Zonophone
815 records in the collection· mostly Florrie Forde, Billy Williams, Harry Fay
Zonophone was an early international record marque that came under the control of the Gramophone Company in Britain and became one of its principal lower-priced labels before the First World War. British Zonophone discs are especially rich in music hall, popular song and bands, with performers such as Florrie Forde, Billy Williams and Harry Fay making it one of the characteristic labels of Edwardian popular recording.
This introduction was written by AI from what is known of the label. Ask us if you want to know more about a particular record.
Records on Zonophone
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Untitled
Zonophone 2088
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- A(+Violetta)In the combat
- B(+Yarrow)Miserere
Ernest Pike, a baritone, recorded opera duets with identified soprano partners (Violetta and Yarrow) for Zonophone, a British label of the early 1900s.AI summary
Zonophone GO1 Opera
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- A3 Ages of Woman
- BWhy go abroad
Ben Albert recorded two comic or novelty pieces, '3 Ages of Woman' and 'Why go abroad', for Zonophone Records, a British imprint; artist otherwise unidentified.AI summary
Zonophone 40 Music Hall
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- A3 Meals a Day
- BUnderneath the Bed
Clarkson Rose on Zonophone 2796, a British music hall performer of the 1920s-30s.AI summary
Zonophone 2796 Music Hall
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- AA Christmas Party
- B(H Lambton)Christmas Ghost Story
H. Payne on Zonophone 947, performing Christmas novelty material on an early British acoustic label. The artist is unidentified and these titles are evidently seasonal recordings with limited appeal beyond their original 1920s market.AI summary
Zonophone 947
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- AA Day in the Army
- B(2 sides)
Clarkson Rose, a British music-hall comedian and character performer known for his pantomime work, recorded 'A Day in the Army' for Zonophone, catalogue 5882.AI summary
Zonophone 5882 Music Hall
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- AA Drunkard's Child
- BThe Mystery of Number Five
Jimmie Rodgers, the 'Father of Country Music', recorded 'A Drunkard's Child' and 'The Mystery of Number Five' for Zonophone, a British-marketed imprint, in the late 1920s.AI summary
Zonophone 4343 Country
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- AA Frangesa March
Professor Maccann performs 'A Frangesa March' on Zonophone 233, a catalogue number placing this among the very earliest British Zonophone pressings, probably around 1900–1902. The artist is not recognised in major references but a sub-250 Zonophone number is a document of the first years of British disc recording.AI summary
Zonophone 233 Instrumental
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- AA Jolly Christman
- BChristmas Eve in Barracks
Zonophone 694
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- AA Leakage in the Tank
- Bpart 2
Clarkson Rose, the British music-hall entertainer, recorded 'A Leakage in the Tank' in two parts for Zonophone, a small British label active in the early 1900s.AI summary
Zonophone 5981 Music Hall
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- AA Miniature Concert
- B(R WIedoft etc)part 2
A miniature concert featuring F Banta, H Burr, B Murray and others, recorded for Zonophone—one of the earliest and most prolific British labels. This medley-style recording is from the acoustic era, early 1900s or earlier.AI summary
Zonophone A3534 Orchestra
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- AA Night out
- BWhat shall I say to the Wife
Charles Penrose, the British comedian famous for 'The Laughing Policeman', on Zonophone performing comic songs 'A Night Out' and 'What Shall I Say to the Wife'.AI summary
Zonophone 1394 Music Hall
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- AA Whistling Yarn
- B(D Darby)German on the Telephone
G. H. Snazelle, a British music-hall artist, recorded two novelty comic pieces for Zonophone: 'A Whistling Yarn' and 'German on the Telephone', catalogue 1114.AI summary
Zonophone 1114 Music Hall
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- AAbe my boy
- BMuldoon's big Bassoon
Harry Fay on Zonophone 1962, performing 'Abe My Boy' and 'Muldoon's Big Bassoon', comic or novelty songs; Zonophone was the budget label of the Columbia Graphophone Company.AI summary
Zonophone 1962 Music Hall
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- AAh there you are again
- BWho goes there
Florrie Forde, one of the most celebrated British music-hall stars of the early twentieth century, singing 'Ah There You Are Again' and 'Who Goes There' on Zonophone 1505. Forde was one of the first international recording stars; Zonophone issues from the acoustic era are sought by collectors of early British entertainment.AI summary
Zonophone 1505 Music Hall
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- AAh'm disguised
- BAll through t'black Horse
Tom Foy, a Scottish dialect comedian and music-hall performer, recorded comic songs in Scots dialect for Zonophone, a major label of the 1920s. Foy was a theatrical figure of some local standing, and his Zonophone recordings are among the surviving examples of Scottish comic material from that era.AI summary
Zonophone 1816 Music Hall
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- AAlexander's Ragtime Band
- BTake me back to Yorkshire
Harry Fay on Zonophone 797, recording two music-hall standards from the early 1900s–1920s on a major British label; likely a commonplace commercial release.AI summary
Zonophone 797 Music Hall
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- AAlice, where art though?
Ernest Pike performing 'Alice, Where Art Thou?' on Zonophone, a British subsidiary of the Zon-o-phone company. The catalogue number and label suggest an Edwardian or early 1900s acoustic recording.AI summary
Zonophone 42357 Voice
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- AAll aboard for Girl land
- BLet's all go into the Ballroom
Florrie Forde, a celebrated Australian-British music hall and pantomime star, performing two theatrical songs on Zonophone; Forde was a major recording artist of the Edwardian era and remained active into the 1920s.AI summary
Zonophone 940 Music Hall
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- AAll about Jim
Will Evans on Zonophone performing 'All About Jim', a novelty or comic song by an unidentified artist on a British budget label.AI summary
Zonophone X42287 Comic
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- AAll about Jim
Will Evans performs All About Jim on Zonophone 42287, a single-sided issue.AI summary
Zonophone 42287 Comic
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- AAll coons look alike to me(09)
- BI'm wearing my heart away for you
Billy Williams, an early African-American vaudeville and recording artist, on Zonophone with 'All Coons Look Alike to Me' from 1909 — a historically important and commercially successful piece. The title reflects the racial terminology of its era; the song was one of Williams's signature pieces and a hit of the period.AI summary
Zonophone 562 Music Hall
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- AAll of a sudden it struck me
- BI had my Hand in my Pocket
George Formby, the Lancashire comedian and entertainer, recorded 'All of a Sudden it Struck Me' and 'I Had My Hand in My Pocket' for Zonophone, catalogue 1495. Formby was a major British music-hall comic and singer, best known for cheeky double-entendre novelty songs, and his 78s are widely collected.AI summary
Zonophone 1495 Music Hall
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- AAll that we said was Good Evening
- BMother's so particular with me
Jack Pleasants on Zonophone 1446, singing 'All That We Said Was Good Evening' and 'Mother's So Particular with Me'. Zonophone acoustic-era recordings are scarce in UK copies; Pleasants is now obscure.AI summary
Zonophone 1446 Voice
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- AAlways be as careful as you can
- BIs everybody happy
Florrie Forde, a leading British music-hall singer and comedian, recorded for Zonophone 55, an extremely early catalogue number. 'Always be as careful as you can' and 'Is everybody happy' are typical of her comedy and popular song repertoire. Forde was one of the great female music-hall entertainers of the Edwardian era.AI summary
Zonophone 55 Music Hall
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- AAmerican Medley
Musical Avolos on Zonophone X46753, performing 'American Medley'. Zonophone was a subsidiary of The Gramophone Company and pressed British and European recordings. The Avolos may have been a musical group or pseudonym.AI summary
Zonophone X46753 Instrumental
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- AAn Idyll
- BLove's Regret
Zona Vevey (artist unidentified) on Zonophone 1482. The titles suggest classical or art-song material; the artist does not appear in standard discographies.AI summary
Zonophone 1482 Classical
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- AANGELINA
- BLITTLE GIRL FROM NOWHERE
Harry Fay on Zonophone 294, performing 'Angelina' and 'Little girl from nowhere' — a comic or novelty side from a prolific artist on the Zonophone label.AI summary
Zonophone 294 Comic
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- AAny Complaints No
- BThe Military Representative
Harry Fay performing music-hall comedy novelties on Zonophone, a major British label of the 1920s-1930s.AI summary
Zonophone 1878 Music Hall
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- AAny Complaints No
- BThe Military Representative
Harry Fay, a British comic entertainer, recorded 'Any Complaints No' and 'The Military Representative' for Zonophone, a British budget label active from the 1900s through the 1950s.AI summary
Zonophone 1878 Music Hall
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- AAny little Girl that's a nice little Girl
- BThat mesmerising Mendelssohn Tune
Harry Fay singing 'Any little Girl that's a nice little Girl' and 'That mesmerising Mendelssohn Tune' for Zonophone 607, a light vocal record from the early 1910s.AI summary
Zonophone 607 Voice
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- AAny old Iron
- BI'm getting ready for my Mother in law
Harry Champion, the most popular British music-hall comedian of the Edwardian era, records two of his signature songs—'Any Old Iron' and 'I'm Getting Ready for My Mother-in-Law'—on Zonophone.AI summary
Zonophone 728 Music Hall
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- AAny old place where the sun shines
Florrie Forde was a major Australian music-hall star and recording artist of the 1910s and 1920s; this Zonophone side captures her in a comic ballad.AI summary
Zonophone X43109 Music Hall
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- AAre we all Here?
- BSqueeze her Ebenezer
Billy Williams performing "Are We All Here?" and "Squeeze Her Ebenezer" on Zonophone, a budget British label active through the 1920s-30s.AI summary
Zonophone 1012 Music Hall
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- AAre we all Here?
- BSqueeze her Ebenezer
Billy Williams, the Scottish music hall singer, performs 'Are we all Here?' and 'Squeeze her Ebenezer' on Zonophone, a small British label active from the 1920s onward.AI summary
Zonophone 1012 Music Hall
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- AAre we all Here?
- BSqueeze her Ebenezer
Billy Williams performing 'Are We All Here?' and 'Squeeze Her Ebenezer' on Zonophone 1012. Zonophone was an early British label subsidiary to The Gramophone Company, and this record represents popular comedy or novelty song of the 1900s–1910s era.AI summary
Zonophone 1012 Music Hall
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- AAre you the little girl
- B(F Williams)Good Morning Mr.Postman
F. Williams and Miss McCarthy recorded novelty and comedy material for Zonophone 127, an early British label from circa 1910–1920.AI summary
Zonophone 127 Music Hall
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- AArie des Kasper
Paul Veron on Zonophone oX22168: 'Arie des Kasper'. The artist is not readily identified; Zonophone was a major British label active from the 1900s through the early 1950s. The oX prefix suggests a foreign-language or ethnic recording.AI summary
Zonophone X22168
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- AArkansas Whistler
Albert Whelan recorded 'Arkansas Whistler' for Zonophone; a showcase for Whelan's famous whistling act and comedy talent.AI summary
Zonophone 42184 Music Hall
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- AArry & Family at the Zoo
- Bpart 2
Frank Leo on Zonophone 1553, performing 'Arry & Family at the Zoo' Parts 1 and 2, a comedy sketch in the British music-hall tradition with Cockney or working-class characters.AI summary
Zonophone 1553 Music Hall
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- AArry and family at the zoo Pt1
- BPt2
'Arry and family at the zoo' on Zonophone 1553, a novelty comedy recording by Frank Leo and party, likely from the 1920s or early 1930s.AI summary
Zonophone 1553 Comic
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- AAt ten o'clock at night
- BWhy do they call me Archibald
Jack Pleasants recorded 'At ten o'clock at night' and 'Why do they call me Archibald' for Zonophone, catalogue 1469. Pleasants was a music hall entertainer active in the 1920s–30s.AI summary
Zonophone 1469 Music Hall
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- AAuction Sale of a Stranded Circus
- BMy Musical Evening
Brothers Howard performing two novelty numbers, 'Auction Sale of a Stranded Circus' and 'My Musical Evening', on Zonophone, the British budget label owned by the Gramophone Company.AI summary
Zonophone 32 Music Hall
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- AAuld Robin Grey
Dutch Daly performing 'Auld Robin Gray' on Zonophone catalogue 12814. The artist is not widely documented in standard music-hall references; the 12000-series Zonophone is an early acoustic-era catalogue. An unrecognised artist on an early Zonophone number warrants investigation.AI summary
Zonophone 12814 Music Hall
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- ABad lad of the drama
- BDing dong
Jack Pleasants on Zonophone 1846 performing two comic or music-hall numbers from the early 20th century. Pleasants was an English music-hall entertainer; the catalogue number suggests a recording from around 1910–1915.AI summary
Zonophone 1846 Music Hall
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- ABagdad
- BAll alone
The Savoy Orpheans, a British dance band that recorded regularly in the 1920s, recorded 'Bagdad' and 'All Alone' for Zonophone 2539. The Savoy Orpheans were a significant British dance band of the early 1920s, associated with the Savoy Hotel in London.AI summary
Zonophone 2539 Dance
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- ABarney take me Home again
- BI'll take you Home again Kathleen
Philip Ritte (or Ritt) on Zonophone 216 (green label), singing 'Barney Take Me Home Again' and 'I'll Take You Home Again Kathleen', likely 1920s.AI summary
Zonophone 216 Voice
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- ABelinda
- BMother
Zonophone 1507 Music Hall
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- ABell Song
- BBolero Verdi
Elizabeth Newbold recorded the 'Bell Song' (from Lakmé) and 'Bolero Verdi' for Zonophone GO31. Zonophone was a major British label; this is a classical vocal recording from the acoustic era.AI summary
Zonophone GO31 Opera
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- ABetsy Brown
- BHey ho for the simple Life
Jack Pleasants performing two songs on Zonophone (catalogue 1664), from the acoustic or early electrical era.AI summary
Zonophone 1664 Voice
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- ABilly at the Pictures
- BBilly at the Play
B Whitlock and H Bluff on Zonophone, a British comedy duo performing music-hall sketches.AI summary
Zonophone 1633 Music Hall
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- ABilly at the pictures
- BBilly at the play
Harry Bluff and B. Whitlock recorded two Billy sketches—'Billy at the Pictures' and 'Billy at the Play'—for Zonophone 1633. British music-hall comedy of the early 1900s, likely part of a named-character series.AI summary
Zonophone 1633 Music Hall
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- ABitter Sweet fox trot
- BBitter Sweet waltz
The Hylton Band recorded 'Bitter Sweet' for Zonophone, offering both fox trot and waltz arrangements of the same tune. Jack Hylton's orchestras were among the most prolific British dance bands of the 1920s–30s, recording extensively for multiple labels.AI summary
Zonophone 6014 Dance
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- ABlaze Away
- BBaby Tank
Zonophone 1915 Music Hall
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- ABlue Danube
- BHome Sweet Home
R Svinerfeldt on Zonophone 457, piano recordings of popular classical melodies, an extremely early Zonophone catalogue number suggesting a pre-1910 recording.AI summary
Zonophone 457 Instrumental
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- ABlue of the night
- BPerry Werry Winkle
The Blue Lyres performing 'Blue of the Night' and 'Perry Werry Winkle' on Zonophone 6093. Zonophone was an early British label, and this record represents a vocal group or novelty number from the acoustic-to-electric transition era.AI summary
Zonophone 6093 Voice
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- ABluebells
- BSnowdrops
Tubaphone on Zonophone catalogue 146, one of the earliest issues of this secondary EMG label, with 'Bluebells' and 'Snowdrops'.AI summary
Zonophone 146 Instrumental
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- ABobbing about in the Briny
- B(H Fay)In the Days that are coming bye-and-bye
Billy Williams, the British music-hall performer, on Zonophone 240, performing 'Bobbing About in the Briny' and H. Fay's 'In the Days That Are Coming Bye-and-Bye'. Williams was a prolific entertainer of the early 20th century.AI summary
Zonophone 240 Music Hall
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- ABohemian Girl
- BMaritana
Mary Law recorded operatic and theatrical music for Zonophone in the early 1920s; this coupling of two operatic favourites is typical of acoustic-era vocal recordings on the secondary label.AI summary
Zonophone A231 Opera
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- ABoiled Beef & Carrots
- B(H Forman)For Months & Months & Months
Zonophone 213
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- ABonnie Leezie Lindsay
Harry Lauder, the Scots Music Hall legend, recorded 'Bonnie Leezie Lindsay' for Zonophone, the label that issued many of his early recordings.AI summary
Zonophone X42943 Music Hall
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- ABow Bells selection
- B(2 sides)
Firman performing a 'Bow Bells selection' on Zonophone 6031, a London character or medley piece from the acoustic or early electric era.AI summary
Zonophone 6031 Instrumental
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- ABradford
- BRimmington
Zonophone 1260
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- ABreakaway
- BLonsome Road
Maurice Elwin, vocalist, recorded popular ballads for Zonophone in the 1920s–30s. 'Breakaway' and 'Lonesome Road' are dance-band era ballads; this is a standard Zonophone issue from a major British label.AI summary
Zonophone 5418 Voice
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- ABritish Bulldog's watching at the door
- BJean
Harry Lauder, the famous Scottish comedian and entertainer, with 'British Bulldog's watching at the door' and 'Jean' on Zonophone 1473 from the early 1900s or 1910s.AI summary
Zonophone 1473 Personalities (Prs)
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- ABroken Down Merry-Go-Round
- B(Evelyn Knight) A Woman Likes to be Told
Eileen Wilson and Dick Thomas recorded "Broken Down Merry-Go-Round" and related novelty material for Zonophone. Both were American vocalists active in the 1950s with modest commercial appeal.AI summary
Zonophone 2317 Voice
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- ABrown sit down
- BRed White and Blue
Harry Champion, one of the greatest British music hall comedians, recorded two more of his signature comic songs on Zonophone.AI summary
Zonophone 765 Music Hall
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- ABuilding a Chicken House
- Bpart 2
Will Evans performing comedy sketches 'Building a Chicken House' (parts 1 and 2) on Zonophone 859, a British recording of the early 1900s–1920s era.AI summary
Zonophone 859 Comic
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- ABy the Blue lagoon
- BI used to sigh for the Silvery Moon
F Williams singing two popular ballads for Zonophone, a British label, in the early 1920s based on the catalogue number.AI summary
Zonophone 212 Voice
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- ABy the River Sainte marie
- BWhen the moon comes over the mountain
John Firman band on Zonophone 5953 from the late 1920s or early 1930s.AI summary
Zonophone 5953 Dance
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- ABy the Sea
- B(Williams)Let's go where the Crowd goes
Mark Sheridan on Zonophone catalogue 585 — a low catalogue number suggesting an early pressing — with 'By the Sea' and Williams's 'Let's Go Where the Crowd Goes'. Early Sheridan Zonophone recordings at low catalogue numbers are more uncommon than his later Odeon or Regal material.AI summary
Zonophone 585 Music Hall
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- ACabaletto
Luisa Tetrazzini was the most celebrated coloratura soprano of the Edwardian era, and her pre-HMV recordings for Zonophone are among the most prized operatic 78s. Catalogue number 10004 is from the Zonophone 10000-series, recorded in London around 1907–1908. These early Tetrazzini Zonophones are actively sought by operatic 78 collectors worldwide.AI summary
Zonophone 10004 Opera
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- ACall me early in the Morning
- BOn her pic-pic-piccolo
Billy Williams singing two comedy novelty numbers, 'Call me early in the Morning' and 'On her pic-pic-piccolo', for Zonophone Records catalogue 1030.AI summary
Zonophone 1030 Music Hall
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- ACan't we take it Home with us
- B(S Ireland/K Collins)Come over the Garden Wall
Florrie Forde was a major British music-hall singer and actress of the early twentieth century, famous for comic songs and popular ballads. 'Can't we take it Home with us' and 'Come over the Garden Wall' (credited to S. Ireland and K. Collins) are typical music-hall material recorded for Zonophone in the acoustic era (catalogue 210 suggests pre-1914).AI summary
Zonophone 210 Music Hall
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- ACanzonetta
Ranzato performing 'Canzonetta' on Zonophone, a British label active from the early 1900s onwards.AI summary
Zonophone 47907 Classical
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- ACaro Nome
Luisa Tetrazzini, 'Caro Nome' from Verdi's Rigoletto on Zonophone 10001. This is from the 10000-series of London Zonophone recordings made around 1907–1908, among the earliest and most sought of her discs. Note that Zon2502 (ids 14607 and 7302) also carries 'Caro nome', suggesting these may be distinct takes or series editions of the same aria.AI summary
Zonophone 10001 Opera
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- ACaro Nome
A second copy of Luisa Tetrazzini's 'Caro Nome' on Zonophone 2502 — see also id 14987 and id 7695 (which is Zon10001). The 2500-series and 10000-series Tetrazzini Zonophones are both actively collected; these two copies of the same disc should be compared for condition.AI summary
Zonophone 2502 Opera
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- ACaro nome
Luisa Tetrazzini's 'Caro nome' from Verdi's Rigoletto on Zonophone 2502. The Zonophone 2500-series represents some of her earliest London recordings, made before she moved to HMV, and is among the most collected early soprano discs. Note that at least one other copy of this same disc appears in this collection.AI summary
Zonophone 2502 Opera
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- ACarry me back to the mountains
- BOklahoma Charlie
Bud Billings and Carson Robison recorded 'Carry Me Back to the Mountains' and 'Oklahoma Charlie' for Zonophone; Robison was a prolific American country and folk-influenced performer, and Billings was a frequent duet partner.AI summary
Zonophone 5900 Country
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- ACasey at a wake
Russell Hunting, 'Casey at a Wake', on Zonophone 41006; Hunting was one of the earliest recording artists, famous for comic Irish-inflected monologues recorded in the acoustic cylinder era, and this side represents the transition to disc recording in the 1900s.AI summary
Zonophone 41006 Comic
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- ACasey taking the Census
Zonophone 232 Music Hall
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- ACasey taking the Census
Russell Hunting, an early phonograph artist whose novelty monologues and ethnic skits were recorded from the 1890s onward, on Zonophone 41004—a record from the acoustic era and among the earliest items in any such collection.AI summary
Zonophone 41004 Comic
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- ACat's whiskers
- B(Doerr)I wish I knew
Benson Orchestra of Chicago performing two jazz and novelty pieces on Zonophone, a British pressing of American jazz and dance material. The Benson Orchestra was a popular American ensemble active in the 1920s; UK copies of their recordings are scarce.AI summary
Zonophone o3679 Jazz
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- ACavalleria Rusticana
Ranzato, an artist of uncertain identification, recorded Mascagni's "Cavalleria Rusticana" for Zonophone, the acoustic-era label of the Gramophone Company.AI summary
Zonophone X47906 Opera
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- AChanticleer
- BYou're the One
Billy Williams, recorded 'Chanticleer' and 'You're the One' for Zonophone 584, likely in the late 1920s or early 1930s.AI summary
Zonophone 584 Voice
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- ACharlie Chaplin fox trot
- BHe's a Ragpicker
An unnamed band recorded 'Charlie Chaplin Fox Trot' and 'He's a Ragpicker' for Zonophone 1528, likely 1920s or early 1930s novelty or dance material inspired by the famous silent-film comedian.AI summary
Zonophone 1528 Dance
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- ACheer up, Mary
Florrie Forde, the great music hall singer known for popularising singalong choruses including 'It's a Long Way to Tipperary', sings 'Cheer Up, Mary' on Zonophone.AI summary
Zonophone X43140 Music Hall
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- AChoo What a silly Idea
- B(R Woodville)It'll be all the same
Woodville & Fay, a performer or duo, on Zonophone, performing novelty material from the 1920s-1930s.AI summary
Zonophone 2080 Music Hall
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- AChorale (Faust)
An operatic chorus performing the famous 'Chorale' from Gounod's *Faust* on Zonophone X44502, a single-sided pressing from an early British label.AI summary
Zonophone X44502 Opera
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- AChristmas Eve
- BChristmas Day
Zonophone 6262 Personalities (Prs)
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- AChristmas Waits
- BChristmas Raffle
A descriptive recording of Christmas music on Zonophone: 'Christmas Waits' and 'Christmas Raffle', likely a novelty or comedic piece rather than a straight performance.AI summary
Zonophone 1404 Comic
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- ACinderella
- BOld Mother Goose
Albert Whelan was a British whistler and entertainer of the 1920s–30s, famous for his signature whistled recitations with orchestral accompaniment; this Zonophone recording preserves his distinctive style on two light pieces.AI summary
Zonophone 265 Music Hall
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- ACinderella
- BOld Mother Goose
Albert Whelan, a whistler and entertainer of the early recording era, performing 'Cinderella' and 'Old Mother Goose' on Zonophone, the brown-label issue. Whelan was known for his distinctive whistling solos.AI summary
Zonophone 265 Instrumental
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- ACinderella
- BOld Mother Goose
Albert Whelan, a celebrated early British whistler and entertainer, recorded "Cinderella" and "Old Mother Goose" for Zonophone's green label series around 1910. Whelan was one of the first major recording stars and his nursery and character pieces were staples of the early gramophone.AI summary
Zonophone 265 Voice
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- ACoal black Mammy
- BI shall remember your Kisses
D Denton recorded 'Coal black Mammy' and 'I shall remember your Kisses' on Zonophone, catalogue 2195. The first title contains a period racial epithet reflecting 1920s recording practice.AI summary
Zonophone 2195 Voice
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- ACoaxing the Piano
- BPierrette
Max Darewski was a British composer and pianist who recorded extensively in the 1920s. This Zonophone side, numbered 2469, pairs two of his own compositions: 'Coaxing the Piano' and 'Pierrette', representing light classical and salon-music repertoire.AI summary
Zonophone 2469 Classical
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- ACohen
- BAll the Silver from the Silvery Moon
Billy Williams, a popular British music-hall and variety entertainer of the 1920s–1930s, performs two novelty comic songs on Zonophone 783: "Cohen" and "All the Silver from the Silvery Moon." Zonophone was a Gramophone Company label much used for British variety artists.AI summary
Zonophone 783 Music Hall
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- ACohen forms a new company
- BCohen at a Prize Fight
Joe Hayman, a popular music hall comedian of the early 1900s, performing his 'Cohen' character sketches on Zonophone 5239. Hayman was known for rapid-fire comic monologues in Jewish and Irish dialects, recorded extensively in the acoustic era.AI summary
Zonophone 5239 Music Hall
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- ACohen forms a new company
- BCohen at a Prize Fight
Joe Hayman was a celebrated American dialect comedian famous for his 'Cohen' character routines; this Zonophone pressing, from a high catalogue number late in the label's run, captures two classic pieces of his humorous repertoire.AI summary
Zonophone 5239 Comic
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- ACome and have a Look what I've got
- BI didn't know what to do
Billy Williams, a British music-hall singer and comedian, on Zonophone, catalogue 830, with 'Come and Have a Look What I've Got' and 'I Didn't Know What to Do'.AI summary
Zonophone 830 Music Hall
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- ACome and take me out tonight
- BHe'll tell you where to go
Nat Ayer, a British composer and songwriter known for Edwardian musical comedy, recorded 'Come and take me out tonight' and 'He'll tell you where to go' for Zonophone, catalogue 1781. These appear to be from his own compositions or associated stage works.AI summary
Zonophone 1781 Music Hall
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- ACome in Mr Cummin
- BMucking about the Garden
Clarkson Rose, the popular British music-hall comedian, on Zonophone 5429 with two comedy numbers, 'Come in Mr Cummin' and 'Mucking About the Garden'.AI summary
Zonophone 5429 Music Hall
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- ACome teach me how to love
- BI hope when I reach Loveland you'll be there
Nat Ayer, an American songwriter and composer of early 20th-century comic operetta and musical theatre, on Zonophone 1523 with 'Come teach me how to love' and 'I hope when I reach Loveland you'll be there'.AI summary
Zonophone 1523 Voice
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- ACome teach me how to love
- BI hope when I reach Loveland you'll be there
Nat Ayer, a British songwriter and performer of the 1910s–20s, recorded 'Come Teach Me How to Love' and 'I Hope When I Reach Loveland You'll Be There' on Zonophone; Ayer was active in musical theatre and popular song.AI summary
Zonophone 1523 Voice
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- ACome with me to the Races
- BLet's make a Night of it tonight
Harry Fay recorded 'Come with Me to the Races' and 'Let's Make a Night of It Tonight' for Zonophone, catalogue 868; Zonophone was a British label owned by the Gramophone Company, active from the 1900s through the 1950s.AI summary
Zonophone 868 Voice
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- AComical Coons
- BNational Airs
Olly Oakley on Zonophone, performing character or novelty material; the catalogue number is low, suggesting a recording from the 1910s-20s.AI summary
Zonophone 1174 Music Hall
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- AConsider the Lilies
- B(H Wilde)Song of Angels
Peter Dawson, the Australian-born baritone and one of the most prolific recording artists of the 1900s–1920s, on Zonophone performing two sacred songs.AI summary
Zonophone 743 Voice
-
- ACoronation
- BScouting
Zonophone 620 Personalities (Prs)
-
- ACould Lloyd George do it
- BRoll on tomorrow night
Clarkson Rose was a celebrated British entertainer and author, best known as the creator and star of the pierrots' concert party. These Zonophone recordings capture his work as a comedian and music-hall performer in the 1920s.AI summary
Zonophone 2577 Music Hall
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- ACourting Sarah Jane
- BJolly old Jarge
Charles Penrose, a popular British music-hall baritone of the early 1900s, recorded 'Courting Sarah Jane' and 'Jolly Old Jarge' for Zonophone 1364, an early catalogue number suggesting a pre-1920 acoustic recording.AI summary
Zonophone 1364 Music Hall
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- ACover it over quick Jemima
- BThe old high Hat that I was married in
Harry Champion performing 'Cover it over quick Jemima' and 'The old high Hat that I was married in' on Zonophone, catalogue 579. Another Zonophone pressing of the prolific cockney comic.AI summary
Zonophone 579 Music Hall
-
- ACreole Bells
- B(R Foster)Go as you please
G King performing novelty material on Zonophone, an early catalogue number suggesting the 1910s or very early 1920s.AI summary
Zonophone 45 Music Hall
-
- AD'ye ken Bonnie Mary
- BJessie Dear
Jock Lorimer recorded 'D'ye ken Bonnie Mary' and 'Jessie Dear' for Zonophone, catalogue 639; Lorimer was a Scottish singer and the ballad repertoire reflects the ethnic and regional recording market.AI summary
Zonophone 639 Voice
-
- ADaddy and home
- BMy old pal
Jimmie Rodgers, the 'Father of Country Music', recorded these two sides for Zonophone, a British label. This is a UK pressing of sides from Rodgers' prolific recording career in the late 1920s.AI summary
Zonophone 5356 Country
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- ADaddy parody
- BRed White & Blue parody
Fred Curran performing parodies 'Daddy parody' and 'Red White & Blue parody' on Zonophone 346, a small British label of the 1920s-1930s.AI summary
Zonophone 346 Comic
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- ADaisy's Daisy Roots
- BCarroty
Harry Champion, the Edwardian music-hall comedian, performs two novelty songs for Zonophone: 'Daisy's Daisy Roots' and 'Carroty'.AI summary
Zonophone 901 Music Hall
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- ADan'll Pegotty(09)
- BHow we saved the Barge
Bransby Williams was a celebrated British dramatic monologist and actor-reciter of the Edwardian era, known for his vivid character pieces and theatrical readings; this Zonophone 78 contains two of his famous recitations, extracts from Dickens' 'David Copperfield' and his own dramatic monologue.AI summary
Zonophone A115 Voice
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- ADance of the Cuckoos (Laurel & Hardy Theme)
- BHe's dead but he won't lie down
Leonard Henry performing 'Dance of the Cuckoos' (the theme from the Laurel and Hardy comedies) and 'He's dead but he won't lie down' on Zonophone. Henry was a British comedian and recording artist of the 1920s-30s.AI summary
Zonophone 6227 Music Hall
-
- ADancing Time
- BOh Star of Eve
Jack Hylton's band on Zonophone 2343, performing 'Dancing Time' and 'Oh Star of Eve'. Hylton was one of Britain's most successful dance-band leaders of the 1920s-30s.AI summary
Zonophone 2343 Dance
-
- ADapper Dan
- BKentucky Babe
The Black Diamonds on Zonophone 2263 recorded 'Dapper Dan' and 'Kentucky Babe'; Zonophone was a significant British label active from the 1900s to 1930s.AI summary
Zonophone 2263 Dance
-
- ADear
- BLike the big Pots do
Clarkson Rose, a British music-hall entertainer and playwright, recorded 'Dear' and 'Like the Big Pots Do' for Zonophone. Rose was known for comedic character songs and sketches in the 1920s–30s.AI summary
Zonophone 5303 Music Hall
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- ADear Homeland Goodbye
- B(A Gray)Little Golden Daffodil
Harry Fay on early Zonophone, performing sentimental vocal songs of the 1910s.AI summary
Zonophone 230 Voice
-
- ADear Mr.Admiral
- BThe Baby's Parade
George Lashwood was an Edwardian music-hall performer celebrated for his elegant style and 'Champagne Charlie'-type material. Zonophone 58 is an exceptionally low catalogue number — among the earliest Zonophone pressings made in Britain, dating from around 1900–1902. Single-sided Zonophones at this number range are among the earliest surviving British disc records and are genuinely scarce; Lashwood is a recognised name and this is an early document of his recording career.AI summary
Zonophone 58 Music Hall
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- ADear old England
- BTerritotials
Hal Ford performs two patriotic or topical songs for Zonophone, one of Britain's earliest record labels — Zonophone issued from the 1900s-1920s and the very low catalogue number suggests an extremely early recording.AI summary
Zonophone 144 Voice
-
- ADeath of Nelson
- B(A Gray)A Heart full of Love
Henry Turnpenny performing 'Death of Nelson' and other sentimental songs on Zonophone, early catalogue number suggesting an acoustic recording from around 1910–1915. Turnpenny was an English ballad singer of the Edwardian era.AI summary
Zonophone 67 Voice
-
- ADeh! non parlare al misero (Rigoletto)
Vincenzo Reschiglian, an Italian opera singer, recorded a tenor aria from Verdi's *Rigoletto* for Zonophone, a major British label of the early 1910s.AI summary
Zonophone 92017 Opera
-
- ADevil may care
- BSunflower Dance
Olly Oakley on Zonophone 1237 recorded 'Devil May Care' and 'Sunflower Dance'; Zonophone was a significant British label of the 1900s–1930s.AI summary
Zonophone 1237 Dance
-
- ADick my Soldier Boy
Hamilton Hill recorded 'Dick my Soldier Boy' for Zonophone, a British marque with a long history from the 1890s onward; the artist and exact period are not immediately identifiable from the title alone.AI summary
Zonophone 42257 Music Hall
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- ADo you know Mr Dunahue
- BEverybody's Ragtime mad
Florrie Forde, a major British music-hall and vaudeville star, recorded for Zonophone; 'Do You Know Mr Dunahue' and 'Everybody's Ragtime Mad' represent the comic and novelty songs for which she was famous.AI summary
Zonophone 920 Music Hall
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- ADon't blame me
- BThe Photo of the Girl I left behind me
Billy Merson, a music-hall comedian and singer, recorded 'Don't blame me' and 'The Photo of the Girl I left behind me' for Zonophone, catalogue 621. Zonophone was a short-lived British label of the 1920s. Merson was an established performer, making this a recording of period interest.AI summary
Zonophone 621 Music Hall
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- ADon't blame me
- BThe Photo of the Girl I left behind me
Billy Merson was a British music-hall comedian and singer popular in the early 1900s, celebrated for his comic monologues and his signature song "The Spaniard That Blighted My Life"; this Zonophone recording is from the acoustic era.AI summary
Zonophone 621 Music Hall
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- ADon't blame me
- BThe Photo of the Girl I left behind me
Billy Merson recorded 'Don't Blame Me' and 'The Photo of the Girl I Left Behind Me' for Zonophone (621). Billy Merson was a British music hall performer and comedian; this is an early Zonophone pressing from the acoustic era.AI summary
Zonophone 621 Music Hall
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- ADon't sing a Song about a Rose to me
- BDon't let me get any better Nurse
Billy Williams recorded two comic or sentimental songs for Zonophone: 'Don't sing a Song about a Rose to me' and 'Don't let me get any better Nurse'.AI summary
Zonophone 832 Voice
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- ADon't sing a Song about a Rose to me
- BDon't let me get any better Nurse
Billy Williams, an American singer popular in the early 1950s, recorded 'Don't sing a Song about a Rose to me' and 'Don't let me get any better Nurse' for Zonophone, a British budget label. This is a UK pressing of his work.AI summary
Zonophone 832 Voice
-
- ADonkey & me
- BFool of the Family
Tom Foy on Zonophone 636, a British singer performing comic or novelty material of the 1920s-30s.AI summary
Zonophone 636 Music Hall
-
- ADonkey & me
- BFool of the Family
Tom Foy, a British music-hall comedian, on Zonophone 636, performing comic novelty songs 'Donkey & Me' and 'Fool of the Family'.AI summary
Zonophone 636 Music Hall
-
- ADown at the Old Bull and Bush
- BLove's Dream After the Ball
The International Novelty Quartette were a recording ensemble of the 1910s–1920s; this Zonophone disc preserves two popular songs from the period in a light vocal arrangement.AI summary
Zonophone 5726 Voice
-
- ADown where the Swanee River Flows
Frank Howard performs 'Down Where the Swanee River Flows' on Zonophone 190 — a catalogue number this low places this among the very earliest British Zonophone pressings, probably around 1900–1902. Howard is not a widely recognised recording name, but a Zonophone pressing with a three-digit number below 200 is a historically significant early acoustic document.AI summary
Zonophone 190 Voice
-
- ADrake goes West
- BRolling down to Rio
Peter Dawson, one of the finest and most recorded baritones of the acoustic and early electric era, performs two narrative songs 'Drake Goes West' and 'Rolling Down to Rio' on Zonophone 614. Dawson was an Australian baritone who became one of Britain's most prolific recording artists from the 1900s through the 1950s, known for ballads and narrative songs.AI summary
Zonophone 614 Voice
-
- ADrown your Trouble when the Band plays
- BMeet me
Zonophone 2245 Voice
-
- ADuo Faust
A Zonophone disc (2186) pairing two voices — Leon Lafitte and Baer — in a duet from Gounod's 'Faust'. The catalogue number 2186 is a low single-face Zonophone number suggesting an early pressing, likely 1902–1905. Leon Lafitte was a French tenor who recorded for several early labels; 'Baer' may refer to a baritone. Early Zonophone duets from this period are uncommon and worth closer investigation.AI summary
Zonophone 2186 Voice
-
- AEe by gum
- BFeminine Company
Clarkson Rose was a British entertainer and comedian of the music hall tradition, best known for his long-running seaside concert party 'Twinkle'; this Zonophone recording preserves his comic singing style.AI summary
Zonophone 5359 Music Hall
-
- AEileen Alannah
- BKathleen Mavourneen
Ernest Pike singing 'Eileen Alannah' and 'Kathleen Mavourneen' on Zonophone 494, a British label of the 1900s–1910s. Both are traditional Irish ballads.AI summary
Zonophone 494 Voice
-
- AEngine Driver
- BSince Father retired
Billy Merson, the British music-hall comedian and singer, on two comic songs, Engine Driver and Since Father retired, recorded for Zonophone 749.AI summary
Zonophone 749 Music Hall
-
- AEnglish Cup Final
- Bpart 2
Sammy Shields performs The English Cup Final in two parts on Zonophone 559.AI summary
Zonophone 559 Comic
-
- AEnjoy Yourselves
- B(Kirkby) They won't know I come from the Country
George Daly on Zonophone 161, a small British label from the early 1930s, with a novelty side credited to Stanley Kirkby. Zonophone was an early acoustc label revived briefly in the 1930s.AI summary
Zonophone 161 Music Hall
-
- AEsau take me on the See Saw
- B(Leighton) The Last Pub
Florrie Forde on Zonophone 34, a very early Zonophone pressing: British music-hall comedy and character song from the Edwardian era (c. 1900–1910).AI summary
Zonophone 34 Music Hall
-
- AEspana Waltz
Victor Herbert's Band performs the Espana Waltz on Zonophone 9384, a single-sided early British pressing. Like the companion Zonophone by Victor Herbert's Band in this collection, the 9000-series number places this in the 1905–1910 range; Herbert was the celebrated Irish-American composer and these early Zonophone band pressings have modest but real period appeal.AI summary
Zonophone 9384 Orchestra
-
- AEspana Waltz
Alexander Prince recorded "España Waltz" for Zonophone X49115, a British-pressed side on the Gramophone Company's budget label.AI summary
Zonophone X49115 Instrumental
-
- AEvery Sunday Evening as the Bells begin to ring
- BWee Macgregor
Zonophone 412 Music Hall
-
- AEverybody Two-step
- BWaltz me Willie in Ragtime
Harry Fay on Zonophone 996, a dance recording from the 1920s. Fay is unidentified in standard discographies, and this appears to be from an early Zonophone catalogue.AI summary
Zonophone 996 Dance
-
- AEverybody's crazy on the Fox Trot
- BThey all do the Charlie Chaplin Walk
Harry Fay on Zonophone 1568, performing two novelty songs with dance-related themes. Zonophone was a major British label and Fay was a music hall performer.AI summary
Zonophone 1568 Music Hall
-
- AEverybody's Jazzing now
- BThat big Jazz Band
An anonymous dance band performing the jazz-novelty numbers 'Everybody's Jazzing now' and 'That big Jazz Band' on Zonophone, a British label owned by the Gramophone Company. The catalogue number 1912 places this in Zonophone's early series, likely from the mid-1920s.AI summary
Zonophone 1912 Jazz
-
- AEveryday Sounds
- BEnglish & Australian Birds
Imito, on the Zonophone label 6134, 'Everyday Sounds' and 'English & Australian Birds'—apparently sound-effect or novelty recordings, likely from the 1920s–1930s; the artist (or label pseudonym) and the label itself remain obscure.AI summary
Zonophone 6134 Personalities (Prs)
-
- AEverything's made for love
- BNesting Time
Florence Oldham on 'Everything's made for love' and 'Nesting Time', from Zonophone 2915. Zonophone was a British label active from the acoustic era through the early electrical period; Oldham is not a known major recording artist.AI summary
Zonophone 2915 Voice
-
- AExperiences
- BI put him to sleep
George Formby, the Lancashire comedian and ukulele entertainer, recorded for Zonophone; an early recording of one of Britain's most celebrated variety stars.AI summary
Zonophone 2131 Personalities (Prs)
-
- AFamily [??]
An unidentified recording with unclear or missing artist and title information, released on Zonophone 623, a very early catalogue number from the early 1900s acoustic era.AI summary
Zonophone 623
-
- AFarmer's pride
- BWindmill
Peter Dawson, the distinguished Australian baritone, recorded 'Farmer's Pride' and 'Windmill' for Zonophone; Dawson was one of the most prolific recording artists of the 1920s–30s.AI summary
Zonophone 804 Voice
-
- AFather o' Flynn
Ian Colquhoun performing the Irish song 'Father o' Flynn' on Zonophone 1095. Zonophone was a budget British label active in the 1920s-30s.AI summary
Zonophone 1095 Voice
-
- AFelix kept on walking
- BI love me
Clarkson Rose, a British musical-hall entertainer and pantomime star, recorded these two comic numbers for Zonophone; Rose was popular in provincial theatre and his recordings remain a curiosity of the music-hall tradition.AI summary
Zonophone 2406 Music Hall
-
- AFelix kept on walking
- BI love me
Clarkson Rose, a British entertainer and Twinkletoes pantomime star, recorded 'Felix Kept on Walking' and 'I Love Me' for Zonophone, a small British label active in the early 1900s.AI summary
Zonophone 2406 Music Hall
-
- AFirst Time that I come up to London
- BLive & learn
Tom Foy, an unidentified performer, recorded 'First Time That I Come Up to London' and 'Live & Learn' for Zonophone, catalogue 1233, in the early 1920s. Zonophone issues of this era are moderately scarce.AI summary
Zonophone 1233 Music Hall
-
- AFlanagan
Florrie Forde, the celebrated British music-hall star, on 'Flanagan', Zonophone 43209. Forde was one of the most popular singers of the early 20th-century British stage, famed for her powerful voice and comic delivery.AI summary
Zonophone 43209 Music Hall
-
- AFollow me Girls (10)
- B(Fay)Put me upon an Island
Whit Cunliffe, the popular Edwardian music-hall comedian known for his coster songs and comic sketches, performs 'Follow Me Girls' and — with Fay — 'Put Me Upon an Island' on Zonophone 539, an early Zonophone pressing. The 539 number places this in the very early British Zonophone series, almost certainly pre-1905; Cunliffe is a collected music-hall name.AI summary
Zonophone 539 Music Hall
-
- AFollow the Footprints in the Snow
- BFiddle-dee-dee
Florrie Forde, one of Britain's best-loved music hall stars, recorded 'Follow the Footprints in the Snow' and 'Fiddle-dee-dee' for Zonophone, catalogue 898. Forde was a major Edwardian and Georgian-era performer known for comic and sentimental songs.AI summary
Zonophone 898 Music Hall
-
- AFor ever and forever
- BOnly you
Sydney Coltham performing romantic ballads 'For Ever and Forever' and 'Only You' on Zonophone. Coltham was a British tenor of the early twentieth century; Zonophone was a budget British label.AI summary
Zonophone 2159 Voice
-
- AFor unto us a child is born
- B[Various Christmas songs]
The Black Diamonds ensemble recorded Christmas music—including 'For Unto Us a Child Is Born'—for Zonophone, a British label owned by the Gramophone Company, in the early 1920s.AI summary
Zonophone 951 Classical
-
- AGarden of your heart
- BMegan
Sydney Coltham on Zonophone 1477, performing two sentimental ballads from the early recorded era.AI summary
Zonophone 1477 Voice
-
- AGathering Nuts and May
- BI sobbed and I cried like a Child
George Formby, the Lancashire comedian and ukulele player, recorded for Zonophone: 'Gathering Nuts and May' and 'I sobbed and I cried like a Child', characteristic of his comic and sentimental repertoire.AI summary
Zonophone 1520 Personalities (Prs)
-
- AGee but I like Music with my Meals
Jen Latona, credited on Zonophone, with the novelty song *Gee But I Like Music with My Meals*, a popular number of the 1910s–1920s. Artist and label suggest a minor performer or regional favourite.AI summary
Zonophone 961 Voice
-
- AGee but I like Music with my Meals
Jen Latona, a singer of the 1910s–20s, performs 'Gee but I like Music with my Meals' for Zonophone.AI summary
Zonophone 961 Voice
-
- AGee up
- BMe me me
George Formby was Britain's most popular comedian-entertainer of the 1930s and 1940s, known for his ukulele songs and cheeky humour; this Zonophone record of 'Gee up' and 'Me me me' is from his peak recording period.AI summary
Zonophone 1892 Personalities (Prs)
-
- AGee up
- BMe me me
George Formby, the Lancashire comedian and ukulele player, in two titles on Zonophone — 'Gee Up' and 'Me Me Me' — likely from the 1920s–30s. Formby was one of Britain's most popular entertainers.AI summary
Zonophone 1892 Personalities (Prs)
-
- AGee up
- BMe me me
George Formby, the Lancashire comedian and singer, recorded 'Gee Up' and 'Me Me Me' for Zonophone (1892). Formby was one of the most popular entertainers in Britain, famous for his ukulele-banjo and comic songs.AI summary
Zonophone 1892 Personalities (Prs)
-
- AGeneral Advice
- BWil Evans on Jim's Voice
Will Evans, a British music-hall performer, performing 'General Advice' and 'Will Evans on Jim's Voice' on Zonophone, a British label active from the early 1900s onwards.AI summary
Zonophone 1521 Music Hall
-
- AGenevieve
- BIn the Valley where the Bluebirds sing
Peter Dawson, Australia's most celebrated baritone of the early 20th century, performs 'Genevieve' with accompanist Ernest Pike on Zonophone — rare early acoustic recording of a legendary and prolific artist.AI summary
Zonophone 525 Voice
-
- AGenevieve
Alma Jones sings 'Genevieve' on Zonophone 592 — a very early Zonophone pressing, given the low catalogue number. Zonophone was one of the original British record companies, later absorbed into the HMV/Gramophone Company orbit. Alma Jones is not a widely traced artist, but early Zonophone pressings with low catalogue numbers are of historical interest to acoustic collectors.AI summary
Zonophone 592 Voice
-
- AGeordie & his Missus at the Skating rink
- BGeordie at the Dentist
Eric Foster performing comic patter songs on Zonophone: 'Geordie & His Missus at the Skating Rink' and 'Geordie at the Dentist'. Foster was a British music-hall performer of the early 1900s, specialising in character sketches and comedy monologues.AI summary
Zonophone 677 Music Hall
-
- AGet behind
- BI lifted the Latch & walked in
George Formby, the Lancashire comedian and ukulele player who dominated British entertainment in the 1930s and 1940s, recorded prolifically for Zonophone in the early years of his fame.AI summary
Zonophone 1909 Music Hall
-
- AGet behind
- BI lifted the Latch & walked in
George Formby, the ukulele-playing Lancashire comedian and entertainer, performing two novelty comic songs on Zonophone, catalogue 1909. Formby was one of the most popular British entertainers of the 1930s–1950s, with a distinctive comedy style and enormous recording output.AI summary
Zonophone 1909 Personalities (Prs)
-
- AGet that Girl
- BWhen Sandy McKie comes back to Inverary
Harry Fay recorded 'Get that Girl' and 'When Sandy McKie comes back to Inverary' for Zonophone, catalogue 1552, likely from the early 1920s.AI summary
Zonophone 1552 Voice
-
- AGilbert the Filbert
- B(J Rogers)Kiss me goodbye my little Soldier
Harry Fay performing comic novelty songs on Zonophone 1351, a low catalogue number from the early 1920s; 'Gilbert the Filbert' is a British novelty classic.AI summary
Zonophone 1351 Comic
-
- AGinger you're balmy
- BNever let your braces dangle
Harry Champion, Britain's greatest Edwardian music-hall comedian, recorded two more of his famous cockney comic songs for Zonophone: "Ginger You're Balmy" and "Never Let Your Braces Dangle". Zonophone was a major British label of the early 1910s, and Champion recordings survive across multiple labels.AI summary
Zonophone 317 Music Hall
-
- AGirls
- BBack to my Home in the Mountains
Billy Merson, a British music-hall comedian and singer, performing 'Girls' and 'Back to My Home in the Mountains' on Zonophone 808, sides from the 1920s–1930s.AI summary
Zonophone 808 Music Hall
-
- AGirls of today(09)
- BOh Mr.MacPherson(12)
Billy Williams performs 'Girls of Today' and 'Oh Mr. MacPherson' on Zonophone 2209. These are music-hall songs.AI summary
Zonophone 2209 Music Hall
-
- AGirls, study your cookery book
Zonophone X43150
-
- AGlory Song/ Bootmaker
Charles Alexander recorded 'Glory Song/Bootmaker' for Zonophone; likely a British music-hall or popular vocalist of the early-to-mid 1920s.AI summary
Zonophone 44756 Music Hall
-
- AGod Save the King/Rule Britannia
- BCoronation March/God bless the Prince of Wales
The Black Diamond Band performing patriotic and ceremonial marches on Zonophone 598, a British label of the early 1900s.AI summary
Zonophone 598 Orchestra
-
- AGod Save the King/Rule Britannia
- BCoronation March/God bless the Prince of Wales
The Black Diamond Band recorded patriotic and ceremonial music for Zonophone: 'God Save the King'/'Rule Britannia' and 'Coronation March'/'God Bless the Prince of Wales'. These are British national and royal occasion recordings, likely from the Edward VII or early George V era.AI summary
Zonophone 598 Orchestra
-
- AGoodbye Boys
- BI'll make you want me
Will Kuming on Zonophone 1286, a Gramophone Company budget label; popular sentimental material from the 1910s–1920s.AI summary
Zonophone 1286 Voice
-
- AGoodnight Nursie
- BOh Georgie what are you going to do?
Florrie Forde, a celebrated British music-hall star, performing two comic songs, 'Goodnight Nursie' and 'Oh Georgie what are you going to do?', on Zonophone—typical of her popular stage and recording repertoire.AI summary
Zonophone 2002 Music Hall
-
- AGrand Air
Leon Lafitte recorded the concert aria 'Grand Air' for Zonophone, the British budget label.AI summary
Zonophone 2174 Opera
-
- AGrandfather's clock
- BTo Let
George Formby was one of the most famous British entertainers of the 20th century, known for his comedic ukulele-playing and risqué comic songs, and for his starring roles in 1930s-1940s films. This Zonophone pressing is from his early recording period and captures his signature comedic style.AI summary
Zonophone 1696 Personalities (Prs)
-
- AGrandfather's Whiskers
- BWe're all coming back again
Clarkson Rose was a celebrated British comedian and variety performer; this Zonophone side pairs 'Grandfather's Whiskers' with 'We're all coming back again'.AI summary
Zonophone 2884 Music Hall
-
- AGrandfather's Whiskers
- BWe're all coming back again
Clarkson Rose, a British comedian and entertainer, performing two music-hall novelty songs for Zonophone, likely from the 1920s or 1930s.AI summary
Zonophone 2884 Music Hall
-
- AHame o mine
- BIt's a fine thing to sing
Harry Lauder, the Scottish music-hall entertainer and international star of the early 20th century, recorded 'Hame o Mine' and 'It's a Fine Thing to Sing' for Zonophone—examples of the sentimental Scottish songs Lauder famously performed.AI summary
Zonophone oGO58 Music Hall
-
- AHamlet
- BWho am I
Will Evans recorded 'Hamlet' and 'Who am I' for Zonophone, catalogue 71; Evans is untraced and the very low catalogue number suggests an extremely early Zonophone pressing from the acoustic era.AI summary
Zonophone 71 Voice
-
- AHark it is the Thunderman
- BYour Daddy did the same thing 50 Years ago
Jen Latona on Zonophone 1096 — 'Hark It Is the Thunderman' and 'Your Daddy Did the Same Thing 50 Years Ago.' Zonophone catalogue number 1096 is a very low number for the label, placing this among its earliest pressings, likely before 1905. Latona is not a widely traced name, but the early Zonophone series is actively collected.AI summary
Zonophone 1096 Music Hall
-
- AHas Anybody seen my Soldier boy
- BHush here comes the Dream Man
Florrie Forde, the Australian music-hall star who became one of Britain's most celebrated entertainers, recorded two songs for Zonophone: 'Has Anybody Seen My Soldier Boy' and 'Hush Here Comes the Dream Man'.AI summary
Zonophone 772 Music Hall
-
- AHave a Banana
- BWe all go the same Way Home
Zonophone 623 Music Hall
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