4,838 shellac records · mostly British pressings, 1900s–1950s
4,838 records matching · page 72 of 101
A performer credited as 'Noble' recorded 'Double Trouble' and 'I Wished on the Moon' for His Master's Voice, but without a first name it is not clear whether this is a pseudonym or a known artist; the catalogue number suggests an early 1930s pressing.AI summary
His Master's Voice BD211 Voice
Noble, credited on His Master's Voice BD5147, performing 'Easy to Love' and 'I've Got You Under My Skin' — both popular ballads of the 1930s.AI summary
His Master's Voice BD5147 Voice
Noble, identified as a vocalist, performing two popular songs for His Master's Voice: 'Ain't Ya Comin' Out Tonight' and 'She Was Only Somebody's Daughter'.AI summary
His Master's Voice B6235 Voice
Noble (likely a session orchestra or pseudonym) recorded 'Looking on the bright Side' for HMV. The artist is unidentified; this appears to be a drawing-room ballad or dance arrangement.AI summary
His Master's Voice B6237 Voice
Noble performing two sentimental vocal numbers on His Master's Voice (catalogue B6305), from the interwar period.AI summary
His Master's Voice B6305 Voice
Noble recorded 'Who's Afraid of the Big Bad Wolf' and 'I Was in the Mood' for HMV B6411 in the 1930s. 'Big Bad Wolf' was a popular novelty song from the Walt Disney cartoon 'The Three Little Pigs'.AI summary
His Master's Voice B6411 Voice
Noble (likely a pseudonym for a session orchestra or bandleader) recorded 'I love you truly' for HMV. The artist identity is unclear; this is likely a drawing-room ballad or dance recording.AI summary
His Master's Voice B6492 Voice
Noble performing 'I'll String Along with You' and 'Fair and Warmer' on His Master's Voice B6503.AI summary
His Master's Voice B6503 Voice
Credited to Noble on His Master's Voice B6172, performing 'Goodnight Vienna' and 'Living in Clover'. The artist may be the British bandleader and composer Ray Noble, who recorded prolifically in the 1920s–30s.AI summary
His Master's Voice B6172 Voice
Noel Coward, the celebrated British songwriter, playwright and performer, recording two of his own compositions on His Master's Voice B9433. Coward's HMV recordings remain highly sought by collectors of British theatrical music and popular song of the mid-20th century.AI summary
His Master's Voice B9433 Voice
Norah Blaney was a British vocalist of the late 1920s and early 1930s; 'Love for Sale' was a Cole Porter song from 1930, and she recorded it for Columbia in a style typical of the period.AI summary
Columbia 4467 Voice
Norah Blaney recorded 'Diane' and 'Song Is Ended' for Columbia, catalogue 4733, likely in the 1920s-1930s; both are standard popular ballads of that era.AI summary
Columbia 4733 Voice
Norah Blaney, a British contralto, performing 'My Cello Man' and 'Nobody Lied' (the latter credited to the soprano Jessie Farrar) on His Master's Voice B-series — likely a 1920s vocal side.AI summary
His Master's Voice B1585 Voice
Norah Blaney on two sentimental ballads, 'If you hadn't gone away' and 'While my pretty one sleeps', recorded for Columbia in the 1920s. Blaney was not a major recording artist and these sides are typical of the period's popular vocal material.AI summary
Columbia 4273 Voice
Norah Blaney recorded 'The Man I Love' and 'A Room with a View' for Columbia 4857 in the 1920s, two standards of American popular song.AI summary
Columbia 4857 Voice
Norah Blaney performing 'Old Man Sunshine' and 'Roses of Yesterday' on Columbia, the major British label, catalogue 5181.AI summary
Columbia 5181 Voice
Norah Blaney, a British vocalist of the late 1920s and 1930s, recorded 'Say Oui Cherie' and 'Love Is Like a Song' for Columbia in the early 1930s.AI summary
Columbia DB312 Voice
Norah Blaney recorded 'Room with a view' and 'Man I love' for Columbia Records. A jazz and popular singer of the 1930s.AI summary
Columbia 4857 Voice
Norah Blaney sings 'Room with a View' and 'The Man I Love' on Columbia, two popular standards from a British vocalist of the 1920s–1930s.AI summary
Columbia 4857 Voice
Norah Blaney and Gwen Farrar, two singers of the British light-entertainment tradition, performing on Columbia DB121. This early DB-series pressing dates from the late 1920s or early 1930s.AI summary
Columbia DB121 Voice
Norah Blaney and Gwen Farrar recorded the duet 'Moanin' for You' and 'We'll Cling Together' for Columbia's electrical DB series, dating to the 1930s.AI summary
Columbia DB121 Voice
Norah Scott on Vocalion, performing two Irish traditional standards — artist otherwise unidentified.AI summary
Vocalion X9101 Voice
Norman Allin on Columbia performing 'A West Country Courting' and 'Off to Philadelphia', traditional folk-like songs and narrative ballads by the English baritone.AI summary
Columbia D1541 Voice
Norman Allin was a respected British baritone and a principal singer with D'Oyly Carte Opera Company. His recordings for Columbia of art songs — 'When Song is Sweet' and 'Think On Me' — represent serious British vocal recording from the late 1920s or 1930s.AI summary
Columbia DB1628 Voice
Norman Allin was a British baritone and solo vocalist of the 1920s–30s; 'Wanderer's Song' and 'Yeomen of England' are art-song or traditional vocal material. Columbia L1366 indicates a later-period or special-series Columbia release, possibly mid-1930s or later.AI summary
Columbia L1366 Voice
Norman Allin, a British tenor of the inter-war years, recorded for Columbia; the titles are from classical oratorio and operetta repertoire.AI summary
Columbia DX125 Voice
Norman Allin was a British tenor and one of the most recorded singers of the 1920s and early 1930s. This Columbia D-series acoustic recording pairs two pieces: 'Brittany' and 'Were you there', representing his prolific output for Columbia in the early acoustic era.AI summary
Columbia D1614 Voice
Norman Brooks on Lon 1202, performing 'You Shouldn't Have Kissed Me the First Time' and 'Somebody Wonderful'. Lon appears to be a very minor or unidentified British label.AI summary
London 1202 Voice
Norman Williams recorded two popular songs on the Imperial label, a minor British marque of the 1920s–30s.AI summary
Imperial 924 Voice
Norman Williams performing 'Asleep in the Deep' and 'When the Ebb Tide Flows' on Alexandra Nr. 162. Alexandra was a small British label, and this record represents a minor vocalist from the acoustic era.AI summary
Alexander NR162 Voice
Norris on Piccadilly 661, performing 'My Sweet Temptation' and 'Love Found Me'. Piccadilly was a cheap British budget label of the 1920s–30s, often used for reissues and minor artists.AI summary
Piccadilly 661 Voice
Norton Green recorded 'I May Be Crazy' and 'Lily of Laguna' for Piccadilly 433, a British Piccadilly label pressing.AI summary
Piccadilly 433 Voice
Popular songs by Novak on Imperial (catalogue 2542), a small British label.AI summary
Imperial 2542 Voice
O Hamilton and K Keech recorded two vocal numbers for Brunswick.AI summary
Brunswick 136 Voice
Imperial 1993 Voice
The O'Gorman Brothers on Piccadilly 598, performing 'Missing the Train' and 'Irish Spree', Irish popular songs on a budget British label.AI summary
Piccadilly 598 Voice
Credited to Ohman on Brunswick 3592, a vocal ballad featuring the popular standard 'Me and my Shadow'. Brunswick 3500-series dating suggests early 1930s.AI summary
Brunswick 3592 Voice
Olga Elga Eli Hudson on His Master's Voice, this single-sided pressing of 'Angels Guard Thee' is a hymn or sacred vocal from an unidentified singer.AI summary
His Master's Voice 03294 Voice
Olga Elga Eli Hudson recorded 'Sunshine of your Smile' and 'Call of our Homeland' for His Master's Voice, catalogue C446—a classical or light-operatic release from the 1920s. The artist's full name or stage persona is unclear from the label.AI summary
His Master's Voice C446 Voice
Olga Haley performing two light songs on HMV, an early three-digit catalogue number (03619) suggesting an acoustic recording from the early 1920s.AI summary
His Master's Voice 03619 Voice
Olive Fox vocal on 'Ma' and 'I don't think it matters', issued on Zonophone 2217, an early acoustic-era British label. Fox was an obscure vocalist; nothing is known of her recording career or these performances.AI summary
Zonophone 2217 Voice
Olive Groves recorded these two sentimental vocal numbers—'If I Might Only Come to You' and 'Mighty Lak' a Rose'—for the Hudsons label, a small British imprint of the acoustic or early electrical era. Groves is not documented in standard references.AI summary
Hudson WF531 Voice
HMV B1288 Voice
Oliver Wakefield on Columbia FB1553, a comedic or novelty recording. The title 'Voice of Inexperience' suggests satirical or comic vocal performance.AI summary
Columbia FB1553 Voice
Olly Oakley on Melotone Records with 'Poppies & Wheat' and 'A Drop of Scotch'. Melotone was a minor British label of the late 1920s-30s.AI summary
Meloto 1061 Voice
Olly Oakley performing 'Poppies and Wheat' and 'Sweet Jessamine' on Winner 2046, a small British label of the 1920s-1930s.AI summary
Winner 2046 Voice
Olly Oakley on Winner catalogue 3141, featuring two light vocal or orchestral numbers. Winner was a prolific British budget label active from the 1920s.AI summary
Winner 3141 Voice
Olsen performs 'New Kind of Man' and '(Hickman) Mandalay' on His Master's Voice B1890. This is a vocal recording from the mid-1920s.AI summary
His Master's Voice B1890 Voice