 Voice
A.W. Bascomb on Columbia 4204, a vocal recording from the early Columbia catalogue, likely 1920s.AI summary
Columbia 4204 Voice
Credited to 'B Barry' on Pathé 1185, performing 'I'm forever blowing Bubbles' (a classic music-hall song) and 'Hand in Hand again'. Pathé was a British pressing of continental and American recordings from the 1920s-1930s.AI summary
Pathé 1185 Voice
B. Bennett and A. Whelan performing 'You Gotta Be' and 'Negro Nothings' on His Master's Voice B4195, a duet recording from the 1930s.AI summary
His Master's Voice B4195 Voice
This HMV disc pairs B. Bennett and A. Whelan in a song with potentially offensive period language; the artists are minor figures in British recording.AI summary
His Master's Voice B4195 Voice
B Burton singing two sentimental ballads on Imperial Records — 'June Night' and 'At the End of the Road' — vocal material typical of the early 1930s, recorded for a cheap British label.AI summary
Imperial 1416 Voice
B. Forbes with What Has Become of Hinky Dinky Parley Voo and, by P. Andrews, Why Did I Kiss That Girl on Beltona 580.AI summary
Beltona 580 Voice