21,671 shellac records · mostly British pressings, 1900s–1950s
21,671 records · page 180 of 452
George Grossmith performing two popular songs on Columbia, likely from the 1920s-30s; Grossmith was a successful recording artist of the period.AI summary
Columbia 4885 Voice
George Grossmith Jr, the Gaiety Theatre's leading man in Edwardian musical comedy, sings 'Carrie' and 'Tip-i-addy-i-ay' on Jumbo, a British label of the years before the First World War.AI summary
Jumbo A28060/1 Personalities (Prs)
George Hall, a bandleader of the 1930s-40s, performing "Alone" and "I Dream Too Much" on Regal, typical of the commercial dance-band material of the era.AI summary
Regal 2026 Dance
George Hall and his band with With You on My Mind and Why Not String Along with Me on Vocalion V4407.AI summary
Vocalion V4407 Dance
George Hall and his band with Take Your Finger Out of Your Mouth and, by the Bar Harbor band, I Wonder How I Look When I'm Asleep on Perfect P312.AI summary
Perfect P312 Dance
George Hamilton IV, the American country and pop singer, recorded "Who's taking you to the Prom" and "I know where I'm goin'" for His Master's Voice in the 1950s.AI summary
His Master's Voice POP505 Country
George Hamilton IV was a Scottish-American country singer who achieved major success in the 1950s-1960s. 'Why don't they understand' and 'Even tho' are his early recordings for His Master's Voice, likely from the mid-1950s, before he became a major star in country and folk music.AI summary
His Master's Voice POP429 Country
His Master's Voice 2-042012
George Henschel, the renowned German baritone and conductor, recorded 'Der Leiermann' and 'Das Wandern' (songs from Schubert's 'Die Winterreise' and other Lieder cycles) for Columbia D1621, art-song repertoire from the early acoustic era.AI summary
Columbia D1621 Classical
Sir George Henschel was the first conductor of the Boston Symphony Orchestra and a celebrated baritone, particularly associated with German Lieder and the friend and interpreter of Brahms. 'Der Leiermann' is the haunting final song of Schubert's Winterreise. This Columbia D-series pressing most likely dates from the late acoustic or very early electrical period. Henschel's recordings are historically remarkable — he was born in 1850 and his voice links the Victorian concert tradition directly to the recorded era.AI summary
Columbia D1621 Classical
George Henschel, the German-British baritone, performs 'By the Waters of Babylon' on this HMV acoustic recording from the early 1900s, catalogue 02527.AI summary
His Master's Voice 02527 Voice
George Henschel was a German-born baritone and conductor of the late 19th and early 20th centuries, known for his art-song and operatic repertoire. This Columbia side presents two Romantic art songs: Schubert's 'Die Zwei Grenadiere' and 'Gruppe Aus Dem Tartarus'.AI summary
Columbia L2302 Classical
George Henschel was a celebrated German-born baritone, conductor and composer of the Victorian and Edwardian era; this Columbia acoustic recording preserves two Romantic German songs of intimate character.AI summary
Columbia L2303 Classical
George Henschel, the German baritone and composer, performing Schubert art songs on His Master's Voice D103, from the early acoustic era. Henschel was an important 19th-century artist who recorded in the early 20th century.AI summary
His Master's Voice D103 Voice
George Jackley, a British comedian and character performer, recorded "Ain't It Grand to Be Bloomin' Well Dead" for Decca. Jackley was known for his comic monologues and character work in British variety.AI summary
Decca F2926 Comic
George Jackley, a British music-hall and pantomime comic, on Decca F3844. Jackley was known for novelty numbers and comic songs in British variety theatre; both titles suggest his speciality material.AI summary
Decca F3844 Music Hall
George Kainapau, performing here with G. Archer and the Pagans, recorded two Hawaiian songs, "E Mama ea" and "Hookipa Paka", on the Bell label. Hawaiian music was a popular commercial genre in the 1920s and 1930s, and this pressing documents the colonial-era fascination with island sounds.AI summary
Bell 112 Hawaiian
George Lashwood was a celebrated Victorian and Edwardian music-hall comedian and singer. This very early Zonophone pressing captures him in character numbers typical of his stage act.AI summary
Zonophone 162 Music Hall
George Lashwood was a British music-hall and vaudeville performer. G&T 3-2285 ('My Latchkey') is an acoustic recording of a minor performer from the acoustic era.AI summary
G&T 3-2285 Music Hall
George Lashwood, a celebrated British music hall and vaudeville performer known for his serio-comic songs, on Zonophone catalogue 214, performing 'One of the Girls' and 'Ship Ahoy'. Zonophone's low catalogue numbers place this in the very early acoustic era (circa 1906-1910).AI summary
Zonophone 214 Music Hall
George Lashwood, the popular Edwardian music-hall singer and 'Beau Brummell of the Halls', records 'Saturday-aturday' and 'Hang Out the Front Door Key' on Zonophone 39 — an extremely early Zonophone number, placing this among the very first pressings in the British Zonophone series, likely around 1900–1902. Lashwood is a collected name, and a catalogue number this low on Zonophone is a document of the earliest days of British disc recording.AI summary
Zonophone 39 Music Hall
George Lashwood, a popular British music-hall baritone and comedian of the Edwardian era, performing two songs on Columbia. Lashwood was one of the most recorded singers of the acoustic period.AI summary
Columbia 1163 Music Hall
George Lashwood, 'the Beau Brummell of the music hall', sings 'I'm Coming Home to You' on a single-sided G&T.AI summary
G&T 02017 Music Hall
George Lashwood was a celebrated British music-hall comedian and singer of the 1890s–1920s. This Columbia disc features two comic songs, including one by R. Hitchcock; Lashwood's comic numbers are collected by music-hall enthusiasts.AI summary
Columbia A5167 Music Hall
George Lashwood, a British music-hall entertainer of the early 20th century, recorded "Send for a P'liceman" and a song by Williams on Cinch 5153. Lashwood was a star of the variety and comic-song tradition.AI summary
Cinch 5153 Music Hall
George Lashwood, a British music-hall comic singer and entertainer of the Edwardian era, on Twin Records — a minor British label. Lashwood recorded extensively in the 1900s–1910s and likely reissued.AI summary
Twin 2032 Music Hall
George Lashwood, 'the Beau Brummell of the music hall', sings 'My Latchkey' on a single-sided G&T.AI summary
G&T 3-2285 Music Hall
George Lashwood, a Victorian and Edwardian baritone, performing 'The Serpentine' on Zonophone; Lashwood was a popular concert and drawing-room singer of the acoustic era.AI summary
Zonophone 42670 Voice
George Lashwood, a leading British music-hall comedian and singer of the late Victorian and Edwardian era, performing 'Shall I Meet You on the Bois de Boulogne?' on Zonophone 42816.AI summary
Zonophone 42816 Music Hall
George Lashwood on Zonophone 543 — 'Twilight' and 'A Rainy Afternoon.' Catalogue number 543 is a companion to Zonophone 544 also in this collection and is equally low in the Zonophone series, placing this among the label's earliest pressings. Two consecutive very early Zonophone numbers by the same artist in one collection is a notable concentration.AI summary
Zonophone 543 Music Hall
George Lashwood was a popular Edwardian music-hall singer known for his smart, well-dressed stage persona and topical songs. Zonophone 544 — 'The Moonlight Promenade' and 'O Blow the Scenery on the Railway' — is a very low Zonophone catalogue number, placing this among the earliest pressings on that label. Lashwood on early Zonophone is a collected music-hall item.AI summary
Zonophone 544 Music Hall
George Lashwood, a British baritone and one of the most prolific recording artists of the early 20th century, performing 'Twilight' on Zonophone. Lashwood recorded continuously from the acoustic era into the 1930s, amassing an enormous discography.AI summary
Zonophone X42616 Voice
George Lashwood, the popular Edwardian music-hall performer known for his elegant stage persona, on Regal catalogue 6471, with 'I Forgot the Number of the Door' and 'It's a Long Long Walk'. Regal was a Columbia budget subsidiary; Lashwood sides on Regal are among the commoner of his later label appearances.AI summary
Regal 6471 Music Hall
George Lashwood, the popular Edwardian music-hall performer, on Regal catalogue 6472, with 'Alexander's Bagpipe Band' and 'Take a Tip from Father'. Regal was a Columbia budget subsidiary; Lashwood sides on Regal are among the commoner of his later label appearances.AI summary
Regal 6472 Music Hall
George Lashwood, a prominent British music hall singer and entertainer of the late nineteenth and early twentieth centuries, recorded 'Send for a Policeman' for Zonophone. Lashwood was one of the most celebrated performers of the music hall era.AI summary
Zonophone 162 Music Hall
George Lashwood, a leading male vocalist and drawing-room singer of the Edwardian era, on Zonophone 170 with 'I've Been Out with Charlie Brown' and 'Sea Sea Sea'. Early catalogue number suggests an acoustic or very early electrical recording from the 1920s.AI summary
Zonophone 170 Voice
George Lashwood, a Victorian and Edwardian music hall star, performing 'One of the Girls' and 'Ship Ahoy' on Zonophone 214 — an early recording by a celebrated comedian and singer of the turn of the century.AI summary
Zonophone 214 Music Hall
George Lashwood, the popular Edwardian music-hall singer, records 'Saturday-aturday' and 'Hang Out the Front Door Key' on Zonophone 39 — a duplicate of the Zonophone 39 catalogued elsewhere in this collection. The same disc appears twice; Zonophone 39 is among the earliest British Zonophone pressings ever made and is a genuinely rare early acoustic document.AI summary
Zonophone 39 Music Hall
George Lashwood was an Edwardian music-hall performer celebrated for his elegant style and 'Champagne Charlie'-type material. Zonophone 58 is an exceptionally low catalogue number — among the earliest Zonophone pressings made in Britain, dating from around 1900–1902. Single-sided Zonophones at this number range are among the earliest surviving British disc records and are genuinely scarce; Lashwood is a recognised name and this is an early document of his recording career.AI summary
Zonophone 58 Music Hall
Hom H412 Jazz
George Lewis, the New Orleans clarinetist and bandleader. Tempo A94 ('Mama Don't Allow' and 'Willie the Weeper') is from a small British label and represents traditional New Orleans jazz.AI summary
Tempo A94 Jazz
George Lewis, a legendary New Orleans clarinet player, recorded "Mama Don't Allow It" and "Willie the Weeper" for Good Time Jazz GV2253, a US jazz reissue label of the 1950s.AI summary
GoodTimeJazzGV 2253 Jazz
George Lewis was an American New Orleans clarinetist (1900–1968) and a major figure in traditional jazz; his 'Deep Bayou Blues' and 'Climax Rag' were recorded in the 1940s, but this appears to be a VogV (Vogue, a French label) pressing, not a British one.AI summary
Vogue V2051 Jazz
George Lewis, the New Orleans clarinettist at the heart of the 1940s revival, plays 'Two Jim Blues' and 'Milenberg Joys' on British Vogue.AI summary
Vogue V2052 Jazz
George Massey performing 'Name of Kelly' and 'Nellie Kelly I Love You' on Winner, an Irish-interest or novelty side on a British budget label, likely from the late 1920s or 1930s.AI summary
Winner 3907 Voice
George Melly, the jazz and blues singer and later writer and surrealist, with 'Send Me to the 'Lectric Chair' and 'Rock Island Line' on Tempo.AI summary
Tempo 96 Jazz
George Melly with Mick Mulligan's band sings 'Death Letter' and 'Cemetery Blues' on Tempo.AI summary
Tempo A147 Jazz